Matthew Rice

Notes

Life
b. Belfast; son of Adrian Rice [q.v.]; first publ. in The Echo Room, ed. Brendan Cleary; grad. BA (Eng. Lit.) and PhD. (both QUB); issued The Last Weather Observer (2021), a debut collection of poems; also plastic (2025), a second collection based on 10-years’ of experience at a plastic moulding factory in which the poems take time-marks as titles to indicate the passage of time during a factory night-shift; poems from the second collection appeared in Granta (Oct. 2025) and two more othres were featured by Carol Rumens in her “Poem of the Week” column at the Guardian (16 Feb. 2026); lived at Whitehead, N. Ireland.

See Granta notice: ‘Matthew Rice was born in Belfast. Poems have appeared in the Poetry ReviewPoetry Ireland Review, and The Forward Book of Poetry 2022 (Faber). He holds an MA in Poetry from Queen’s University, Belfast, and a PhD from The Seamus Heaney Centre at Queen’s. His debut collection, The Last Weather Observer (Summer Palace Press), was published in 2021 and was included on the Arts Council of Northern Ireland’s top ten books of the year.’

 

Works
The Last Weather Observer (Summer Palace Press 2021); plastic (London: Fitzcarraldo Editions; USA: Soft Skull Press 2026).

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Criticism
Carol Rumens “Poem of the Week” [column], in Guardian (16 Feb. 2026) - features poems from plastic (2025) [available online]. Note: Rumens cites a footnote to  Jacques Rancière’s Proletarian Nights: The Worker’s Dream in 19th-Century France (1981), a book is set in 1830.

See also Colin Dardis, an interview with Matthew Rice, in The Honest Ulsterman () - available online [incls. port.].

Quotations

Some poems from plastic (2026)

20:03

Bagging and tagging

plastic table latches
for aeroplane seats

my hands are each its twin
and my copy of Gawain

is contraband beneath
the frosted-out skylight

all a-tinkle
with rain coming down

as rain must
to make itself heard

but the factory will never glisten
as it glistens this evening

when out of nowhere,
at the industrial park entrance,

two hares are each its twin.

01:03

A pigeon has strickened its way
into the factory

and before Joey the pigeon-racing fanatic
snaps its neck in an act of mercy

whatever language pigeon is
the pigeon is speaking death,

its undesperate eye open
and blinking like code:

We’re not long for this world
where we once carried messages

and sometimes lost our way
over patchworks of misery.

   

04:18

The last time I flew Flybe
I recognized my own handiwork
in the pristine edge

of the endbay that made up
the seating’s lower half,
four hours to Italy –

even on holiday,
even at thirty-five thousand feet,
at five-hundred miles an hour,

you can’t escape.

 
Available at Granta (Nov. 2025) - online.

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... More poems from plastic (2025)

01.29

When we look up at stars on break
we see only stars behind
the exhaled Milky Way
of Bobby’s Golden Virginia,
ways to navigate shift patterns,
nothing seismic or anything approaching
truth; for us stars mean only night shift,
insanity of depth,
the slow individual seconds
during which the dotted starlight
doesn’t burn fast enough.

05.29

It was wee Gail’s seventieth birthday
last week and she has a special
seat to sit on all shift

and her hands are old at the task,
old at working the tricks that come
with having laboured

in the same place for so long

and she’s making light work
of sifting defective ring washers
from those within tolerance and

her bench could be a grand piano,
her patch of floor a stage,
and, in another life, it is.

Available at the Guardian (16 Feb. 2026) - online.

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Notes
Summer Palace Press is published by Joan and Kate Newmann at Whitehead, Co. Antrim, Northern Ireland.