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Life [ top ] Criticism [ top ] Commentary Brian Fallon, review of Jonathan Benington, Roderick OConor (IAP 1992), 247pp. [biog-cat.] in [q.source]; sold few paintings in his lifetime, his work coming up for auction when his widow died in 1956. Fallon calls him probably the best of the Franco-Irish artists, but poses the question did not shyness in the market place derive from confidence or insecurity. My on feeling is that he was one of those gifted but insecure personalities who are almost fatally impressionable and always liable to be overwhelmed by the big, original geniuses of the age - in his case, Gauguin, Monet, van Gogh, Cezanne. He also notes the distrustful, almost paranoid streak, and the strange, in-and-out career, and the Tuohy reserve which only a select number of old friends succeeded in breaking through. A relation of the OConor don, son of a Roscommon landowner with a thriving business in Dublin; ed. Ampleforth; briefly engaged to a Finnish artist; married a girl from Pays Bas thirty years younger than himself; taught her to paint. [ top ] Notes Kith & Kin [nr. namesake]: see L. M. Geary, From Connerville, Co. Cork, to Connorville, Van Diemen's Land: the Irish Family Background and Colonial Career of Roderic O'Connor, 1786/7-1860 in Ireland, Australia and New Zealand: History, Politics and Culturem, ed. L. M. Geary and A. J. McCarthy (Dublin: IAP 2008), pp.152-69. [Supplied by Elizabeth Malcolm on Diaspora Irish Studies list, 10.03.2009.) [ top ] | |||