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Irish University Review:
A Journal of Irish Studies (1970- )
Tables of Contents
1995-2001
| See also Special Issue on Favourite Poems (Sept. 2009) - as attached. |
Irish University Review: A Journal
of Irish Studies, Vol. 25, No. 2 (Autumn/Winter 1995), CONTENTS:
Christina Hunt Mahony, ‘London Meets Laredo: A Nightmare: Louis MacNeice’s
Irish War’, pp.204-14; James E Robinson, ‘Writing Towards Zero:Beckett
at the Ending’, pp.215-31; Tim Kendall, ‘Parallel to the Parallel
Realm: Paul Muldoon’s Madoc - A Mystery’, pp.232-41;
Margaret Kelleher, ‘Anthony Trollope’s Castle Richmond:
Famine Narrative and Horrid Novel?’, pp.242-62; Mary O’Donnell,
‘"Rough Hands and a Sick Culture": The Irish Writer and
Cultural Tourism, pp.263-74; James Liddy, ‘Voices in the Irish Cities
of the Dead: Melodrama and Dissent in Frank McGuinness’s Cathaginians’,
pp.278-83; Mária Kurdi, ‘Rewriting the Reread: Brian Friel’s
Version of Turgenev’s A Month in the Country’, pp.284-97;
Albert DeGiacomo, ‘Remembering T. C. Murray: The Man and his Plays’,
pp.298-307; Concetta Mazullo, ‘Flann O’Brien’s Hellish
Other World’, frim Buile Shuibhne to The Third Policeman’,
318-28.
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Irish University Review: A Journal
of Irish Studies, ‘Literature, Criticism, & Theory’
[Special Issue] .Vol. 27, No. 1 (Spring/Summer 1997). CONTENTS: Christopher
Murray, ‘Introduction: Stirring the Pot Withershins’ [1]; Luke
Gibbons, ‘"Some Hysterical Hatred": History, Hysteria and
the Literary Revival’ [7]; Eibhear Walshe, ‘"Angels of
Death": Wilde’s Salome and Shaw’s Saint Joan’
[24]; Patricia Lynch, ‘A Stylistic Approach to Irish Writing’
[33]; Shaun Richards, ‘Placed Identities for Placeless Times: Brian
Friel and Post-Colonial Criticism’ [55]; Ciaran Benson, ‘The
Artist and Society: Krino, 1986-1996, [69]; Anne McCartney, ‘"Transported
into the Company of Women": A Feminist Critique of Francis Stuart’
[74]; S. J. Caterson Joyce, ‘The Kunstlerroman and Minor Literature:
Francis Stuart’s Black List, Section H’ [87]; Conor MacCarthy,
‘Ideology and Geography in Dermot Bolger’s The Journey Home’
[98]; Jefferson Holdridge, ‘Heart’s Victim and its Torturer:
Yeats and the Poetry of Violence 111]; Poetry Eamon Grennan, ‘On
Ward’s Island’, ‘Toronto’ [130]; ‘Simile’
[131]; Steam [131]; Denis Cotter, ‘The Breast of Blessing’ [132];
Sean Lysaght, ‘Extracts from a Version of "Diarmuid and Grania"’
[133]; Brian John, ‘The Achievement of Michael Longley’s The
Ghost Orchid’ [139]; Lionel Pilkington, ‘"Every Crossing
Sweeper Thinks Himself a Moralist": The Critical Role of Audiences
in Irish Theatrical History’ [152]; Vic Merriman, ‘Centring
the Wanderer: Europe as Active Imaginary in Contemporary Irish Theatre’
[166]; Wolfgang R. Sanger, ‘The "favourite Russian novelist"
in William Trevor’s Novella Reading Turgenev: A Postmodern
Tribute to Realism’ [182] Book Reviews by Christopher Murray, Giovanna
Tallone, Anthony Roche, John Loftus, Ben Barnes, Raphael F. McElligott
[199] List of Books Reviewed[ 214] Books Received [215]
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Irish University Review: A Journal
of Irish Studies, Vol. 27, No. 2 (Autumn/Winter 1997),
CONTENTS: Christopher Murray, ‘Slan’ [vii]; Adolphe Haberer,
Yeats and MacNeice: From Context to Intertext [219]; David Krause, Review
Article: The Reinvention of Ireland [236]; Kevin McNeilly, Cultural Morphologies:
Yeats, Spengler and Adorno [245]; Natalie Crohn Schmitt, The Landscape
Play: W. B. Yeats’s Purgatory [262]; John Adames, The Sonnet
Mirror: Reflections and Revaluations in Seamus Heaney’s "Clearances"
[276]; Maurice Harmon, From Conversations with Mary Lavin [287] NEW POETRY:
James Liddy, Being a Jacobite [293]; Susan Schreibmann, Journey to Houncecourt
Wood [295] Lis Christensen, A Reading of Elizabeth Bowen’s "A
Day in the Dark" [299]; John O’Meara, On the Fringe of Letters
[310]; Annual IASIL Bibliography; Bulletin 1996 [325]; Book Reviews by:
T. P. Dolan, G.A. Lester, Robert Hogan,]; Anthony Roche, John Kenny, Hermann
Rasche, Christopher Murray, Giovanna Tallone [360]; List of Books Reviewed
[377]; Books Received [378] .
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Irish University Review: A Journal
of Irish Studies,Vol. 28, No. 1 (Spring/Summer 1998), CONTENTS:
Anthony Roche [Ed.] , ‘Incipit’ [vii]; Robert Tracy, ‘Who
Fears to Speak of ‘98, ‘63, ‘64, ‘65, ‘66, ‘67,
‘68, ‘69, ‘70?: The Year of the French and the Nineteen
Sixties [1]; Chris Corr, ‘Matthew Arnold and the Younger: Yeats:
The Manoeuvrings of Cultural Aesthetics’ [11]; Matthew Gibson, ‘Satori
in Yeats’s "Stream and Sun at Glendalough"’ [28];
Taura Napier, ‘The Mosaic "I": Mary Colum and Modern Irish
Autobiography’ [37]; Scott Brewster, ‘A Residual Poetry: Heaney,
Mahon and Hedgehog History’ [56]; Richard Wall, ‘A Dialect Glossary
for Seamus Heaney’s Works’ [68]; NEW POETRY: R.T. Smith, ‘Illumination’
[87]; Linen List’ [87]; Augustus Young, ‘The Calling’ [90];
Kerry Hardy, ‘Vitality’ [91]; George Stanley, ‘Beyond the
Sublime: Reading: James Liddy’ [92]; Shane Murphy, ‘"You
Took Away My Biography": The Poetry of Medbh McGuckian’ [110
Sarah Broom, ‘McGuckian’s Conversations with Rilke in Marconi’s
Cottage’ [133 WRITERS ON STAGE: David Edgar, ‘About Now: Contemporary
British Drama’ [151]; Seamus Deane, ‘Irish Theatre: A Secular
Space?’ [163]; Patrick McCabe, An Interview with Christopher FitzSimon’
[175]; Marina Carr, ‘Dealing with the Dead’ [190]; Book Reviews
by: T.P. Dolan, Alan Roughley, Hedwig Schwall, John Kenny, John Fanagan,
John Loftus, Anne Fogarty’ [197]; List of Books Reviewed [211]; Books
Received [212]
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Irish University Review: A Journal
of Irish Studies [‘Brial Friel Special Issue’] , ed.
Anthony Roche, Vol. 29, No. 1( Spring/Summer 1999). Contents: Anthony
Roche, Introduction: The Worlds of Brian Friel [vii]; Seamus Heaney, The
Real Names [1]; ; Harry White, Brian Friel and the Condition of Music [6];
Christopher Murray Friel and O’Casey Juxtaposed 16]; George O’Brien
‘Meet Brian Friel’: The Irish Press Columns [30]; Patrick Burke,
‘Them Class of People’s a Very Poor Judge of Character’:
Friel and the South [42]; Helen Lojek, Brian Friel’s Gentle Island
of Lamentation [48]; Frank McGuinness, Faith Healer: All the Dead Voices
[60]; Robert Tracy The Russian Connection: Friel and Chekhov [64]; Brian
Friel, From Uncle Vanya: A Version of the Play by Anton Chekhov [78];
Thomas Kilroy, Friendship [111]; Anna McMullan, ‘In Touch with Some
Otherness’: Gender, Authority and the Body in Dancing at Lughnasa
[90]; Catriona Clutterbuck Lughnasa after Easter: Treatments of Narrative
Imperialism in Friel and Devlin [101]; Csilla Bertha, Six Characters in
Search of a Faith: The Mythic and the Mundane in Wonderful Tennessee [119];
Nicholas Grene, Friel and Transparency [136]; Anthony Roche, Frield and
Synge:Towards a Theatrical Language [145]; Jose Lanters, Brian Friel’s Uncertainy
Principle [162]; Richard Pine, Love: Brian Friel’s give Me Your
Answer, Do! Books reviewed: Harry White, The Keeper’s Recital:
Musical and Cultural history in Ireland, 1770-1970 (Cork UP 1998), 227pp.
[Anthony Roche]; Jerusha McCormack, ed., Wilde the Irishman (New Haven
&London: Yale UP 1998), xvi 205pp. [Jonathan Raby]; John Harrinton,
the Irish Play on the New York Stage, 1874-1966 (Kentucky UP 1997), 192pp.
[Christopher Murray]; Clive Hart, C. George Sandalescu, Bonnie Scott Kime,
and Fritz Senn, Images of Joyce, 2 vols. [Princess Grace irish Library] ,
Series ed., Bruce Stewart (Gerrards Cross: Colin Smythe: 1998). [Brian
Arkins]; Kathleen Devine and Alan J. Peacock, eds., Louis Macneice an
His Infulence (Gerrards Cross: Colin Smythe 1998), xvi, 184pp. [Sabrina
D’Allessandro]; Leland Bardwell, the White Beach: New and Selected
Poems 1960-1998 (Knockeven: Cliffs of Moher: Salmon Poetry [1988] ), 113pp.;
Clair Wills, Reading Paul Muldoon (Newcastle-upon-Tyne: Bloodaxe 1999),
222pp. [Jefferson Holderidge]; T. Ryle, Dwyer, Big Fellow, Long Fellow:
A Joint Biography of Collins and de Valera (Dublin: Gill & Macmillian,
1998).
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Irish University Review: A Journal
of Irish Studies, ed. Anthony Roche, Vol. 29, No. 2 (Spring/Winter
1999), 215pp. CONTENTS: Notes and Comments’ [vi]; Fidelma Farley, ‘Interrogating
Myths of Maternity in Irish Cinema: Margo Harkin’s Hush-a-Bye Baby’ [219];
Bruce Stewart, ‘"Bram Stoker’s Dracula: Possessed by the Spirit of
the Nation’ [238]; Phyllis Gaffney, ‘Dante, ‘Manzoni, ‘De Valera, ‘Beckett?
Circumlocutions of a Storekeeper: Beckett and Saint-Lô’ [256]; Moonyung
Chung, ‘The Mother-Daughter Relationship in Beckett: Footfalls and
Rockaby’ [281]; Awam Amkpa, ‘Drama and the Language of Postcolonial
Desire: Bernard Shaw’s Pygmalion’ [294]; Vic Merriman, ‘Decolonisation
Postponed: The Theatre of Tiger Trash’ [305]
NEW POETRY [318-20] Howard
Wright, ‘"Above the Clouds"’ [318] ."Feast"’ [318];
Knute Skinner, "A Hush" [319]; Thomas McCarthy, "At the
Ordination of Father Layton, 1800" [320]; John Goodby, ‘"The
Prouder Counsel of her Throat": Towards a Feminist Reading of Austin
Clarke’ [321]; Patrick Walsh, ‘"Too Much Alone": John Hewitt,
‘Regionalism, ‘Socialism and Partition’ [341]; Tim Hancock, ‘Seamus Heaney:
Poet of Tension or Poet of Conviction?’ [358] IASIL Bibliography 1998’
[376-405] Catriona Clutterbuck, review-article, ‘Eavan Boland and the
Trustworthiness of Treachery’ [The Lost Land, 1998]
Book reviews:
Philip Tilling [Terence Patrick Dolan, A Dictionary of Hiberno-English];
Christopher Murray [Maurice Harmon, ed., No Author Better Served: The
Correspondence of Samuel Beckett and Alan Schneider’]; Wanda Balzano
[Nick Havely, ed., Dante’s Modern Afterlife: Reception and Response
from Blake to Heaney]; Douglas Archibald [Seamus Heaney, Opened
Ground: Selected Poems 1966-1996]; Derek Hand [Vera Kreilkamp, The
Anglo-Irish Novel and the Big House]; Richard Pine [W. J. McCormack,
ed., The Blackwell Companion to Modern Irish Culture]; Moynagh
Sullivan [Medbh McGuckian, Shelmalier]; Brian Arkins [William H.
O’Donnell & Douglas N. Archibald, eds., The Collected Works of
W. B. Yeats, ‘Volume III: Autobiographies]; Shaun Richards
[Richard Pine, The Diviner: The Art of Brian Friel]; Derek Hand
[Robert Tracy, The Unappeasable Host: Studies in Irish Identity];
Douglas Archibald [Helen Vendler, Seamus Heaney]; Mary E. Daly
[Margaret Ward, Hannah Sheehy-Skeffington] .
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Irish University Review: A Journal
of Irish Studies, ‘Contemporary Irish fiction’ [Special
Issue] , ed. Anthony Roche, Vol. 30, No. 1 (Spring/Summer 2000) 208pp.
Contents: Anthony Roche, Introduction [vii]; Roberta Gefter Wondrich,
Exilic Returns: Self and History Outside Ireland in Recent Irish Fiction
[1]; Brian Donnelly, Roddy Doyle: From Barrytown to the GPO [17]; Elke
d’Hoker, Books of Revelation: Epiphany in John Banville’s Science
Tetralogy and Birchwood [32]; John Scaggs, Who is Francie Pig?
Self-Identity and Narrative Reliability in The Butcher Boy, [51]; Anne
Fogarty, Uncanny Families: Neo-Gothic Motifs and the Theme of Social Change
in Contemporary Irish Women’s Fiction [59]; Michael Parker, Shadows
on a Glass: Self-Reflexivity in the Fiction of Deirdre Madden [82] .; Derek
Hand, Being Ordinary - Ireland from Elsewhere: A Reading of Eilis Ni Dhuibhne’s The Bray House [103]; Laura Pelaschiar, Transforming Belfast: The
Evolving Role of the City in Northern Irish Fiction [117]; Dermot McCarthy,
Belfast Babel: Postmodern Lingo in Eoin McNamee’s Resurrection Man
[132]; Liam Harte, History Lessons: Postcolonialism and Seamus Deane’s
Reading in the Dark [149]; Gerry Smyth Shite and Sheep: An Ecocritical
Perspective on Two Recent Irish Novels [163]
Book reviews: Hugo
Hamilton, Sad Bastard, reviewed by Gerry Smyth [179-81]; Dora Murphy,
Sotto gli Occhi di uno Shirro, trans. into Italian and ed. by Rosangela
Barone, reviewed by Giovanna Tallone [181-83]; Katharine Worth, Samuel
Beckett’s Theatre: Life Journeys, reviewed by Nicholas Grene
[184-86]; Richard Allen Cave, ed., Selected Plays of T.C. Murray,
and Robert O’Driscoll, ed., Selected Plays of M. J. Molloy,
reviewed by Christopher Murray [186-89]; Richard Pine, and Charles Acton,
eds., To Talent Alone: The Royal Irish Academy of Music 1848-1998,
reviewed by Harry White [189-91]; Colin Graham, Ideologies of Epic:
Nation, Empire and Victorian Epic Poetry, reviewed by Peter Denman
[192-94]; Terence Brown, The Life of W.B. Yeats, reviewed by Jefferson
Holdridge [195-97]; Maighread Medbh, Tenant, Angela Patten, Still
Listening, and Joan McBreen, ed., The White Page/An Bhileog Bhan:
Twentieth-Century Irish Women Poets, reviewed by Catriona Clutterbuck
[197-200]; Kevin Brophy, In the Company of Wolves, reviewed by
Brian Donnelly [200-202] .
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Irish University Review: A Journal
of Irish Studies, ed. Anthony Roche, Vol. 30, No. 2 (Autumn/Winter
2000), 398pp. CONTENTS: Michael Holroyd, ‘Bernard Shaw the Immature Novelist’
[209]; Susan Bazargan, ‘Postmodernist Yeats: Figura and Simulacrum in The Player Queen’ [220]; Bernice Shrank, ‘Sean O’Casey’s Time
to Go and the Theory of a Just Price’ [232]; Michael Lloyd, ‘Brian
Friel’s Greek Tragedy: Narrative, ‘Drama, ‘and Fate in Living Quarters’ [244]; Shaun Richards, ‘Brian Friel: Seizing the Moment of Flux’ [254];
Michael Boss, ‘Country of Light: The Personal Nation of Patrick Pearse’
[272]; Anthony Bradley, ‘"Fumbling in a Greasy Till": Nation
and Class in Yeats’s Responsibilities’ [289]; Patrick Hicks, ‘An Interview
with Brian Moore’ [315]; IASIL Bibliography 1999 [321] Robert Tracy [Review
Article] , ‘The Man in the Cloak’ [350]
Book reviews [361-93] :
Eilis Ni Dhuibhne [Angela Bourke, The Burning of Bridget Cleary] ,
Chris Morash [Alan J. Fletcher, Drama, Perfortmance, and Polity in
pre-Cromwellian Ireland] , Andrew Carpenter [W. J. McCormack, Fool
of the Family: A Life of J. M. Synge] , Christopher Murray [Robert
Welch, The Abbey Theatre 1899-1999: Form and Pressure] , ‘Donald
E. Morse [Bruce Stewart, ed., Beckett and Beyond], Richard Pine
[F. C. McGrath, Brian Friel’s (Post)colonial Drama: Language, Illusion
and Politics; Paul Delaney, ed., Brian Friel in Conversation];
Brian Arkins [Jefferson Holderidge, Those Mingled Seas: The Poetry
of W. B. Yeats, the Beautiful and the Sublime] , Lucy Collins[ Donal
Moriarty, The Art of Brian Coffey; Alex Davis, A Broken Line:
Denis Devlin and Irish Poetic Modernism] , Peter Denman [Conor O’Callaghan, Seatown; Vona Groarke, Other People’s Houses] , Peter Costello
[Phyllis Gaffney, Healing Among the Ruins: the Irish Hospital at Saint-Lö] ,
Patrick Hicks [Denis Sampson, Brian Moore: The Chameleon Novelist] ,
Derek Hand [Liam Harte & Michael Parker, eds., Contemporary Irish
Fiction: Themes, Tropes, Theories; Conor McCarthy, Modernisation:
Crisis and Culture in Ireland 1969-1990]; Anne Fogarty [P. J. Mathews,
ed., New Voices in Irish Criticism]; List of Books Reviewed [394]
Books Received [395]
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Irish University Review: A Journal
of Irish Studies, ed Anthony Roche [guest ed. Catríona
Clutterbuck] , Vol. 31, No. 1 (Spring/Summer 2001), 213pp. CONTENTS: Catríona
Clutterbuck, Introduction [vii ]; Dennis O’Driscoll, ‘His Wit: Humour
and Satire in Thomas Kinsella’s Poetry’ [1]; Donatella Abbate Badin, ‘"Rhyme
and Rhythm and Beauty": The Abandoned Formalism of Kinsella’s Early
Poetry 1956-1968’ [19]; Alex Davis, ‘Thomas Kinsella and the Pound Legacy:
His Jacket on the Cantos’ [38]; Ian Flanagan, ‘"Tissues of Order":
Kinsella and the Enlightenment Ethos’ [54]; Maurice Harmon, ‘From Basin
Lane to Old Vienna: Place:’ Transcendence and Counterpoint in Thomas Kinsella’
[78]; Peter Denman, ‘Significant Elements: Songs of the Psyche and
Her Vertical Smile’ [95]; Thomas Kinsella, ‘"The Affair"’ [110]; "As an nGéibheann"’ [111]; Donatella Abbate
Badin, ‘From "An Interview with Thomas Kinsella"’ [113]; Jefferson
Holdridge, ‘Homeward, Abandoned: The Aesthetics of Home and Family in
Thomas Kinsella’ [116]; Lucy Collins, ‘A Little of What We Have Found:
Kinsella, Women, and the Problem of Meaning’ [135]; Ruth Ling, ‘Re-familiarizing The Familiar: From Effigy to Elegy in the Recent Marriage Poems
of Thomas Kinsella’ [153]; Derval Tubridy, ‘Difficult Migrations: The
Dinnseachnas of thomas Kinsella’s Later Poetry’ [172]
Book reviews
[187-209] : Maurice Harmon [Derval Tubridy, Thomas Kinsella: The
Peppercannister Poems] , Anthony Roche [Nicholas Grene, The Politics
of Irish Drama: Plays in Context from Boucicault to Friel]; Declan
Kiberd [Adrian Fraxier, George Moore 1852-1932] , Jefferson Holderidge
[Johb McCourt, The Years of Bloom: James Joyce in Trieste 1904-1920] ,
Wando Balzano [Gesa E. Thiessen, Theology and Modern Art; Dennis
Carroll, ed., Religion in Ireland: Past, Present and Future, Alasdair
D. F. Macrae [John Goodby, Irish Poetry Since 1950: From Stillness
into History] , Toshi Furumoto [Ken’ ichi Matsumura, ed., A Companion
to Irish Literature] , Margaret Kelleher [David Lloyd, After History]
List of Books Reviewed [210]; Books Received [211] .
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[...]
Articles from Irish University Review: A Journal of Irish Studies [Special Issue on Favourite Irish Poems, guest ed. Peter Denman] Sept. 22 2009) - see Contents - as attached.
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