
The Journal: 2008
Reading Around |
Books, journals and websites met with .... |
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Whos doing what and where in Irish studies ... |
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Developing Ricorso and the issues involved ... |
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Reading Around
Maggie OFarrell |
Maggie OFarrell has won the Costa Prize with The Hand that First Held Mine (2010), a story of women in two generations, the bohemian 1950s in London and the present day - with a side-bar concerning the present-day husband Ted whose quest for information about his own childhood turns up uncomfortable surprises.
OFarrell has been treated by critics as the author of sentimental tales comprised of up-to-the-minute and suitably edgy themes - secret transgressions and ambivalent relationships - which grip the upper chic-lit audience fgrom start to finish. Tour de force, passionate and emotional, keenly-observed, mawkish, sentimental and embarrassing are all adjectives used about her.
Among Irish readers theres an interesting debate in progress as to whether she is or isnt of their nation. The Irish Times wonders if born in Ireland, raised in Scotland and Wales, resident in England disqualifies her from the national dictionary of biography notwithstanding her increasingly Irish looks as I grows older - as she told the London Independent.
Perhaps she rent a pad in Dublin and apply for Aosdána and put the matter to the test. What is really being tested is what we mean by Irish literature - the old chestnut ... to which we have no glib response at present. In compiling the current file on her, I have drawn extensively from the reviews attached to the COPAC listing of her titles. [See Maggie OFarrell, supra.] |
Rosamund Jacob |
Leeann Jacob has written a biography of Rosamond Jacob, one of the (very) peripheral figures of the Irish radical movement in the post-1916 period. She arrived in Dublin from Waterford and met everyone of note from Hanna Sheehy-Skeffington and Dorothy McArdle - which both of whom she shared a flat - to Peadar ODonnell and Frank Ryan - with whom she had an affair though he didnt deign to recognise her in public.
Niamh Purséil, reviewing the biography for The Irish Times, considers that it overstates her interest as a key into lives more ordinary than her, finding her atypical in many ways. As a woman writer, Purséil is able to point out one of Jacobs problems - the relative isolation of a Quaker radical in Ireland to one side: she was plain as a pikestaff .... A signed copy of her Rebels Wife (1959) was in the library of Mrs. Sybil le Brocquy and now belongs to RICORSO.
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(Un)canny critics |
Sigmund Freuds essay on The Uncanny (1919) has always had an attraction for Irish critics intent on arguing that the origins of Irish Gothic fictioin are to be found in the repression of colonial guilt on the part of its author-class, the Protestant ascendancy, and that the works of Le Fanu and Stoker, et al., in this vein are symptomatic of it - or, rather, that they give expression in literary form to the return of the repressed and hence anticipated the actually struggle for Irish Independence on the political plane. In uploading a full text copy of the essay to the Library region of this website, I found myself considering the pros and cons of the theory once again and, more specifically, the extent to which that essay offers the support of psychoanalysis for such a theory. .... [Go to RICORSO Library, International Critics [ index], or view the essay here.] |
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Irish Dreams |
Life and the Dream (1947) is the title of an autobiography by Mary Colum which looks back on the years in Ireland before she betook herself to America. The outlook is romantic. I don’t know who first fostered the theory that literature is intrinsically related to dreaming - whether Freud or Shakespeare or Nebuchadenezzar - but the idea had a certain currency in early-twentieth century Ireland, especially among the upper-class authors in whom idealism pur sang was more important than the grubby concerns of Irish nationalism. Hence it is that Lord Dunsany offered a smugly aristocratic view of the labour of the artist in his contribution to an anthology of Georgian Poetry published in 1917 [...]
Of all materials for labour, dreams are the hardest; and the artificer in ideas is the chief of workers, who out of nothing will make a piece of that work that may stop the child from crying and lead to higher things. For what is it to be a poet? It is to see at a glance the glory of the world, to see beauty in all its forms and manifestations, to feel ugliness like a pain, to resent the wrongs of others as bitterly as ones own, to know mankind as others know single men, to know Nature as botanists know a flower, to be thought a fool, to hear at moments the clear voice of God. (Dunsany, notice in Georgian Poetry 1911-1912, London: The Poetry Bookshop MCMXVIII [1918].) |
Shortly after coming across this in the file on Dunsany, I found myself visiting another on Oliver St. John Gogarty in which the following politically invidious remark is to be found:
Leisure, and all the accoutrements of leisure, lakes preserved, pictures, silver, and motor-cars, these are as red rags to the congenital Reds - the underdogs of all time. We shall be taught a lesson. In other words, all we possess that is the outcome of the creative imagination of artists who had the leisure to dream and to give their dream a local habitation, all that took time and loving care to accomplish, be it the cover of the Book of Kells or a silver inkstand, by all that appertains to a household of continuance, aye, even the house itself must be destroyed. And not that anything may live but hate. (Quoted in Peter Costello, The Heart Grown Brutal, 1977, p.214.) |
Apart from the fact that Gogarty - the whilom friend and afterwards hater of James Joyce - is clearly talking up the merits of wealth and the virtues of the rich, there is a suggestion here of the kind of shared conception of the generative relationship between leisure and art via impractical reflection which betokens a fire-side chat or two between the great men, perhaps at Renvyle where Gogarty had a pleasant country home. (I have to admit here that Renvyle was a spot frequented by the Ricorso family in childhood days - I remember my brother out-rowing me on the lake with a terrible, undying envy.)
It is not a conception - at least, as stated - which has borne well the test of time. Somewhere Yeats too reflect the same idea: perhaps in the epigraph to Responsibilities which proclaims: Responsibilities begin in dreams. Curiously, neither A. N. Jeffares, nor any other commentator on the poems, has been able to assign an origin to that supposed (or pretended?) quotation. Could it be the product of the same or similar fireside conversations?
Speaking of Dunsany, we have how got a historical context for his novel The Curse of the Wise Woman (1933) - albeit in an earlier period. [...]
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No rootless poet |
I wonder has anyone noticed that John Hewitt derived his essay title No Rootless Colonist from Sir Samuel Fergusons poem Mesgedra: [...] the man aspires / To link his present with his countrys past / And live anew in knowledge of his sires / no rootless colonist of alien earth [...]. It seems improbable that Terence Brown has not remarked it in Northern Voices (1978), considering that Hewitt also borrows his use and sense of the term alien from the same verses, as in his own poem, Once Alien Here, or elsewhere in the phrase years spent walking through an alien place. Must go and check ... Meanwhile, the note on Hewitts debt is in tucked into our file on Hewitt in Ricorso [ infra]. |
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Lords of Galway |
The Irish werent the only people who thought that the grandee landlords were a bit too absent. Apparently, when Lord Galway sought election in York he was opposed on just such grounds, together with his obvious self-interest as to a juicy posting in the British foreign service. While looking for details of works on Irish family history I was mistakenly directed by the COPAC database to this curious document - a polling pamphlet of 1784:
To the freemen of York: Permit me, my Brother Freemen, to ask you a few Questions before you give your Votes? Hath not our worthy old Member Lord John Cavendish always behaved to us in the most Honourable Manner? Did not Lord Gallway act most shabbily by us at the last election. Were not our Names then ordered in by his Committee under the denomination of Poor Indigent Objects of Charity? Were not a great number of our names struck out, because we provided decently for our Families? Did not this Irish Lord give up his Seat in Parliament for Pomfret and leave his Constituents on the bare promise of an Embassy? Is it not likely that he will also desert us as soon as he can get a Place? Will it not be a reflection upon us to have our names appear in a Poll-Book, that we voted for such a Man, whose duty if he did it, is to attend the Irish House of Lords? Sir William Milners Family served us faithfully, and he and Lord John Cavendish have all the Interest of the late Sir Charles Turner. A Cobler / [by Cobler]. 1784]
... which reminds me of a foolishness of my own when yonks ago I was an underling in Hodges & Figgiss on Nassau Street. Casting a quick eye over a cheque paid for some of Neville Figgis’s antiquarian books, it struck me that the tall gent who had just written it had omitted to sign his name, rather oddly supplying his address in its place- and that in the broadest terms: Galway. I hastened into the street to catch him up and posed my question, to which the answer came back promptly, I am Galway. Well, Galway, look at this! Not that a man is responsible for his anscestors, for isnt the current Lord Leitrim and very amiable man? |
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Revelations |
Few debuts - even in the fever of Celtic Tigerism - compare with the instant success of Peter Murphys that greeted John the Revelator (Faber 2008), which immediately scooped rave accolades from Roddy Doyle and Colm Toibín. The novel appears to concern the growing-up pains of John Devine from Buclody, Co. Wexford, who is surrounded by a gothic array of characters in an Irish town. Details of the plot are hinted at in Cathy Unsworths review which we have captured from the Guardian. Murphy is a long-standing staff-writer on Hot Press and a serious music head. He is also married, separated, blessed with lovely daughters, back in Enniscorthy where he was raised and living - as his mother insisted he lived in childhood - without a television. Recipé or what? |
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Down, not out?
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John Healy (b.1943) is an Irish Londoner who went down the road of drink and crime, and ended up in prison where an old hand called Harry the Fox taught him chess - the beginning of redemption. His classic autobiography The Glass Arena (1988), which won the J. R. Ackerley Award, has now been republished by Penguin Modern Classics with an afterword by Colin MacCabe. A Guardian article by Erwin James, himself a prison-bird who drew courage from the book, appeared in the Guardian and was reprinted in The Irish Times (Arts, Monday, 18 Aug. 2008). |
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Add this to Dermot Healys Sudden Times and you begin to see the elements of a growing London-Irish literature - or am I just fixating on the Healy name? Not that the genre does not have Irish forebears. Famously, for instance, The Ragged-Trousered Philanthropists, an eccentric classic of working-class socratics, was written by the Irishborn Robert Tressell - properly Robert Noonan (1870-1911), while the upper-crusty Walter Starkie published Raggle-Taggle (1933), set in the Balkans, followed by Spanish Raggle-Taggle (1934) - each fuelled by his troubadour-style travels. |
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The catalogue of Irish tramping literature would not be complete without mention of James (Jim) Leo Phelan, the Irish rover who fled Cork to escape a shot-gun marriage and returned to join the Republican movement, only to be imprisoned for 15 years in Manchester for his part in a lethal Post Office raid. After his release Phelan dwelt in Londons Bohemia (Soho/Fitzrovia) and wrote a number of novels parading his acquaintances of the underpass, bush and highway including studies of real criminals. He also wrote a war-time book, published by Gollancz, urging Winston Churchill to take the opportunity to reunite Ireland. His son Seamus Phelan is apparently preparing a biography and seeking anecdotes. |
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Working-class literature is certainly not an Irish monopoly, or even specialism - in spite of Seán OCasey, Lee Dunne, and many others - but the role of the tramp in Irish writing, so prominent in works of J. M. Synge and Samuel Beckett, indicates that the roofless elysium of which Beckett spoke is an hidden Irish province. Do I feel an essay looming? |
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Irish Generalissimo |
Sir Garnet Wolseley [infra] was the Irish-born generalissimo of Victorian England whose organisational abilities made his name synonymous with tight-shippery of every kind (all Sir Garnet). Long before the summit of his career. The lucky bugger died in 1913 before the world he knew in was thrown into disarray by World War I. For James Froude, a rather nasty piece of racist work, he was most distinguished living representative of the in Ireland in the dedication to The in Ireland (1872), as he called him in a book which nettled W. E. H. Lecky into writing his volumes on eighteenth-century Ireland, intending to refute the charge that Anglo-Ireland was just a colonial garrison.
Now, suddenly, Wolseley crops up in Colm Toibins novel The Master where he features in an early chapter as Henry Jamess host in Dublin during the soldiers terms his period of tenure as Commander-in-chief in Ireland. Dervla Murphy and Angus Mitchell have had interesting things to say about Wolseley - see our RICORSO record, infra - a hugely sanguine battler, and his brother Frederick, a leading figure in the rubber trade. As a final irony - if it is such, Wolseleys birthplace was Golden Bridge, the venue of the recent orphanage scandals in Catholic, post-independence Ireland.
If Wolseley is a relative obscure - at least, uncelebrated - Irish avatar, Oscar Wilde is no such thing, and Toibins treatment of the coincidence that Wildes Earnest succeeded when James Domville failed is one of the most scintillating things in an astonishingly bright novel. By bright I mean that Toibin has now manifestly demonstrated both the the subtly of her sense of the artistic life, keenness of his imagination, and the astonishing range of his resources as a reader and a writer. |
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Class of 55 |
I am ever meaning to write an essay on the The Class of 1955 - signifying Colm Toibin, Patrick MacCabe and Sebastian Barry, who all share that birth-year - but will I ever get around to it? Those who look on the Barry page will see that I am one of the very few who have read his earliest novel, while Toibin has an essay on Sebastian Barrys poetry, both in a collection of essay edited by Christina Hunt Mahony to which the present writer has contributed a chapter on his first and not commonly read novel The Engine of Owl-light - something of an exegetical tangle which personal acquaintance with Sebastian in early days enables me to expound in the least important contribution to this valuable collection. |
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Mystical Kavanagh |
Thanks to Inter-library Loan and the collection at Aberdeen UL, I recently got sight of Sr. Una Agnews Mystical Imagination of Patrick Kavanagh (1998), a work which states the argument in question in the fullest possible way. Agnew draws on previous versions of the same disputation in Tom Stacks Harvard dissertation of 1986 (“Ordinary Plenty: Patrick Kavanagh and the Catholic Imagination”) and a slightly later version in Michael Howletts dissertion on The Human Condition in the Writings of Patrick Kavanagh (1904-1967): A Theological Exploration, submitted at the Gregorian University, Rome, in October, 1990.
Both are mentioned in her valuable bibliography, sections of which have been added to the Kavanagh pages of this website [see under Patrick Kavanagh]. Aside form the ground-breaking biographical research which turned up the story of Kavanaghs errant grandfather (Peter Kevany, rightly-named), her interpretation suggests Kavanagh was a believer in the spirit of Vatican II avant le mot - an Irish mystic sine hell-fire and attendant sexual guilt.
This is an attractive view of Kavanagh, and one that confers new relevance on him, no only for the religious but for all those who hope to trace the origins and growth of a new spirituality in Ireland. That said, Seán MacReamoinn, the epitome of liberal gaelgóir-Catholicism himself - is imperfectly convinced by the thesis of a mystical Kavanagh, in part because Kavanagh was so unconvincing in the role of saint in his day-to-day existence (cadger, curmudgeon, drunk).
Agnew is unambiguous about her own religious faith, which has both a traditional and a modern side to it, if little sign of philosophical sophistication. It is in the spirit of the traditional Irish cleric that she concludes, pleasantly enought, that Kavanagh undoubtedly rests in Heaven in keeping with the superficial sense of one of his best-known poems (though I doubt his eschatology on that or any other occasion stands up to close examination). All being said and done, it might be best to corrale him with the other secular mystics of modern Irish poetry, among whom Derek Mahon and Seamus Heaney can be numbered in the first rank.
It is one of the lesser ironies of Irish history that the man who shopped Peter Kevany, the errant grandfather of Patrick Kavanagh, for cohabitation with Nancy Callan was W. Steuart Trench , a land-agent to the Shirley estates in Monaghan where Kevanys national school was situated. Trench is the author of Realities of Irish Life, the book so often held up as a prime example of the Malthusian perspective on Irish famine which is accredited with aggravated a tragic situation. When the book was reprinted in 1966, Kavanagh wrote the foreword - though with making any allusion to his school-teacher grandpas troubles. (Agnew calls the author Stuart Trench.) |
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