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Ethel Mannin, Two Studies in Integrity (London: Jarrolds 1954), Rev. Francis Mahony, in connection with Mahonys accounts of Moores review of OBriens book. According to Mannin Moore wrote a review of Henry OBriens Round Towers [1834/5], claiming that his theory had already been put forward by the Hon. Reginald Herbert in Nimrod (1826). Father Prout considered this ineffable impudence since Herberts theory was that they were the towers were fire altars, and went on to express his indignation at the injustice done to his friends grand and unparalleled discovery and more, But to accuse a writer of plagiarism, he should be himself immaculate; and while he dwells in a glass house, he should not throw stones at a man in a tower. He then charged Moore with taking songs from troubadours, &c. Returning to OBrien after a series of mock-translations, he writes, OBriens book can, and will, no doubt, afford much matter for witticism and merriment to the superficial, the unthinking, and the profane; but to the eye of [candour] it ought to have presented a page rightly fraught with wondrous research ... the volume, at least, should not be indicated to the vulgar by the fingers of scorn. Even granting that there were in the books some errors of fancy, of judgement, or of style, which [is] without reproach for our juvenile productions ... must [we] scare away OBrien because he approaches with a rude and unpolished but serviceable lantern ... I should shudder at the thought of crushing with my foot that dim speck of brilliancy [glow-worm] ... I would not harm the little lamplighter as a passed along in the woodland shade. In the obituary of OBrien which is added to Father Prouts paper in this issue of Frasers, the author declares that his book on Round Towers has through more light on early history of Ireland and of the freemasonry of these gigantic puzzles than will ever shine from the cracked pitchers of the Royal Irish Academy or the farthing candle of Tommy Moore, and further speaks of malignant hostility of Irish Academy twaddlers and their paltry transactions in the matter of the prize-essay, &c. [160-164]
Rev. Dr. Healy, [Archb. of Tuam], The Round Towers and Holy Wells of Ireland (Dublin: CTS [1898?]), 28pp.; '[republication of OBriens Essay, 1898 is] not worthy of a serious refutation, in the style puerile and turgid, the alleged facts unfounded; quotations inaccurate, &c., in [See Healy, RX].
A. P. Graves, Irish Literature and Musical Studies (1913), writes: When George Petrie won the RIA gold medal with his essay, Origin and Uses of the Round Towers, with two other papers on the same subject, OBrien received the second prize of £20, supporting the contention that they were of Danish origin, and was supported by Sir William Bentham in a virulent attack on the councils decision, which Petrie answered in Illustrations of the Round Towers. (p.220f.)
Roger Stalley (Irish Round Towers, Dublin: Country House 2000), notes that in 1832 one Henry OBrien, who had a theory that they were relics of phallus worship, was awarded £20 by the Royal Irish Academy for his research, or possibly, as Stalley argues, to keep him quiet (see Irish Times review, 15 July 2000.)
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Brian Cleeve & Anne Brady, A Dictionary of Irish Writers (Dublin: Lilliput 1985) and Dictionary of National Biography note that he attempted to show that [the round towers] were Buddhist remains.
Patrick Rafroidi, Irish Literature in English, The Romantic Period, 1789-1850 (Gerrards Cross: Colin Smythe 1980), Vol. 2; Irish archaeologist and author of The Round Towers of Ireland (London 1833; Dublin 1834); OBrien accused Thomas Moore of plagiarising him in his History of Ireland, F. S. Mahon[e]y siding with OBrien.
Belfast Public Library holds J. L. Vilanueva, Phoenician Ireland , trans. with notes, by H. OBrien (1867) [q.d.].
Hyland Books (Cat. 214) lists The Round Towers of Ireland, or The History of the Tuath-de-Dananns, intro. W.H.C. [new edition] (.e. 1898), xcv+551pp., port, ills.
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Load of Trollope: Rare copy of Henry OBrien, Phoenician Ireland (1833), notes and add. pls., with inscription from the author and Anthony Trollopes bookplate; to be sold by Martin Walsh Books at National Book Fair, Masonic Hall, Molesworth St. Dublin (Irish Times, 24 Aug. 1996, p.17).
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