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Table of Contents
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| Jody Allen Randolph, ‘Text and Context: Paula Meehan’ |
5-16 |
| Eavan Boland, ‘Unfinished Business: The Communal Art of Paula Meehan’ |
17-24 |
| Brendan Kennelly, ‘It takes trees in summer”, |
25-26 |
| Mary O’Malley, “City Centre’ |
27-33 |
| Luz Mar González-Arias, ‘In Dublin’s Fair City: Citified Embodiments in Paula Meehan’s Urban Landscapes’ |
34-49 |
| Andrew Auge, ‘The Apparitions of “Our Lady of the Facts of Life”: Paula Meehan and the Visionary Quotidian’ |
50-64 |
| Thomas McCarthy, ‘“None of us well fixed”: Empathy and its Aesthetic Power in Paula Meehan’s Poetry’ |
65-74 |
| Katarzyna Poloczek, ‘“Sharing Our Differences”: Individuality and Community in the Early Work of Paula Meehan’ |
75-89 |
| Kim McMullen, ‘“Snatch a song from a stranger’s mouth”: The Stage Plays and Radio Dramas of Paula Meehan’ |
90-113 |
| Michaela Schrage-Früh “Transforming that Past”: The Healing Power of Dreams in Paula Meehan’s Poetry’ |
114-26 |
Lucy Collins, ‘A Way of Going Back: Memory and Estrangement in the Poetry of Paula Meehan’
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127-39 |
| Ciaran Carson, “Painting Rain - for Paula Meehan” |
140-41 |
| Anne Mulhall, ‘Memory, Poetry, and Recovery: Paula Meehan’s Transformational Aesthetics’ |
142-55 |
| Jefferson Holdridge, The Wolf Tree: Culture and Nature in Paula Meehan’s Dharmakaya and Painting Rain’ |
156-68 |
| Eileen Denn Jackson, ‘The Lyricism of Abjection in Paula Meehan’s Drama of Imprisonment’ |
169-79 |
| Pilar Villar-Argáiz “Act Locally, Think Globally”: Paula Meehan’s Local Commitment and Global Consciousness’ |
180-93 |
| Gary Snyder, “Why California Will Never Be Like Tuscany” |
194 |
| Kathryn Kirkpatrick, ‘“A Murmuration of Starlings in a Rowan Tree”: Finding Gary Snyder in Paula Meehan’s Eco-Political Poetics’ |
195-207 |
| Paula Meehan, “Máirín Nic Eoin - Two Translations’ |
208-12 |
| Anne Fogarty, ‘“Hear Me and Have Pity”: Rewriting Elegy in the Poetry of Paula Meehan’ |
213-25 |
| Eric Falci, ‘Meehan’s Stanzas and the Irish Lyric After Yeats’ |
226-38 |
Jody Allen Randolph, ‘The Body Politic: A Conversation with Paula Meehan’ |
239-71 |
| Jody Allen Randolph, ‘Paula Meehan: A Selected Bibliography’ |
272-301 |
[Reviews] |
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Theo Dorgan, “Painting Silence in the World” [review-essay on Eamon Colman] |
318-20 |