• Stephen Hero: Part of the First Draft of “A Portrait of the Artist as a Young Man”, ed. Theodore Spencer (NY: New Directions; London: Jonathan Cape 1944);
• Stephen Hero: Part of the First Draft of “A Portrait of the Artist as a Young Man”, ed. & intro. by Theodore Spencer; rev. edn. with add. material and a Foreword by John J. Slocum & Herbert Cahoon [eds.] (London: Jonathan Cape 1956; rep. 1960, 1969), 253pp. [Foreword by Slocum & Cahoon, p.9; Intro. by Spencer, p.13; Editorial Note, p.25; Stephen Hero [being pp.519ff of the holograph], p.29; Additional Manuscript Pages, being pp. 477ff. of the holograph, pp.240-53];
• Stephen Hero: Part of the First Draft of “A Portrait of the Artist as a Young Man”, ed. & intro. by Theodore Spencer; rev. edn. with add. material and a Foreword by John J. Slocum & Herbert Cahoon [another edn.] (NY: New Directions 1963), q.p.
• Stephen Hero: Part of the First Draft of “A Portrait of the Artist as a Young Man”, ed. & intro. by Theodore Spencer; rev. edn. with add. material and a Foreword by John J. Slocum & Herbert Cahoon [pb. rep. edn.] (NY: Grafton Books; London: Triad Grafton/Collins 1977, &c.), 220pp. [Foreword by Slocum & Cahoon, p.7; Intro. by Spencer, p.11; Editorial Note, p.23; Stephen Hero, pp.519ff of the Manuscript, p.27; Additional Manuscript Pages, 477ff., pp.208-220];*
• Ludmilla Savitsky, trans., Stephen le Héros - Fragment de la Première Partie de Dedalus (Paris: Gallimard 1948), 238pp. [shares cover design by Paul Bonet with Gallimard edn. of Ulysse]

• Dubliners [1st edn.] (London: Grant Richards 1914);
• Dubliners (NY: Huebsch 1916);
• Dubliners (NY: Modern Library 1926);
• Robert Scholes, ed., Dubliners [1914] (London: Jonathan Cape 1967);
• Robert Scholes & A. Walton Litz, eds., Dubliners: Text, Criticism and Notes (NY: Viking Press 1967, 1969), and Do. (Harmondsworth: Penguin 1976), vi, 504pp.;
• Gens de Dublin, traduit de l’Anglais par Eva Fernandez [et al.] (Club Francais du Livre 1952), 228pp.;
• Dubliners, ill. by Allan Mardon [Coll. Stories of the World’s Greatest Writers] (Franklin Library 1979), 256pp. & pamphl.;
• Dubliners, with lithographs by Louis le Brocquy ([Mountrath, Laois]: Dolmen Press 1986), 261pp., ill.;
• Dubliners, intro. by Thomas Flanagan, illustrated by Robert Ballagh (NY: Limited Editions Club 1986), xviii, 289pp., [6]pp pls. [ltd. edn. of 100 copies];
• Dubliners [rev.; ed. Robert Scholes], with new intro., chronology and bibliography by John Kelly [Everyman’s Library, n.s., No. 49] (London: Random Century 1991), lv, 287pp.;
• Joseph McMinn, intro., Dubliners [by] James Joyce (Sutton: Stroud 1992), xiv, 194pp., ill. [contemp. photos], 26cm.
• Terence Brown, intro. & annot., Dubliners [Penguin 20th-Century Classics] (London: Penguin 1992), xlviii, 316pp.;
• John Wyse Jackson & Bernard McGinley, James Joyce’s “Dubliners”: An Annotated Edition (London: Sinclair-Stevenson 1993), xvi, 200pp.;
• Dubliners, ed. Hans Walter Gabler & Walter Hettche ([1st Vintage international edn.] NY: Vintage Books 1993), viii, 285pp.;
• Dubliners, introduced by Anthony Burgess (London: Secker & Warburg 1994), xiv, 203pp.;
• Dubliners [Penguin Popular Classics] (London: Penguin 1996), 255pp.
• Andrew Thacker, ed., Dubliners [New casebooks] (Basingstoke : Palgrave Macmillan 2006), ix, 229pp.

• A Portrait of the Artist as a Young Man [1st edn.] (NY: Huebsch 1916);
• A Portrait of the Artist As a Young Man (London: Egoist Press 1916; rep. 1917, 1921, &c.);
• A Portrait of the Artist As a Young Man [new edn.] (London: Jonathan Cape 1924; rep. 1926, 1928 &c.); another edn. [reset) (London; Minerva 1992);
• A Portrait of the Artist As a Young Man, introduction by Herbert Gorman [Modern Library] (NY: Random House 1928), v-xii, 1-199pp.;
• Portrait of the Artist as a Young Man [Traveller’s Library; first imp.; 3rd Edn.] (London: Jonathan Cape 1930; rep. 1932, 1934, 1936, 1939, 1941), 288pp. [lists 1st edn. 1916; 2nd imp. 1917; 3rd imp. 1924; new 3rd. 1924; 2nd imp. 1926; 3rd imp. 1928];
• Portrait of the Artist as a Young Man [new edn.] (London: Jonathan Cape 1942; 2nd imp. 1943, & reps. 1944, 1945, 1947, 1948) [small crown 8vo.];
• Portrait of the Artist as a Young Man [New Travellers’ Library, reiss.] (London: Jonathan Cape 1950, rep. 1951, 1952);
• Portrait of the Artist as a Young Man, intro. & notes by J[ames] S. Atherton [Modern Novel Ser.] (London: Heinemann Books 1964; rep. 1965, 1966, 1977), vii-xxii, 235pp., with Biog. Note [vii-viii], Notes [pp.239-57] & bibl. [pp.261-62];
• Portrait of the Artist as a Young Man: The Definitive Edition, corrected from the Dublin Holograph by Chester Anderson & ed. by Richard Ellmann (NY: Viking Compass Edns. 1964) [copyrighted to Joyce Estate], 257pp., ill. [six drawings by Robin Jacques];
• Do., ed. Chester G. Anderson [Viking Critical Library] (NY: Viking Press 1968) [incls. “1904 Portrait”], Do. (London: Jonathan Cape 1968; reps. 1975, 1978, 1985, 1991), 257pp., and Do. (London: Grafton Books 1977; Paladin Books 1966; NY: Guild 1978), 257pp.;
• Portrait of the Artist as a Young Man (NY: Penguin Books 1976);
• R. B. Kershner, ed., A Portrait of the Artist as a Young Man (Boston: Bedford Books 1993) [incls. Chester G. Anderson, ‘About this Text’, pp.ix-x [being an account of his preparation of the definitive edition of 1964, and Richard Ellmann’s ‘veto’ on some of the corrections he suggested].
• Jeri Johnson, ed., A Portrait of the Artist as a Young Man [Oxford World’s Classics] (Oxford: OUP 2000, 2008), lv, 289pp.
• Hans Walter Gabler, ed. [with Walter Hettche] & intro., A Portrait of the Artist as a Young Man (NY & London: Garland Publ. 1993), 359pp. [Intro., pp.1-18], and Do. (NY: Vintage Books, 1993), vii, 277pp.

• Exiles: A Play in Three Acts [1st edn.] (NY: B. W. Huebsch [May] 1918), 154pp., and Do. [2nd edn.] (London: Egoist Press 1921, 1936), 154pp;
• Exiless: A Play by James Joyce, with an Essay on the Play by Francis Fergusson [New Classics Ser.] (Conn.: New Directions [1945]), xviii, 154pp.;
• Exiles, [rep.] in The Essential James Joyce, ed. Harry Levin (London: Jonathan Cape 1946, 1948, 1977, 1991, &c.), and Do. (NY: Viking 1948 & edns.).
• Exiles: A Play in Three Acts by James Joyce, with the author’s own notes and an introduction by Padraic Colum (London: Jonathan Cape 1952), 175pp.; Do. [New English Library] (London: Four Square Books 1962), 160pp.; Do. [Penguin Plays] (Harmondsworth: Penguin 1973), 160pp., and Do. (London: Paladin 1991), 175pp.
• Exiles: A Play in Three Acts, The Author’s Own Notes and an Introduction by Padraic Colum (NY: Viking Press 1951), and Do. (London: Jonathan Cape 1952), 175pp. [contains 4,000 words of Joyce’s notes, pp.163-75]; and Do., with Author’s Notes (St. Albans: Granada Publ. 1979);
• Exiles [by] James Joyce: a facsimile of notes, manuscripts & galley proofs; prefaced & galley proofs; prefaced & arranged by A. Walton Litz [James Joyce Archive, 11] NY: Garland Publ. 1978), xxvii, 389pp.
• Poems and “Exiles”, ed., intro. & annot. by J. C. C. Mays [Penguin Twentieth-century lassics] (London: Penguin Books 1992), xiv, 384pp.
• Exiles [by] James Joyce, with notes by the author and a new introduction by Conor McPherson (London: Nick Hern 2006), xvi, 112pp.

• Ulysses by James Joyce (Paris: Shakespeare & Co. 1922) [1st edn.; 2 Feb. 1922; 1,000 ltd. edn.]; Do. (London; Published for the Egoist Press by John Rodker, Paris 1922) [ltd. edn. 2,000, publ. 12 October 1922]; Do. (London: Egoist Press 1923) [500 printed, on an equal sum being confiscated at NY]; Do. (Paris: Shakespeare & Co. 1924) [Jan. 1924; unlim. edn.], and Do. [reset] (Paris: Shakespeare & Co. 1926) [eighth printing 1926]; ... Do. [11th printing 1930; see note, infra]; Do. introduced by Jeri Johnson, with app. and explanatory notes [World Classics] (OUP 1993, 1998) [rep. of copy no. 785 of Ulysses 1922 held in Bodleian Library, Oxford].
• Ulysses [another edn.] 2 vols. (Paris, Hamburg, Bologna: Odyssey Press 1932) [1932 Dec.; unlim. edn.; specially revised by Stuart Gilbert], 791pp., 8o.;
• Ulysses (NY: Random House 1934) [Jan. 1934; 1st. US unlim. edn.; based on the 1932 Odyssey Press Edn.], and Do. (NY: Random House 1940) [reset & corr. 1961];
• Ulysses, with an introduction by Stuart Gilbert; and illustrations by Henri Matisse (NY: The Limited Editions Club 1935), xv, 363pp., ill. [26 lvs. of pls.], 31 cm. [pub. Oct. 1935; 1,500 ltd. edn., signed Henri Matisse, with ‘corrections suggested to Mr Gilbert by James Joyce himself’];
• Ulysses (London: Bodley Head 1936) [Oct. 1936; 1,000 ltd. edn.; 1st 100 copies signed by Joyce], bound in green cloth, with Homeric bow on front designed by Eric Gill; Do. (London; Bodley Head 1937) [Sept. 1937; 1st unlim. edn.]; Do. [7th imp.] (London: Bodley Head 1955, rep. edns. 1941, 1947, 1949);
• Ulysses [re-set edn.] (London: Bodley Head 1960; 2nd. imp. 1962, 1963 &c.) [based on 1st unlimited edn., errata & appendices;
• Ulysses [1st pbk. edn.] (Harmondsworth: Penguin 1968, 1969, &c.), and Do., intro. & annot. by Declan Kiberd (Harmondsworth: Penguin 1992) [being the Bodley Head 1960 Edn., reset with line nos. [‘Introduction’, pp.ix-lxxix; ‘A Short History of the Text’, pp.lxxxi-lxxxviii; Notes, pp.943-1194.]
• Ulysses (NY: Franklin Library 1976-1979; 1983), ill. Kenneth Francis Dewey, 750pp.
• Hans Walter Gabler, with Wolfhard Steppe & Claus Mechior, Ulysses: A Critical and Synoptic Edition (NY: Garland 1984), 3 vols. 1,919pp., and Do., reiss. as Hans Walter Gabler, ed., Ulysses: The Corrected Text (Bodley Head 1986), 650pp., with new preface by Richard Ellmann [xi-xiv];
• Ulysses, ed. John Kidd (NY: Norton 1994);
• Ulysses: A Reader’s Edition with an intro. by Denis Donoghue [styled the Dublin Edition, being a facs. of 1926 Edn.] (Dublin: Lilliput Press 1995, 1997, 1998);
• Ulysses, intro. by Jacques Aubert and a preface by Stephen James Joyce (London: Folio Edn.; Dublin: Lillliput Press 1998; 3rd imp. 1999) [facs. of 1926 edition, the second by Shakespeare & Co., mistakenly called the eight printing; with badly broken characters corrected and blemishes deleted and published by arrangement with the Estate of James Joyce], ill. [etchings by Mimmo Paladino].

• Ulysses, deutsche Ausgabe von George Goyert, 2 vols. (Zurich: Rhein Verlag 1927), and Do. (Zurich: Rhein Verlag 1930) [1st unlim. edn. in German];
• Ulisses, przetozt Maciej Stomczynski (Warsaw: Panstwowy Instytut Wydawnniczy 1969), 831pp. [1st Polish edn.];
• Ulysse / James Joyce; Traduit de l’anglais par M. Auguste Morel assiste par M. Stuart Gilbert. Traduction entièrement revue par M. Valery Larbaud avec la collaboration de l’auteur ( Paris: Maison des amis des livres, A. Monnier, 1929), 870pp. [25cm.; Slocum D17]; Do. [Nouvelle Edn.] ([Paris]: Adrienne Monnier [La maison des Amis des Livres] J.-O. Fourcade […] Paris VIe; Chartres: L’Imprimerie Durand 1930), [6], 870, [4]pp., 21.2cm., and Do. [another edn.] (Paris: Gallimard 1929), and Do. [Livres du poche] (Paris: Gallimard 1948, 1957, 1968, 1972, 1976, &c.), 704pp. [var. 710pp.], 17cm.;
• Ulises, ed. [i.e., trans.] Francisco Garcia Tortosa (Madrid 1999).

• Finnegans Wake (London: Faber & Faber 1939; rep. 1946, 1948, 1949), and Do. [2nd edn.] (London: Faber & Faber 1950, rep. 1957, 1960, 1964 [3rd Edn.], 1966, 1968, 1971, 1975 [pb], &c.), [3]-628pp. [incorporating author’s corrections, prev. printed as list at end];
• Finnegans Wake (NY: the Viking Press 1939) [May 1939; Sept. 1943; Oct. 1944; Oct. 1945; March 1947; Dec. 1955; March 1957 [7th printing]; … &c.) [3]-628pp. [containing ‘Corrections of Misprints in FINNEGANS WAKE / as Prepared by the Author after Publication of the First Edition’, pp.629-43.]
• A First-Draft Version of Finnegans Wake, ed. & annot. David Hayman (London: Faber & Faber 1963), 330pp. [Facsimile]
• Finnegans Wake, by James Joyce, ed. by Danis Rose John O’Hanlon (Dublin: Houyhnhnm Press 2011), 493pp.

The James Joyce Archive, Vols. 28-60 [Finnegans Wake, facs. & notebooks]

• Danis Rose & John O’Hanlon, eds., The Lost Notebook New Evidence on the Genesis of Ulysses, [with a] foreword by Hans Walter Gabler (Edinburgh: Split Pea Press 1989), xli, 49pp. [Gabler Foreword, xii-xviii; Preface, ix-x; Commentary, xi-xli; Notebook, pp.1-49; the whole concerns MS VI.D.7 - a missing notebook, so-identified by Peter Spielberg, corresponding to the extant transcription of unused materials made by Mme Raphael, catalogued as MS VI.C.16 in the Buffalo Library Collection. [See extract from Preface, under Commentary, infra.]

• Giacomo Joyce, intro. & annot. by Richard Ellmann (NY: Viking Press; London: Faber & Faber 1968), xi-xxvi, 16pp. & 4 lvs. of facs. [pp.1, 11, 15, 16 of the MS, reduced by about 50%]; Notes, pp.xxxi-xxxvii.
• “Giacomo Joyce”, in Poems and Shorter Writings, ed. Richard Ellmann, A. Walton Litz, and John Whittier Ferguson (London: Faber & Faber 1991), pp.219-41.

• Gas from a Burner (1912) [broadsheet];
• Chamber Music (1907), compiled for book-publication 1904, sent Chamber Music to Grant Richards Oct. 8 1904; Chamber Music [1st Edn.] (London: Elkin Mathews 1907); Chamber Music, ed. W. Y. Tindall (NY: Columbia UP 1954); Do. (London: Jonathan Cape 1971), 40pp. [36 poems];
• “I hear an army charging upon the land” poem in Des Imagistes, ed. Ezra Pound (1914);
• Pomes Penyeach (7 July 1927); Pomes Penyeach [new edn.] (London: Faber 1933, 1966); trans. as Poèmes: édition bilingue Poèmes traduits de l’anglas par Jacques Borel (Paris: Gallimard NRF 1967), 149pp.
• Poems, in Der Querschnitt (Frankfurt a.M.), III, 3/4 (1923), pp.157-59 [viz., XII, XV, XXVI, XXIX, & XXXVI from Chamber Music].
• Collected Poems of James Joyce (NY: The Black Sun Press 1936), 4pp., l., vii-lxv, [1]p [front port.] [17 cm]; Do. [another edn.] (NY: Viking Press 1957); trans. edn. as Am Strand von Fontana: Gedichte (Wiesbaden: Limes [1957]), 31pp.; Do. [another edn.] Collected Poems (NY: Viking Press [1965]), 63pp., port.; [another edn.] (NY: Penguin Books 1976), 63pp. [20cm];
• Poems and “Exiles”, ed., intro. & annot. by J. C. C. Mays [Penguin Twentieth-century Classics] (London: Penguin Books 1992), xiv, 384pp.
• A. N. Jeffares, & Brendan Kennelly, eds., Joycechoyce: The Poems in Verse and Prose of James Joyce (London: Kyle Cathie 1992).

• Letters of James Joyce, ed. Stuart Gilbert, Vol. I (NY: Viking Press 1957; corr. edn. 1966); Do., ed. Richard Ellmann, Vols. II & III (London: Faber & Faber 1966) [incls. list of Joyce’s addresses in Vol. II];
• Selected Letters of James Joyce, ed. Richard Ellmann (NY: Viking Press; London: Faber & Faber 1975), xxxi, 440pp. [incl. some newly published correspondence - i.e, the so-called “black letters” to Nora in 1909];
• Forrest Reid, Pound/Joyce: The Letters of Ezra Pound to James Joyce, with Pound’s Essays on Joyce (London: Faber & Faber 1968; NY: New Directions 1970), 3143pp. [with index];
• Melissa Banta & O. A. Silverman, eds., James Joyce’s Letters to Sylvia Beach 1921-1940 (Indiana UP 1987), 221pp., and Do. [rep. edn.] (Deddington: Plantin [1990]), xvi, 221pp., ill.;
• Marie Tadié, trans., Lettres de James Joyce: Réunies et présentées par Stuart Gilbert […] (Paris 1961), 548pp. [trans. pf 1957 edn.]

• James Joyce, Dubliners / A Portrait of the Artist as a Young Man / Ulysses ([London:] Chancellor Press 1993), 1, 121, 261-[761]pp., pref. by David Norris.
• T. S. Eliot, Introducing James Joyce: A Selection of Joyce’s Prose [1st edn.] (London: Faber & Faber 1942).
• Harry Levin, ed. & intro., The Portable James Joyce (NY: Viking Press 1947, 1948); [Do. as] The Essential James Joyce (London: Jonathan Cape 1948), 534pp.; Do. [another edn.] (Harmondsworth: Penguin 1963; London: Granada 1981; London: HarperCollins 1991; Triad Paladin), 623pp.
• Jacques Aubert, ed., Œuvress de James Joyce [Pléiades Edn.] (Paris: Gallimard 1982- ).
• David Norris, intro., Dubliners / A Portrait of the Artist as a Young Man / Ulysses ([London:] Chancellor Press 1993), [xi], 721pp.
• [comprising Dubliners, A Portrait of the Artist as a Young Man, Exiles, Collected Poems, and selections from Ulysses and Finnegans Wake - viz., Dubliners, p.1ff; Portrait, p.121ff; Ulysses, pp.261ff.]

• David Hayman, ed. & annot., A First-Draft Version of “Finnegans Wake” (Texas UP; London: Faber & Faber 1963), 330pp [see full text at Genetic Joyce Studies / Wisconsin Univ. - online].
• Robert Scholes & Richard Kain, eds., The Workshop of Daedalus: James Joyce and the Raw Materials for “A Portrait of the Artist as a Young Man” (Evanston Ill.: Northwestern UP 1965), xiv, 287pp. [prop. materials for Stephen Hero & A Portrait - incl. “Epiphanies“, the “Portrait“ Essay of 1904, the Paris Notebook, and the Pola Notebook [now known to be united]; see full-text version at Genetic Joyce Studies - online; or see extracts from orig. - attached.]
• Phillip F. Herring, ed., Joyce’s Ulysses Notesheets in the British Museum Bibliographical Society of the University of Virginia] (Virginia UP [1972]), viii, 545pp.,. ill., 27 cm. [British Library Manuscript Add. 49975].
• Philip Herring, ed., Joyce’s Notes and Early Drafts for Ulysses: Selections from the Buffalo Collection [Bibliographical Society of the University of Virginia] (Virginia UP 1977), xii, 275pp. [transcription of VIII.A.5, V.A.2, and early MSS of “Cyclops” and “Circe”].
• Danis Rose, James Joyce’s The Index Manuscript “Finnegans Wake” Holograph Workbook VI.B.46 (Colchester 1978).
• Danis Rose, The Textual Diaries of James Joyce (Dublin: Lillipit Press 1995), p.x.
• Vincent Deane, Daniel Ferrer, Geert Lernout, eds., The “Finnegans Wake” Notebooks at Buffalo (Turnhout: Brepols 2001– ) [project halted by obstructions from the James Joyce Estate].

• Vol. 1: Chamber Music & Poems Penyeach, ed., A. Walton Litz;
• Vols. 2-3: Notes, Criticism, Translations & Miscellaneous, ed., Hans Walter Gabler & Michael Groden;
• Vol. 4: Dubliners, Drafts & MSS, ed., Hans Walter Gabler;
• Vol. 5: Dubliners, facsimile proofs of 1910 Edition, Michael Groden;
• Vol. 6: Dubliners, 1914 Edn.; Vol. 7: A Portrait: Epiphanies, Notes, MS & Typescripts, ed., H. W. Gabler;
• Vol. 8: A Portrait: Facsimile Fragments of Stephen Hero, ed., H. W. Gabler;
• Vols. 9-10: A Portrait: Final Holograph MS, ed. Hans Walter Gabler;
• Vol. 11; Exiles: Notes, MS & Galley, ed., A. Walton Litz;
• Vols. 12-27: Ulysses: Notes, MS, Drafts and Typescript, ed., Michael Groden;
• Vols. 28-43; Finnegans Wake: Buffalo Notebooks, eds. David Hayman & Danis Rose;
• Vols. 44-66: Finnegans Wake: Drafts, Typescripts & Proofs, 5 vols. (Garland 1978), ed., David Hayman & Danis Rose [i.e, VI.A, VI.B25/28-VI.C.12,13,14,17,11,18 prefaced & arranged by Danis Rose; VI.B.1/4-VI/B.21/24 prefaced and arranged by David Hayman. CONTENTS: 1]: Notebook VI.A. 2]: Notebook VI.B.1-4. 3]: Notebook VI.B.5-8. 4]: Notebook VI.B.9-13. 5]: Notebook VI.B.13-16. 6]: Notebook VI.B.17-20. 7]: Notebook VI.B.21-24. 8]: Notebook VI.B.25-28. 9]: Notebook VI.B.29-32. 10]: Notebook VI.B.33-36. 11]: Notebook VI.B.37-40. 12]: Notebook VI.41-44. 13]: Notebook VI.B.45-50. 14]: Notebok VI.C.1,2,3,4,5,7. 15]: Notebooks VI.C.6,8,9,10,16,15. 16]: Notebook 12,13,14,17,11,18.]

Paul Léon JJ Archive: Purchased by Irish Govt. from Alexis Léon, consisting of six notebooks and sixteen drafts of James Joyce’s Ulysses, with typescripts and proofs for Finnegans Wake; other collections at Cornell, Yale, Harvard, Princeton and British Library; Rosenbach (Phil.), Buffalo, Texas and Tulsa Univs.; draft of Circe came to light 2000; Buffalo holds pencil-numbered copies of Oxen drafts 1,2, 4, 6, 7, and 8; NLI now adds copybooks no. 3, 5, and 9; four stray pages of the Wake fits into the Buffalo notebook from which they were separated; the aesthetic quotations now available in the hand-written MS pages that Joyce allowed Herbert Gorman to copy; earliest draft of Proteus; early draft of Sirens (‘Joyce decided, for the first time, to make his fictional form correspond to the subject matter in a radical way’); second draft of Circe; drafts of “Scylla and Charybdis”, “Ithaca” and “Penelope”, supplementing the Rosenbach fair copy of all three (last words of Penelope, ‘and I said I would yes’, with would crossed out for will.) Notebooks, marked by coloured crayons cross-outs. See Michael Groden, ‘Letter from Dublin’, in Times Literary Supplement (14 June 2002), p.15. Bibliography, The James Joyce-Paul Léon Papers in the National Library of Ireland, compiled by Catherine Fahy (Dublin: National Library of Ireland 1992).

• British Library, papers relating to Finnegans Wake, Add. MSS 47471-47489;
• British Library, papers incl. draft of autobiography, Add. MS 49975;
• Cornell University, Ithaca, New York, Olin Library, corresp., literary MSS, and papers;
• Harvard University, Houghton Library, corresp., literary MSS, and papers, incl. letters to Grant Richards;
• Huntington Library, letters;
• New York State University, Buffalo, Lockwood Memorial Library, MSS;
• National Library of Ireland, letters
• Ransom Humanities Research Centre, papers;
• Southern Illinois University, Carbondale, Morris Library, corresp., literary MSS, and papers;
• Yale University, Beinecke Library, corresp., literary MSS, and papers;
• British Library, letters to Harriet Shaw Weaver, Add. MSS 57345-57352;
• Trinity College, Dublin, corresp. with Thomas MacGreevy;
• University College, Dublin, letters to D. J. O’Donoghue.  
• Museum of Modern Art, New York, a film taken by Robert Kastor showing James, Nora, and Stephen Joyce in a Paris garden [?1937];
• University of Tulsa, Oklahoma, McFarlin Library, James Joyce collection, ‘Ulysses’ (Shakespeare & Co., Paris, 1924), ‘Anna Livia Plurabelle’ (Orthological Institute, Cambridge), ‘Bid adieu’ (Radiodiffusion et Television Françaises, Paris), ‘Bid adieu, Anna Livia Plurabelle, Ulysses’ (Microsillon, Paris)