[...]

    Bloom was talking and talking with John Wyse and he quite excited with his dunducketymudcoloured mug on him and his old plumeyes rolling about.
    —Persecution, says he, all the history of the world is full of it. Perpetuating national hatred among nations.
    —But do you know what a nation means? says John Wyse.
    —Yes, says Bloom.
    —What is it? says John Wyse.
    —A nation? says Bloom. A nation is the same people living in the same place.
    —By God, then, says Ned, laughing, if that’s so I’m a nation for I’m living in the same place for the past five years.
    So of course everyone had a laugh at Bloom and says he, trying to muck out of it:
    —Or also living in different places.
    —That covers my case, says Joe.
    —What is your nation if I may ask, says the citizen.
    —Ireland, says Bloom. I was born here. Ireland.
    The citizen said nothing only cleared the spit out of his gullet and, gob, he spat a Red bank oyster out of him right in the corner.
    —After you with the push, Joe, says he, taking out his handkerchief to swab himself dry.
    —Here you are, citizen, says Joe. Take that in your right hand and repeat after me the following words.
    The muchtreasured and intricately embroidered ancient Irish facecloth attributed to Solomon of Droma and Manus Tomaltach og MacDonogh, authors of the Book of Ballymote, was then carefully produced and called forth prolonged admiration. No need to dwell on the legendary beauty of the cornerpieces, the acme of art, wherein one can distinctly discern each of the four evangelists in turn presenting to each of the four masters his evangelical symbol a bogoak sceptre, a North American puma (a far nobler king of beasts than the British article, be it said in passing), a Kerry calf and a golden eagle from Carrantuohill. The scenes depicted on the emunctory field, showing our ancient duns and raths and cromlechs and grianauns and seats of learning and maledictive stones, are as wonderfully beautiful and the pigments as delicate as when the Sligo illuminators gave free rein to their artistic fantasy long ago in the time of the Barmecides. Glendalough, the lovely lakes of Killarney, the ruins of Clonmacnois, Cong Abbey, Glen Inagh and the Twelve Pins, Ireland’s Eye, the Green Hills of Tallaght, Croagh Patrick, the brewery of Messrs Arthur Guinness, Son and Company (Limited), Lough Neagh’s banks, the vale of Ovoca, Isolde’s tower, the Mapas obelisk, Sir Patrick Dun’s hospital, Cape Clear, the glen of Aherlow, Lynch’s castle, the Scotch house, Rathdown Union Workhouse at Loughlinstown, Tullamore jail, Castleconnel rapids, Kilballymacshonakill, the cross at Monasterboice, Jury’s Hotel, S. Patrick’s Purgatory, the Salmon Leap, Maynooth college refectory, Curley’s hole, the three birthplaces of the first duke of Wellington, the rock of Cashel, the bog of Allen, the Henry Street Warehouse, Fingal’s Cave — all these moving scenes are still there for us today rendered more beautiful still by the waters of sorrow which have passed over them and by the rich incrustations of time. — Shove us over the drink, says I. Which is which?
    —That’s mine, says Joe, as the devil said to the dead policeman.
    —And I belong to a race too, says Bloom, that is hated and persecuted. Also now. This very moment. This very instant.
    Gob, he near burnt his fingers with the butt of his old cigar.
    —Robbed, says he. Plundered. Insulted. Persecuted. Taking what belongs to us by right. At this very moment, says he, putting up his fist, sold by auction off in Morocco like slaves or cattles.
    —Are you talking about the new Jerusalem? says the citizen.
    —I’m talking about injustice, says Bloom.
    —Right, says John Wyse. Stand up to it then with force like men.
    That’s an almanac picture for you. Mark for a softnosed bullet. Old lardyface standing up to the business end of a gun. Gob, he’d adorn a sweepingbrush, so he would, if he only had a nurse’s apron on him. And then he collapses all of a sudden, twisting around all the opposite, as limp as a wet rag.
    —But it’s no use, says he. Force, hatred, history, all that. That’s not life for men and women, insult and hatred. And everybody knows that it’s the very opposite of that that is really life.
    —What? says Alf.
    —Love, says Bloom. I mean the opposite of hatred. I must go now, says he to John Wyse. Just round to the court a moment to see if Martin is there. If he comes just say I’ll be back in a second. Just a moment.
    Who’s hindering you? And off he pops like greased lightning.
    —A new apostle to the gentiles, says the citizen. Universal love.
    —Well, says John Wyse, isn’t that what we’re told? Love your neighbours.
    —That chap? says the citizen. Beggar my neighbour is his motto. Love, Moya! He’s a nice pattern of a Romeo and Juliet.
    Love loves to love love. Nurse loves the new chemist. Constable 14A loves Mary Kelly. Gerty MacDowell loves the boy that has the bicycle. M. B. loves a fair gentleman. Li Chi Han lovey up kissy Cha Pu Chow. Jumbo, the elephant, loves Alice, the elephant. Old Mr Verschoyle with the ear trumpet loves old Mrs Verschoyle with the turnedin eye. The man in the brown macintosh loves a lady who is dead. His Majesty the King loves Her Majesty the Queen. Mrs Norman W. Tupper loves officer Taylor. You love a certain person. And this person loves that other person because everybody loves somebody but God loves everybody.
    [...]
    When, lo, there came about them all a great brightness and they beheld the chariot wherein He stood ascend to heaven. And they beheld Him in the chariot, clothed upon in the glory of the brightness, having raiment as of the sun, fair as the moon and terrible that for awe they durst not look upon Him. And there came a voice out of heaven, calling: Elijah! Elijah! And he answered with a main cry: Abba! Adonai! And they beheld Him even Him, ben Bloom Elijah, amid clouds of angels ascend to the glory of the brightness at an angle of fortyfive degrees over Donohoe’s in Little Green Street like a shot off a shovel.