Irish Emigrant Book Review, No.48 (July 1999)

Moira Bowers
Paul Carson
Bob Curran
Brendan Fullam
J. P. Harrington
Myrtle Hill
Brian Lacey
Janis Londraville
Richard Londraville

Arthur McKeown
Brian MacDermot
E. J. Mitchell
Breandan O hEithir
Ruairi O hEithir

Marian O’Neill
Vivienne Pollock
Kate Thompson

Cold Steel by Paul Carson
- The compact nature of Dublin as a capital city makes it a perfect setting for a crime novel, with all the places mentioned often familiar to the reader. In “Cold Steel”, the author has intertwined murder and medicine in a chilling account of drug abuse and manipulation, of the hunger for power in the political and medical worlds. The leading detective, Jim Clarke, has long been attending the Mercy Hospital following a bomb attack on his car, while Frank Clancy, the hospital’s haematologist, turns detective when one of his patients dies mysteriously and apparently needlessly.
It is the murder of 18-year-old Jennifer Marks, daughter of one of three consultants brought over from Boston to lead a groundbreaking heart unit at the hospital, that sparks the series of events which lead to the uncovering of a labyrinth of corruption. Carson skilfully links a number of seemingly disparate occurrences which take us from the leafy suburbs of south Dublin to the drug-ridden “mansions” of the inner city, from the medical world of Dublin to its counterpart in Boston. The ambitious and ruthless Linda Speer is the apparent villain of the piece almost to the end, but the author gradually reveals the identity of the person whose greed and hunger for power has brought destruction and near-destruction to so many.
While not usually being drawn to the thriller genre, in “Cold Steel” I found an exciting and well-told story which I read at one sitting.

[ top ]

Moer Mischief by Kate Thompson
- Kate Thompson’s second novel, following the fortunes of actress and would-be writer Deirdre O’Dare, could be described more as featherweight than lightweight, and at least one person of my acquaintance gave up after only a few chapters. The romantic entanglements of the heroine fail at first to catch the interest or imagination, and it seems immaterial whether she plumps for unreliable actor Rory McDonagh or the aristocratic and dependable Gabriel Considine. In fact “More Mischief” is worthy of perseverance and although some of the characters are stereotyped, in particular the two men in Deirdre’s life, others show some originality. In particular the wonderfully pretentious Sophie, fellow-actor and sparring partner for Deirdre. It is in Ms Thompson’s treatment of Sophie that the book is redeemed, for its wild humour at her expense. I particularly recommend the section in which Deirdre, Sophie and Cressida discuss wedding dresses, and the conversation between Deirdre and Sophie concerning a four poster bed.
It could be said that the dominant character in this book is the landscape of west Mayo, where much of the action is set. Ms Thompson has obviously a personal knowledge of the Westport area and writes about it with much affection. This in some way helped to prompt my interest, not so much as to which of the two men Deirdre would eventually choose, but how the author would lead us to the inevitable choice, and this was achieved with skill and imagination. “More Mischief” does not pretend to be a profound study of human nature, but as light entertainment it succeeds very well.

[ top ]

An Aran Reader - Ed. Breandan and Ruairi O hEithir
- This re-issue of a 1991 collaboration between father and son leaves the reader with a sense of familiarity with the landscape and people of the three islands that make up Aran. Although Breandan O hEithir did not live to see the original publication, he and his son had spent some three years gathering material, both prose and poetry, which demonstrates the varying reactions brought forth by a visit to Inis Mor, Inis Meain and Inis Oirr as well as reflecting the thoughts of those who were born there. The contributions are set out chronologically, beginning with Roderick O’Flaherty’s 1684 description of the three islands as being “famous for the numerous multitude of saints there living of old and interred”. A number feature observations from visitors to the island, notably Somerville and Ross whose description of a ball-alley built on a natural limestone pavement underlines the continuity of the entries, for Tim Robinson mentions the same feature in the final chapter of the book. Playwright J.M. Synge describes the funeral of a young man during which the young man’s mother keened over the skull of her own mother, uncovered during the digging of the grave. Aran-born writers have a section to themselves, with Liam O’Flaherty and his brother Tom featuring strongly, as does the poetry of Mairtin O Direain.
The man responsible for introducing the Aran Islands to the world on film, Robert Flaherty, describes how he was first given the idea of making the islanders the subject of a film, while Pat Mullen, the islander who worked with him, gives perhaps the most vivid and arresting description of all. The determination of both Flaherty and Mullen to complete the film in perfect conditions almost caused the death of four oarsmen, and Mullen’s description of the scene, and of his own emotions as he watched the epic struggle between man and sea, is among the most memorable in the book.
The people, the places, the legends of Aran are gathered here in what Brendain O hEither hoped would “create a mosaic of island life and history in the words of those who came to know the place as strangers, as well as those who wrote of the life they experienced from childhood”.

Miss Harrrie Elliott by Marian O’Neill
- This first novel from Ms O’Neill concerns the tentative effort at forming a relationship of a 17-year-old only daughter who is sent to the big city to take up employment. Placed in “suitable” lodgings by her rather distant but demanding parents, Mary Moore soon meets the girl who is to have such a profound effect on her life, and whose life she will affect even more deeply. The eponymous Harrie is far more worldly-wise than Mary and takes her under her wing, tempering the failures and humiliations of her days on the haberdashery counter of a department store and teaching her to use a sense of humour to overcome her unhappiness. Harrie introduces her to the world of smart restaurants, dances and men, in particular Harrie’s friend James, and here the light-hearted relationship begins to take on a darker tone. The apparently na=EFve Mary reveals a manipulative and grasping side to her nature which, coupled with Harrie’s intermittent dark moods, leads only to destruction.
The two contrasting characters of Harrie and “Em”, as Mary is called, in their dealings with the assorted residents of the boarding house and the procession of possible boyfriends paraded for Em by James, move in spurts from a comfortable togetherness to a strained distance. Em, both possessive and obsessive, learns the truth about the house in which she has been placed, and its other residents. The final outcome of her tussle with James for the possession of Harrie is that neither of them is the victor and all, indeed, lose what they most dearly cherished. This is a novel imbued with the atmosphere of a bygone age, when lipstick was frowned upon and young women dressed for dances in elegant ballrooms, or queued to watch Greta Garbo as an escape from their humdrum working lives; a novel whose characters remain with the reader long after the last page has been turned.

[ top ]

Too Long a Sacrifice - ed. Janis and Richard Londraville
- This book comprises a collection of letters exchanged between Maud Gonne McBride and John Quinn, a New York lawyer and art collector who used his influence, both political and artistic, to improve conditions for Ireland and Irish artists. The letters span a 15-year period from 1906 to 1921 and therefore encompass a particularly turbulent period in Ireland and Europe. Brought together through their friendship with the Yeats family, the two correspondents shared their thoughts on such topical issues as the Hugh Lane collection and the 1913 lockout in Dublin. Maud Gonne became involved in helping to feed the poor, especially the children, with generous financial assistance from Quinn, and the work continued while she lived in France to safeguard custody of her son Sean. The two major themes, however, were the 1916 executions of many of her closest friends, and the ravages caused by the Great War. However there was one positive outcome for the family since Major John McBride was one of those executed, thereby leaving them free to return to Ireland and bequeathing an honourable name to his son. In the event the move to Ireland was thwarted by the British who refused to grant Maud Gonne a passport. As to the First World War, while Maud Gonne lived through the experience in France with Sean and Iseult, John Quinn railed against the Germans, writing in one letter of “The men with the spiked helmets....the fiends incarnate, the organized demons”. He had no faith in the armistice and agreed with a French acquaintance that the war would have to be fought over again.
These weightier matters are interspersed with the trivia exchanged between friends, details of Sean’s illnesses from Maud are matched by mention of dinner parties with John Yeats, Wyndham Lewis or Lady Gregory from John Quinn, who also frequently sent gifts of books or apples to Maud and her children. He also came to her assistance when she was imprisoned in England and persuaded the authorities to release her on medical grounds. As far as is known the correspondence came to an end in 1921, just three years before the death of Quinn, but the careful editing and informative notes to each chapter have given us a unique insight into political, artistic and literary events in the first two decades of this century.

Women of Ireland by Myrtle Hill and Vivienne Pollock
- This reissue of a series of images, by photographers both known and unknown, is divided into sections under such headings as Education, Work, Leisure, Religion, Health and Welfare. The photographs themselves, chronicling life in Ireland for women of all classes between the years 1880 and 1920, are a remarkable testimony to the diversity of female experience in those years. Each section is prefaced by a short introduction while the photographs are captioned in some detail so that the reader is presented with a real insight into the lives of Irish women at the turn of the century. Some of the subjects are more obviously aware than others of the value of a photograph - the woman smoking her pipe at the Giant’s Causeway knew she represented an attraction for tourists. In contrast the old woman taking a break from the harvest for a bite to eat is exactly as she seems, overworked and exhausted at the busiest time of year. Although the majority of the subjects are unnamed, there are a number of photographs of noted Irish women, particularly in the section covering politics. Here we see Hannah Sheehy Skeffington, Louie Bennett, Maud Gonne and Countess Markievicz, the latter in a particularly artificial setting. This is a book to enjoy again and again, as each perusal of the varied images reveals more about the lives of those who are part of our own heritage.

[ top ]

Politics and Performance in Contemporary Northern Ireland ed. J. P. Harrington and E. J. Mitchell - (Reviewer: John McAvoy)
- This book consists of nine essays from different authors and is essentially an academic tome (including references). The thread which connects the nine pieces is the idea of performance, in the sense of acting a role. In some cases this theme is certainly relevant. For example, the first essay on Parker’s play about Henry Joy McCracken shows clearly the author’s intentions and the play’s relevance to contemporary thought and action in today’s Northern Ireland. Similarly, the final piece deals with the part played by television drama about the Northern “troubles” and how its reflection of social values has changed. In all, four of the essays relate to the stated theme. In other cases, however, the thread seems to be a rather tenuous link, as in the essays on policing and “forgiving the other side”. These remaining five essays are, of course, interesting in their own right but their place in this particular book might be questioned.
To this reader, at least, the essays which actually related to the overall theme were interesting and well written. This was particularly true of Richtarik’s item on Parker’s play. On the other hand, some of the essays which did not seem directly related to the general thesis appeared somewhat banal. For instance, in “Forgiving the other side”, we are told that Belfast adolescents had greater difficulty than their Dublin peers in understanding the concept of forgiveness. The conclusion is that the Belfast youths faced more immediate and serious threats to their lives than those in Dublin. An original insight. When the book is good, it is very good; when it is bad....

Dublin City Parks and Gardens by Moira Bowers
- From the Botanic Gardens on the Northside to Rathfarnham south of the Liffey, Moira Bowers has visited a number of public areas, large and small, and provided both a history and a practical guide to each one. As well as the more obvious inclusions, such as the Phoenix Park and the Garden of Remembrance, Ms Bowers also includes the less accessible places. St Kevin’s Park, for example, near St Patrick’s Cathedral, is one of many that began life as a graveyard and, according to the author, has the air of “an old walled cottage garden”. Many of the capital’s gardens are commemorative, the Peace Park, the Garden of Remembrance and Croppies Memorial Park being obvious examples, while one, Dubh Linn Garden, has actually been used as a helicopter pad. Not all of the open spaces are accessible to the public since they were originally laid out for the use of those living in the vicinity; an example would be Fitzwilliam Square, which is owned by nearby residents. This is a useful illustrated guide to the recreational areas of Dublin, giving as it does historical and botanical details as well as a practical guide to location and hours of access.

[ top ]

Discovering Derry by Brian Lacey
- Brian Lacey, an archaeologist and historian who has directed excavations in Derry, has produced a colourful guide to Derry which focuses on both the history and the attractions of the Maiden City. Generously illustrated with drawings and both black and white and colour photographs, the guide begins with an overview of the history of Derry from the sixth century, though evidence exists of settlement in the area dating back to the Mesolithic period. Particular attention is obviously paid to the pivotal years of the 17th century, and the present century is well chronicled, including partition, the beginning of the civil rights movement and the troubles of the past 30 years. In the second section the author gives us the visitor’s view of Derry, beginning with a street guide and including such landmarks as the city walls, buildings associated with Derry’s shirt-making industry, and a number of museums and churches. Mr Lacey also touches on the vexed question of the correct naming of the city, without coming to any definite conclusion, and finally ventures just over the border to note the historical importance of Grianan an Aileach, the hilltop site which was the home of the Ui Neill clan.

Battle of the Somme by Arthur McKeown
- This Easy Reader account for children, of the experiences of Irish soldiers in the First World War, is written from the perspective of a young Co. Antrim farmer who answered the call to fight for small nations. Roy sets off with a number of other men from his village amid initial excitement which soon turns first to boredom then to horror in the trenches of France. The carnage of the Battle of the Somme is simply but vividly recorded and the final chapter links the past to the present in a manner easily identifiable to young people.

The Shamrock by Bob Curran
- This history of the national plant of Ireland uses both fact and informed speculation to trace the shamrock’s origins from its use in driving away dark forces to its adoption by the Christian tradition, most notably with the coming of St Patrick. Believed in the 16th and 17th centuries to be a rebel food, inciting revolt among the Irish, the shamrock as a symbol has crossed the political divide on a number of occasions, from the 1798 rising to the badge worn by RUC members today. The final chapter deals with the artistic use of the shamrock, a plant which defied classification for a number of years before being definitively declared to be four different species of clover, by a Dublin civil servant in the late 19th century.

Temple Bar by Brian MacDermot
- Brian MacDermot has compiled a practical guide to what is seen as Dublin’s cultural quarter, beginning with just a short history of the area. After a general guide for visitors covering such areas as transport, currency and climate, the author lists alphabetically the streets, shops, entertainment centres, accommodation and restaurants to be found in this district of central Dublin. Each listing is followed by an explanatory paragraph which will both inform and help the visitor to plan which of the many attractions of Temple Bar to include in his or her itinerary.

Hurling by Brendan Fullam
- This guide to the game of hurling is a mixture of history, personality and practical details. The author, who has written three other books on the subject, gives an overall view of the game from ancient times to the present day, and includes its export through emigration to the US, Canada, Australia and Argentina. A selection of teams from a number of great players provides a cross-section of the notable names in the game over this century, while the final chapter reproduces the GAA’s rules of the game. For those unfamiliar with what is said to be the oldest field game in the world, this book will prove a fitting introduction; for enthusiasts the guide will deepen their interest in Ireland’s national game.

[ top ]