Geert Lernout, ed., The
Crows Behind the Plough: History and Violence in Anglo-Irish Poetry and
Drama [Costerus Ser., Vol. 79] (Amsterdam: Rodopi 1991), 173pp.
CONTENTS: Nina Witoszeck and Patrick Sheeran, ‘The Tradition of Vernacular Hatred’, pp.11-27; Werner Huber,
‘Notes on Beckett’s Reception in Germany’, pp.29-39; Gerald
Fitzgibbon, ‘Historical Obsession in Recent Irish Drama’, pp.41-59;
Christopher Murray, Brian Friel’s Making History and the Problem
of Historical Accuracy’, pp.61-77; Ulrich Schneider, ‘Staging
History in Contemporary Anglo-Irish Drama: Brian Friel and Frank McGuinness’,
pp.79-98; Riana O’Dwyer, ‘Dancing in the Borderlands: the Plays
of Frank McGuinness’, pp.99-115; Rüdiger Imhof, ‘The Gigli
Concert Revisited’, pp.117-27; Tjebbe Westendorp, ‘The Great
War in Irish Memory: The Case of Poetry’, pp.129-41; Peter van de
Kamp, ‘Desmond Egan: Universal Provincialist’, pp.143-57; Edna
Longley, ‘Traditionalism and Modernism in Irish Poetry’, pp.159-73.
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