Details: Ilha do Desterro, 73:2 [Performance and Diaspora: Irish Theatre in its International Contexts], ed. Beatriz Kopschitz Bastos & Patrick Lonergan (UFSC [Santa Catarina] 2020), 173pp. - full text available at UFSC [online] and SCIELO [online]; accessed 16.10.2023. ]

CONTENTS: Introduction [9-16]; Domingos Nunez and Peter James Harris, ‘Roger Casement in the Twenty-first Century: The public and private faces of a multi-media Irish hero’[17-35; Anna Stegh Camati, ‘Cultural appropriation: Brazilian stage productions of Samuel Beckett’s Waiting for Godot’ [35-48]; Jacqueline E. Bixler, ‘From Kerry to Chiconcuac: Marie Jones’s Stones in His Pockets and Sabina Berman’s eXtras’ [49-62]; Aileen R. Ruane, ‘Language, Translation, and the Irish Theatre Diaspora in Quebec’ [63-83]; Martine Pelletier, ‘Brian Friel on the French Stage: From Laurent Terzieff to Women Directors of Dancing at Lughnasa’ [85-97]; Ji Hyea Hwang, ‘Domesticity in the Trilogies of Sean O’Casey and Yu Ch’i-jin’ [99-113]; Hiroko Mikami, ‘Richard Bean’s The Big Fellah (2010) and Jez Butterworth’s The Ferryman (2017): Two Plays about the Northern Troubles from outside of Northern Ireland’ [115-26]; Fernanda Korovsky Moura, ‘Dion Boucicault’s Robert Emmet?: The Question of Authorship and the Season Premiére at the McVicker’s Theatre, Chicago, on November 5, 1884’ [127-36]; Maureen Murphy, ‘Dion Boucicault: showman and shaughraun’ [137-44; as attached].

Resenhas/Book Reviews: Luke Lamont, review of Staging Trauma: Bodies in Shadow by Miriam Haughton (Palgrave Macmillan 2018); Dawn Duncan, review of The Theatre of Thomas Kilroy: No Absolutes by José Lanters (Cork UP 2018); Shaun Richards, review of Irish Drama and Theatre Since 1950 by Patrick Lonergan (Methuen 2019); Ian R. Walsh, review of The Theatre and Films of Conor McPherson: Conspicuous Communities by Eamonn Jordan (Methuen 2019).