James Joyce Criticism - File 2: Collections & Key Articles

File 2

General Index

Annual Listing: Monographs, &c.

Collections & Articles (Chronological)
Tables of Contents (Studies & Collections)
*i.e., Biography or Reference, or else individual works (e.g., Dubliners, Ulysses, &c.)

Current File

The lists given here do not include works on specific titles (e.g., Dubliners, A Portrait, Ulysses, Finnegans Wake). For these, see under “Criticism Listed by Type or Title” - File 3 [infra]. The tables of contents of numerous works given here are also listed in a linked file.

Edited Collections (Conference Proceedings, et al.)
  • Valéry Larbaud, ‘James Joyce’, in Nouvelle Revue Française, 18 (April 1922), pp.385-407 [trans. in R. Deming, Critical Heritage, Vol. I, pp.252-62].
  • Samuel Beckett, et. al., Our Exagmination Round His Factification for Incamination of Work in Progress (Paris: Shakespeare & Co. 1929), 194pp., 8°; Do. (London: Faber & Faber 1936, 1961, 1972), viii, 194pp.; Do. (Norkfolk, Conn: New Directions 1939, [1951] 1962); and Do. [as James Joyce / Finnegans Wake: Our Exagmination Round His Factification for Incamination of Work in Progress (NY: New Directions 1972), 194pp. [see contents].
  • Seon Givens, ed., James Joyce: Two Decades of Criticism (NY: Vanguard 1948) [see contents].
  • Ulick O’Connor, ed. & intro., The Joyce We Knew (Cork: Mercier Press 1967; Dingle, rep. Brandon Press 2004), 127pp. [see contents].
  • Maurice Harmon, ed., The Celtic Master: Essays by Donagh MacDonagh, Niall Montgomery, Norman Silverstein, Margaret C. Solomon, Stanley Sultan [First James Joyce Symposium in Dublin, 1967] (Dublin: Dolmen Press 1969), 57pp.
  • John Ryan, ed., A Bash in the Tunnel: James Joyce by the Irish (Brighton: Clifton Books 1970), 259pp. [contents].
  • Robert Deming, ed., James Joyce: The Critical Heritage, 2 vols. [1902-1927; 1928-1941] (London: Routledge & Kegan Paul 1970), 821pp. - Vol. I [contents] & Vol. 2 [contents].
  • Philip F. Herring, ed., Joyce’s Ulysses Notesheets in the British Museum (Virginia UP 1972).
  • William M. Chace, ed., Joyce: A Collection of Critical Essays [Twentieth-Century Views] (NJ: Prentice Hall 1974) [reprint essays].
  • L. Bonneret, ed., in Ulysses Cinquante ans Aprés (Paris: Didier 1974) [incls. J. C. C. Mays, ‘Some Comments on the Dublin of Ulysses’, pp.83-89].
  • Walton A. Litz, ‘The Genre of Ulysses’, in The Theory of the Novel: New Essays, ed. John Halperin (OUP 1974), pp.109-20.
  • Poétique 26, [James Joyce Special Issue] ed. Hélène Cixous (1976).
  • Hans Walter Gabler, ‘The Seven Lost years of A Portrait of the Artist as a Young Man’, in Approaches to Joyce’s Portrait: Ten Essays, ed. Thomas F. Staley & Bernard Benstock (Pittsburgh UP 1976), pp.25-60.
  • Jacques Aubert & Maria Jolas, ed., Joyce and Paris 1902 … 1920-1940 … 1975 [Proc. of James Joyce International Symposium], 2 vols. (Paris: Editions du CNRS 1979) [1 vol. in French; 1 vol. in English].
  • K. McCrory and John Unterecker, eds., Yeats, Joyce and Beckett: New Light on Three Modern Irish Writers (Lewisburg: Bucknell UP 1976), 184pp. [see contents].
  • Willard Potts, ed., Portraits of the Artist in Exile: Recollections of James Joyce by Europeans (Washington UP 1979), 304pp. [see contents].
  • Modern British Literature, “James Joyce Special Issue” (1980), and Do. as James Joyce: New Glances [MBL Monographs, 2] (1980) [contribs. Fritz Senn, Bernard Benstock, Thomas F. Staley, Zack Bowen, Hugh Kenner, Joseph Kestner, Michael Groden, Brook Thomas].
  • Robert Young, ed., Untying the Text: A Poststructuralist Reader (London & Boston: Routledge 1981), x, 326pp. [incl. Maud Ellmann, ‘Disremembering Dedalus: A Portrait of the Artist as a Young Man’, pp.190-205].
  • Colin MacCabe, ed., James Joyce: New Perspectives (Brighton: Harvester Wheatsheaf 1982), 198pp. [see contents].
  • Suheil Badi Bushrui & Bernard Benstock, eds., James Joyce: An International Perspective: Centenary Essays in Honour of the late Sir Desmond Cochrane [with a message from Samuel Beckett and a foreword by Richard Ellmann]; (Gerrards Cross: Colin Smythe 1982), 301pp. ill. [facs. port.; see contents].
  • Suzette Henke & Elaine Unkeless, eds., Women in Joyce (Illinois UP; Brighton: Harvester 1982), 216pp. [see contents].
  • Bernard Benstock, ed., The Seventh of Joyce [International Symp.; Zurich, 1979] (Bloomington: Indiana UP; Sussex: Harvester Press 1982), xi, 267pp. [contribs. F. L. Walzl, T. Reynolds, et al.]
  • W. J. McCormack & Alistair Stead, eds., James Joyce and Modern Literature [Conference at University of Leeds, April 1982] (London: Routledge & Kegan Paul 1982), 222pp. [see contents].
  • Derek Attridge & Daniel Ferrer, eds., Post-structuralist Joyce: Essays from the French (Cambridge UP 1984) [see contents].
  • Heyward Ehrlich, ed., Light Rays: James Joyce and Modernism (NY: New Horizon 1984), 224pp. [contents].
  • Bernard Benstock, ed., Critical Essays on James Joyce (Boston: G.K. Hall 1985), 236pp. [see contents].
  • Claude Jacquet, ed., Genèse de Babel: Joyce et la cre´ation [Textes et manuscrits] (Paris: Éditions du CNRS 1985), 267pp. [contribs. Daniel Ferrer, et al.]
  • Harold Bloom, ed., James Joyce: Modern Critical Views (NY: Chelsea House 1986)
  • Morris Beja, et al., eds., James Joyce: The Centennial Symposium (Illinois UP 1986)
  • Bernard Benstock, ed., The Augmented Ninth: Papers from the Ninth James Joyce Symposium (Syracuse UP 1988)
  • Claude Jacquet, ed., Scribble I, Genèse du Texte (Paris: Lettres Moderne 1988), 192pp. [see also Scribble 2 (1990), Scribble 3 (1994), &c.]
  • Bonnie Kime Scott, ed., New Alliances in Joyce Studies (Delaware UP 1988) [incl. Joseph Valente, ‘The Politics of Joyce's Polyphony’, pp.56-77.]
  • Morris Beja & Shari Benstock, eds., Coping with Joyce: Essays from the Copenhagen Symposium (1989), xviii, 280pp.
  • Christine van Beerhamen, ed., Joyce, Modernity and Mediation [European Studies 1]; (Amstersdam & Atlanta: Rodopi 1989), 228pp. [see contents].
  • Augustine Martin, ed., James Joyce: The Artist in the Labyrinth (London: Ryan Publ. 1990), 354pp. [see contents].
  • Derek Attridge, ed., The Cambridge Companion to James Joyce (Cambridge UP 1990; 2004), 305pp. [see contents].
  • Janet E. Dunleavy, Melvin J. Friedman, & Michael Patrick Gillespie, eds., Joycean Occasions: Essays from the Milwaukee James Joyce Conference (Delaware UP 1991), 246pp. [see contents].
  • Vincent Cheng & Timothy Martin, eds., Joyce in Context [James Joyce Conference, Philadelphia 1989] (Cambridge UP 1992), xvii, 292pp. [see contents].
  • Eamon Hughes, ‘Joyce and Catholicism’, in Irish Writers and Religion, ed. by Robert Welch (Gerrards Cross: Colin Smythe 1992), pp.116-37.
  • Mary T. Reynolds, ed., James Joyce: A Collection of Critical Essays (Englewood Cliffs: Prentice Hall 1993), 238pp. [see contents].
  • Susan Stanford Friedman, ed., Joyce: The Return of the Repressed (Ithaca: Cornell UP 1993), 314pp. [see contents].
  • Mary T. Reynolds, ed., James Joyce: A Collection of Critical Essays (NJ: Prentice Hall 1993), 238pp. [see contents].
  • Andrew Gibson, ed., Reading Joyce’s “Circe” (Amsterdam & Atlanta: Rodopi 1994), 280pp. [see contents].
  • David Hayman & Sam Slote, eds., Genetic Studies in Joyce [European Studies 5] (Amsterdam & Atlanta: Rodopi 1995), 279pp. [see contents].
  • Mark A. Wollaeger, Victor Luftig, & Robert Spoo, eds., Joyce and the Subject of History (Michigan UP 1996), 248pp. [see contents].
  • R. B. Kershner, ed., Joyce and Popular Culture (Florida UP 1996), 223pp. [available electronically at NetLibrary 2001].
  • Bernard McCabe, ed., James Joyce: Reflections of Ireland (NY: Little, Brown 1993), 160pp., ill. Alain Le Garmseur [photos].
  • Vincent J. Cheng, Kimberly J. Devlin & Margot Norris, eds., Joycean Cultures/Culturing Joyces [Conference at Univ. of California] (Delaware UP; AUP 1998), 294pp. [see contents].
  • Ruth Frehner & Ursula Zeller, eds., “A Collideorscape of Joyce”: Festschrift for Fritz Senn (Dublin: Lilliput Press 1998), xxv, 468pp.
  • Joseph Valente, ed., Quare Joyce (Michigan UP 1998), x, 297pp.
  • Michael Patrick Gillespie, ed., Joyce Through the Ages: A Nonlinear View (Gainesville: Florida UP 1999), 215pp. [see contents].
  • Ursula Zeller, Ruth Frehner & Hannes Vogel, eds., James Joyce: “Gedacht durch meine Augen” / Through through my eyes (Basel: Schwabe Verlag 2000), 237pp. [Parallel text in German and English] [see contents].
  • Derek Attridge & Marjorie Howes, Semi-Colonial Joyce (Cambridge UP 2000), 269pp. [see contents].
  • Ursula Zeller, Ruth Frehner & Hannes Vogel, eds., James Joyce: “Gedacht durch meine Augen” /Thought through my eyes (Basel: Schwabe Verlag 2000), 237pp. [see contents].
  • Laurent Milesi, ed., James Joyce and the Difference of Language (Cambridge UP 2003), xiii, 232pp. [see contents].
  • R. Brandon Kershner, ed., Cultural Studies of James Joyce [European Joyce Studies, 15] (Amsterdam: Rodopi 2003), 215pp.
  • Jean-Michel Rabaté, ed., James Joyce Studies [Palgrave Advances Ser.] (London: Palgrave 2004), xviii, 293pp. [see contents].
  • Lucca Crispi [gen. ed.], James Joyce Pamphlet Series / National Library of Ireland (2004-2005) [see contents].
  • Colleen Jaurretche, ed., Beckett, Joyce and the Art of the Negative [European Joyce Studies, 16] (Amsterdam: Rodopi Press 2005), 246pp.
  • Andrew Thacker, ed., Dubliners [Palgrave Casebook Ser.] (London: Palgrave/Macmillan 2006), 226pp. [see contents].
  • Andrew Gibson & Len Platt, eds., Joyce, Ireland, Britain, with a foreword by Sebastian D. G. Knowles [Florida James Joyce Ser.] (Florida UP [2006]), viii, 243pp. [see contents].
  • Cormac Ó Cuilleanáin, et al., Italian Culture: Interactions, Transpositions, Translations (Dublin: Four Courts Press 2006) [contains essay on translations of Joyce].
  • Gert Lernout & Wim Van Mierlo, eds., The Reception of James Joyce in Europe, Vol. 1: Germany, Northern and East Central Europe; Vol. 2: France, Ireland and Mediterranean Europe (Thoemmes Continuum 2005), 540pp.
  • Anne Fogarty & Timothy Martin, eds., James Joyce on the Threshold [17th International James Joyce Symposium] (Florida UP [2005]), 299pp., ill. [see contents];
  • Andrew Hass, David Jasper & Elisabeth Jay, eds., The Oxford Handbook of English Literature (Oxford OUP 2007) [q.pp.]
  • Richard Brown, ed., A Companion to James Joyce (Oxford: Blackwell 2008), xviii, 440pp. [contents].
  • John McCourt, ed., James Joyce in Context (Cambridge UP 2009), xx, 414pp. [contents].
  • Sean Latham, ed., James Joyce (Dublin & Portland: IAP 2010), 228pp. [see contents].
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Articles, Chapters & Papers
  • Padraic Colum, ‘James Joyce’, in Pearson’s Magazine, 44 (May 1918, pp.38-41 [extract].
  • Silvio Benco, ‘James Joyce’, in Umana, 1 (1 July 1916), pp.1-3.
  • Valéry Larbaud, ‘James Joyce’, in Nouvelle Revue Française, XVIII (1 Avril 1922), pp.385-405; rep. as ‘The Ulysses of James Joyce’ [Sect. IV], in Criterion, I, I (Oct.. 1922), pp.94-103 and as preface to Gens de Dublin, Paris 1926.)
  • Edmund Wilson, ‘Ulysses’, in The New Republic (5 July 1922), rep. in Robert Deming, James Joyce: The Critical Heritage (London: Routledge, Kegan & Paul 1970), Vol. 1, p.230.
  • Alfred Noyes, ‘Rottenness in Literature’, in Sunday Chronicle (29 Oct. 1922), rep. in Deming, op. cit., 1970 [Vol. I], p.274.
  • T. S. Eliot, ‘Ulysses, Order, and Myth’, in The Dial, LXXV [75], 5 (Nov. 1923), pp.480-83; rep. in Seon Givens, ed., James Joyce: Two Decades of Criticism (NY: Vanguard 1948), p.201ff.; also in Deming, op. cit. [1970], Vol. 1, pp.268-71 [extract]; and Frank Kermode, ed., Selected Prose of T. S. Eliot (London: Faber & Faber 1975), pp.177-78.
  • Edmund Wilson, ‘James Joyce as Poet’, in New Republic, XLIV (Nov. 1925), pp.279-80.
  • Edwin Muir, ‘James Joyce: The Meaning of Ulysses’, in Calendar of Modern Letters, I, 5 (July 1925), pp.347-55 [rep. with adds. in transition, 1926, pp.19-36].
  • Wyndam Lewis, Time and Western Man (London: Chatto & Windus 1927, 1928) [incls. “Analysis of the Mind of James Joyce”.]
  • Edmund Wilson, ‘James Joyce’, in Axel’s Castle (NY: Charles Scribner’s Sons 1931) [rep. edn., London: Fontana 1984, pp.155-89]
  • Carl G. Jung, ‘Ulysses: A Monologue’, in Nimbus (1931); orig. ‘Ulysses: ein Monolog’, as in Europäische Revue, 8 (Sept. 1932), pp.547-68.
  • F. R. Leavis, ‘James Joyce and the Revolution of the Word’, in Eric Bentley, ed., The Importance of Scrutiny: Selections from Scrutiny: A Quarterly Review, 1932-1948 (NY: New York UP 1948) [rep. from Scrutiny, 2, 1933].
  • Frank Budgen, ‘James Joyce’, in Horizon, III (Feb. 1941) [c.p.105].
  • Maria Jolas, ‘Joyce as Revolutionary’ in New Republic (9 November 1942).
  • Joseph Prescott, “James Joyce’s Ulysses as a Work in Progress” [Ph.D.] (Harvard 1944) [the first doct. thesis].
  • Richard Ellmann, ‘Joyce and Yeats’, in Kenyon Review, XII (Autumn 1950), cp.622-23.
  • Arnold Kettle, ‘James Joyce: Ulysses’, in Kettle, An Introduction to the English Novel (London: Hutchinson 1953), 2, pp.135-51.
  • Gerhard Friedrich, ‘Bret Harte as a Source for James Joyce ’s “The Dead”’, in Philological Quarterly, XXXII, 4 (Oct. 1954), pp.442-44 [the name Gabriel Conroy from a character and title of 1903].
  • Richard Ellmann, ‘The Background of Ulysses’, in Kenyon Review, V, 16 (Summer 1954), pp.371-77.
  • Padraic Colum, ‘Working with Joyce’, in The Irish Times (5 Oct. 1956), p.5.
  • Northrop Frye, ‘Joyce and Blake’, in James Joyce Review, 1, 1 (Feb. 1957), pp.39-47.
  • Richard M. Kain & Robert E. Scholes, ‘The First Version of Joyce’s “Portrait”’, in Yale Review, 49, Spring 1960, p.143.
  • Robert Scholes, ‘James Joyce, Irish Poet,’ in James Joyce Quarterly, 2 (1965), pp.255-70.
  • Arthur Power, ‘Conversations with Joyce’, in James Joyce Quarterly, III, 1 (Fall, 1965), pp.41-46 [see extracts].
  • Hugh T. Bredin, ‘Applied Aquinas: James Joyce’s Aesthetics’, Éire-Ireland, 3, 1 (Spring 1968), pp.61-78.
  • John Rees Moore, ‘Artifices for Eternity: Joyce and Yeats’, in Éire-Ireland, 3, 4 (Winter 1968), pp.66-73.
  • Chester G. Anderson, ‘Controversy: The Question of Esthetic Distance’, in A Portrait of the Artist as a Young Man: Text, Criticism, and Notes, ed. Anderson (NY: Viking Press, pp.446-54.
  • Michael H. Begnal, ‘The Narrator of Finnegans Wake’, in Éire-Ireland, 4, 3 (Autumn 1969), pp.38-49.
  • William R. Ferris, Jr., ‘Rebellion Matured: Joyce’s Exiles’, in Éire-Ireland, 4, 4 (Winter 1969), pp.73-81.
  • E. San Juan, Jr, ‘“Eveline”: Joyce’s Affirmation of Ireland’, Éire-Ireland, 4, 1 (Spring 1969), pp. 46-52.
  • Eileen Kennedy, ‘Moore’s Untilled Field and Joyce’s Dubliners’, in Éire-Ireland, 5, 3 (Autumn 1970), pp.81-89.
  • Zack Bowen, ‘Hungarian Politics in “After the Race”’, in James Joyce Quarterly, 7 (Winter 1969), pp.138-39;
  • F. S. L. Lyons, ‘James Joyce’s Dublin’, in Twentieth Century Studies, 4 (1970), pp.6-25.
  • Ben L. Collins, ‘Joyce’s Use of Yeats and of Irish History: A Reading of “A Mother”’, in Éire-Ireland, 5, 1 (Spring 1970), pp.45-66.
  • Hélène Cixous, ‘Joyce, la ruse de l’écriture’, in Poétique , 4 (1970), pp.419-32; rep. in Prénoms de personne (Paris: Editions du Seuil 1974), trans. in Derek Attridge & Daniel Ferrer, eds., Post-structuralist Joyce: Essays from the French (Cambridge UP 1984), pp.15-30.
  • Donald T. Torchiana, ‘The Opening of Dubliners: A Reconsideration’, in Irish University Review, 1, 2 (Spring/Summer 1972), 149-60.
  • J. V. Kelleher, ‘Identifying Printed Sources for Finnegans Wake,’ in Irish University Review, 1, 2 (Spring 1971), pp.161-77.
  • John V. Kelleher, ‘Irish History and Mythology in James Joyce’s “The Dead”’ [America Committee for Irish Studies reprints] (Chicago Nov. 1971).
  • Stephen Heath, ‘Ambiviolences: Notes pour la lecture de Joyce’, in Tel Quel, 50 (1972), pp/22-43, and Do ., 51 (1972), pp.64-76; rep. in Attridge & Ferrer, op. cit., 1984, pp.31-68.
  • Jacques Aubert, ‘Riverrun’, in Change, 11 (1972), pp.120-30; rep. in Attridge & Ferrer, op. cit., 1984, pp.69-78.
  • Morton Levitt, ‘A Hero of Our Time: Leopold Bloom and the Myth of Ulysses’, in James Joyce Quarterly, 10, 1 (1972), pp.132-46.
  • Stephen Heath, ‘Trames de lecture (à propos de la dernière section de Finnegans Wake’, in Tel Quel, 54 (1973), pp.4-15.
  • Stephen Heath, ‘L’écriture spiralée (la socialité comme drama)’, in Le Discours social, 3-4 1973), pp.9-21.
  • J. C. C. Mayes, ‘Some Comments on the Dublin of Ulysses’, in Louis Bonnerot, ed., Ulysses: Cinquantes ans après (Paris: Didier 1974), pp.83-98.
  • Thomas Flanagan, ‘Yeats, Joyce and the Matter of Ireland’, in Critical Inquiry, 2, 1 (1975), pp.43-67.
  • Daniel Ferrer, Circé, ou les regrès éternels’ [1975]; to be published in Les Cahiers de l’Herne [c.1986], trans. & rep. in Attridge & Ferrer, op. cit., 1984, pp.127-44.
  • Jean-Michel Rabaté, ‘Lapsus ex machina’, in Poétique, 26 (1976), pp.152-72; rep. in Attridge & Ferrer, op. cit. (1984), pp.79-103.
  • Thomas F. Staley, ‘Strings in the Labyrinth: Sixty Years with Joyce’s Portrait’, in Approaches to Joyce’s Portrait, ed. Staley & Bernard Benstock (Pittsburgh UP 1976), pp.3-24.
  • John Henry Raleigh, ‘Bloom as a Modern Epic Hero’, in Critical Enquiry, 3 (Spring 1977), cp.596.
  • John Montague, ‘Jawseyes’, in The Crane Bag Journal of Irish Studies, 2, Nos. 1 & 2 (1977), pp.9-10 [editorial addressing three studies of Joyce by Louis le Brocquy printed in same issue, “Study 61”, p.1; “Study 63”, p.8; “Study 60”, p.192].
  • Vivian Mercier, ‘James Joyce as Medieval Artist’, in The Crane Bag, 2, Nos. 1 & 2 (1977), pp. 11-17.
  • Bernard Benstock, ‘A Setdown Secular Phoinish: The Finn of Finnegans Wake’, in The Crane Bag Journal of Irish Studies, 2, 1 & 2 (1977), pp.22-28.
  • Joseph Stephen O’Leary, ‘Joyce and the Myth of the Fall’, in The Crane Bag Journal of Irish Studies, 2, Nos. 1 & 2 (1977), pp.18-21.
  • John Jordan, ‘Amor Fati Sive Contemptus Mundi?, in The Crane Bag, 2, Nos. 1 & 2 (1977), pp.39-44.
  • Bruce Stewart, ‘Adamology’, in The Crane Bag Journal of Irish Studies, Nos. 1 & 2 (1977), pp.45-56.
  • Jacques Lacan, ‘Joyce le symtôme’, in Joyce and Paris, ed. Jacques Aubert & Maria Jolas (Editions du CNRS 1979), Vol. I, pp.13-17.
  • Jenifer Schiffer Levine, ‘Originality and Repetition in Finnegans Wake and Ulysses’, in PMLA, 94 (1979), pp.106-20.
  • George J. Watson, ‘James Joyce, From Inside to Outside and Back Again’, in Irish Identity and the Literary Revival (London: Croom Helm 1979), pp.151-244.
  • Jeanne A. Flood, ‘Joyce, Pearse, and the Theme of Execution’, in P. J. Drury, ed., Irish Studies, I (Cambridge UP 1980), pp.101-24.
  • Jackson I. Cope, ‘Joyce’s Wasteland’, in The Genres of Irish Literary Revival [ed. Augustine Martin] (Dublin: Wolfhound Press 1980), cp.104-05.
  • Hugh Kenner, ‘The Jokes at the Wake’, in Massachusetts Review, 22 (1981), pp.722-33.
  • Alan Warner, ‘James Joyce’, in A Guide to Anglo-Irish Literature (Dublin: Gill & Macmillan 1981), pp.109-20.
  • Jacques Derrida, ‘Deux mots pour Joyce’ [paper given at the Centre Georges Pompidou, 1982]; to be published in Les Cahiers de l’Herne ; trans. & rep. in Attridge & Ferrer, op. cit., 1984, pp.145-61.
  • Anthony Cronin, ‘The Advent of Bloom’, in Heritage Now: Irish Literature in the English Language (Dingle: Brandon 1982), pp.105-42, also ‘Footnote for a Poet’, pp.143-46.
  • Frederic Jameson, ‘Ulysses in History’, in McCormack & Stead, eds., James Joyce and Modern Literature (London: Routledge & Kegan Paul 1982), pp.126-41.
  • Denis Donoghue, ‘The Fiction of James Joyce’, in Augustine Martin, ed., The Genius of Irish Prose (Dublin/Cork: Mercier 1985), pp.76-88.
  • Seamus Deane, ‘Joyce and Stephen: the Provincial Intellectual’, and ‘Joyce and Nationalism’, both in Celtic Revivals: Essays in Modern Irish Literature 1880-1980 (London: Faber 1985), pp.75-91; 92-107, also, ‘Joyce and Beckett’, Do., pp.123-34.
  • Seamus Deane, ‘“Masked with Matthew Arnold’s Face”: Joyce and Liberalism’, in Morris Beja, et al., eds., James Joyce: The Centennial Symposium (Illinois UP 1986), pp.9-20.
  • John Kidd, ‘The Scandal of Ulysses’, in The New York Review of Books (30 June 1988), pp.1-8.
  • Jacques Derrida, ‘Joyce’s Gramophone: Hear Yes in Joyce’, in James Joyce: The Augmented Ninth: Proceedings of the Ninth International James Joyce Symposium, Frankfurt 1984, ed. Bernard Benstock (Syracuse UP 1988), pp.27-75, and Do. [rep.] in Acts of Literature, ed., Derek Attridge (London: Routledge 1992), pp.253-309.
  • John Kidd, ‘An Inquiry into Ulysses: The Corrected Text’ [Papers of the Bibliographical Society of America 82, 4] (BSA 1988), pp.411-584.
  • Declan Kiberd, ‘Introduction’, Ulysses (Harmondsworth: Penguin 1992) pp.ix-lxxix.
  • Denis Donoghue, ‘Is There a Case Against Ulysses?’, in Vincent Cheng & Timothy Martin, eds, Joyce in Context (Cambridge UP 1992), pp.19-39.
  • J. S. O’Leary, ‘Notes on the Soul-Motif in Joyce’s Portrait’, in The Harp: IASAIL-Japan Bulletin (1993), pp.61-9.
  • W. J. McCormack, ‘James Joyce: Bás nó Beatha’, in From Burke to Beckett (Cork UP 1994), pp.257-301.
  • Joseph Valente [guest. ed.], ‘Joyce and Homosexuality’ [Special Issue], James Joyce Quarterly,31, 3 (Tulsa UP 1994).
  • Vivian Mercier, ‘James Joyce: Creating Ulysses’, in Modern Irish Literature: Sources and Founders, ed. Eilís Dillon (Oxford: Clarendon Press 1994) [Chap. 8], pp.243-311.
  • Declan Kiberd, ‘James Joyce and Mythic Realism’, in Inventing Ireland: The Literature of the Modern Nation (London: Jonathan Cape 1995), pp.327-55.
  • Kristeva, Julia, ‘Joyce’s “The Gracehoper” or Orpheus’s Return’, in The New Maladies of the Soul (Columbia UP 1996), pp.172-88.
  • Kevin J. H. Dettmar, The Illicit Joyce of Postmodernism: Reading Against the Grain (Wisconsin UP 1996), xv, 276pp.
  • Len Platt, ‘Corresponding with the Greeks: An Overview of Ulysses as an Irish Epic’, in James Joyce Quarterly, 36, 3 (Spring 1996), pp.507-23 [extract].
  • J. A. Connor, ‘Radio Free Joyce: Wake Language and the Experience of Radio’, in Sound States: Innovative Poetics and Acoustic Technologies, ed. Adelaide Morris (North Carolina UP 1997), pp.17-31.
  • Willy Maley, ‘Postcolonial Joyce’?, in Irish Encounters: Poetry, Politics and Prose, ed. Alan Marshall & Neil Sammells (Bath: Sulis Press 1998) [Chap. 7; qpp.].
  • Michael Malouf, ‘Forging the Nation: James Joyce and The Celtic Tiger’, in Jouvert: Journal of Postcolonial Studies, ‘Ireland 2000’ [Special Irish Issue, ed. Maria Pramaggiore], 4, 1 (Fall 1999) [q.pp.] J. B. Lyons, ‘James Joyce: Steps Towards a Diagnosis’, in Journal of the History of the Neurosciences, 9, 3 (Dec. 2000), pp.294-306, ill. [given at Congress on the History of the Neurosciences and Psychiatry, Zurich/Lausanne, Sept. 1999].
  • Brian Caraher, ‘Edgeworth, Wilde and Joyce: Reading Irish Regionalism through the “Cracked Looking-glass” of a Servant’s Art’, in Ireland in the Nineteenth Century: Regional Identity, ed. Glenn Hopper & Leon Litvak, (Dublin: Four Courts [2000]), [q.p.]
  • Declan Kiberd, ‘Ulysses, Newspapers and Modernism’, in Irish Classics (London: Granta 2000), pp.463-81.
  • Brian Caraher, ‘Edgeworth, Wilde and Joyce: Reading Irish Regionalism through the “Cracked Looking-glass” of a Servant’s Art’, in Ireland in the Nineteenth Century: Regional Identity, ed. Glenn Hopper & Leon Litvak (Dublin: Four Courts [2000]) [q.p.].
  • Tom Paulin, ‘Pick, pack, pock, puck’, in Dublin Review (Summer 2002), pp.54-71 [a study of Joyce’s ‘classicism’];
  • Clare Hutton, ‘Joyce and the Institutions of Revivalism’, in Irish University Review, 33, 1 (Spring 2003), pp.117-32 [available at JSTOR - online];
  • Eleni Loukopoulou, ‘London, Language and Empire in “Oxen of the Sun” of James Joyce’s Ulysses’, in Literary London: Interdisciplinary Studies in the Representation of London, 3, 1 (March 2005) [extract];
  • Maud Ellmann, ‘Ulysses: Changing into an Animal’, in Field Day Review, 2 (2006), pp.74-93.
  • Valentine Cunningham, ‘James Joyce’, in The Oxford Handbook of English Literature, ed. Andrew Hass, David Jasper & Elisabeth Jay (Oxford OUP 2007) pp.499-522 [extracts];
  • Frederick S. Roden, ‘Confessing Stephen: The Nostalgic Erotics of Catholicism in A Portrait of the Artist as a Young Man’, in Catholic Figures, Queer Narratives, ed. Lowell Gallagher, Roden & Patricia Juliana Smith (Basingstoke: Palgrave Macmillan 2007) [q.pp.].

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