James Joyce: Works


The Writings of James Joyce: Main Editions & Translations
Stephen Hero (1944)
Dubliners (1914)
A Portrait of the Artist as a Young Man (1916)
Exiles (1918)
Ulysses (1922)
Finnegans Wake (1939)
Giacomo Joyce (1968)
Occasional Writings [1907-12, &c.]
Poetry
Shorter Prose
Correspondence
Selected & Omnibus Editions
Notebooks and sources
Archives
Filmography


Listen to ... “Olwen Fouéré performs riverrun
at the National Theatre, London” on YouTube.

Finnegans Wake is now available in the Faber Edition as a PDF online - accessed 20.10.2016.




[The James Joyce-Paul Léon Papers of 1930-40 held at the National Library of Ireland: Catalogue - online.]

Free access to NLI Joyce Papers: On Tuesday, 10 April 2012 the National Library of Ireland made its holdings of James Joyce manuscripts available cost-free online - deemed to be the first time that such an initiative has been been undertaken by any institution, world-wide. The decision was apparently arrived at in response to the publication of draft-pages of Finnegans Wake acquired by Library in 2005 which had been transcribed by Danis Rose and issued in the Houhnhynm imprint of Lilliput earlier in 2012. The papers can be reached via the NLI Catalogue as Record


See editions of the works of James Joyce published by Gallimard (Paris) as listed at 2013 - attached.

See sundry sites for Joyce texts - online

Appendices

“The Day of the Rabblement” (1901)
  • Two Essays: “A Forgotten Aspect of the University Question” by F. J. Skeffington [and] “The Day of the Rabblement” by James A. Joyce [2d.] (Dublin: Gerrard Bros. [37 Stephen’s Green] 1901), 8pp. [Skeffington, pp.3-6; Joyce, pp.7-8; rep. as “The Day of the Rabblement”, in The Critical Writings of James Joyce, ed. Ellsworth Mason & Richard Ellmann (NY Viking Press 1959; 1966), pp.68-72 [Copies of the original are held in Buffalo Univ. Library and in the Croessmann Collection of Emory University, Georgia; another copy held in California University is available at Internet Archive - online; see also t.p. image & text - attached.]
“The Holy Office” (1904)

A copy of “The Holy Office” [verse pamph.] is held in the Harley K. Croessmann Collection at Emory University Library's Irish Literary Collection [see online].

Stephen Hero (1944) - composed 1904-07?
  • Stephen Hero: Part of the First Draft of “A Portrait of the Artist as a Young Man”, ed. Theodore Spencer (NY: New Directions; London: Jonathan Cape 1944);
  • Stephen Hero: Part of the First Draft of “A Portrait of the Artist as a Young Man”, ed. & intro. by Theodore Spencer; A new ed. Incorporating the additional manuscript pages in the Yale University Library and the Cornell University Library / Edited by John J. Slocum & Herbert Cahoon [another edn.] (NY: New Directions 1963), 253pp., ill. [port., facs.]
  • Stephen Hero: Part of the First Draft of “A Portrait of the Artist as a Young Man”, ed. & intro. by Theodore Spencer; rev. edn. with add. material and a Foreword by John J. Slocum & Herbert Cahoon [eds.] (London: Jonathan Cape 1956; rep. 1960, 1969), 253pp. [Foreword by Slocum & Cahoon, p.9; Intro. by Spencer, p.13; Editorial Note, p.25; Stephen Hero [being pp.519ff of the holograph], p.29; Additional Manuscript Pages, being pp. 477ff. of the holograph, pp.240-53];
  • Stephen Hero: Part of the First Draft of “A Portrait of the Artist as a Young Man”, ed. & intro. by Theodore Spencer; rev. edn. with add. material and a Foreword by John J. Slocum & Herbert Cahoon [pb. rep. edn.] (NY: Grafton Books; London: Triad Grafton/Collins 1977, &c.), 220pp. [Foreword by Slocum & Cahoon, p.7; Intro. by Spencer, p.11; Editorial Note, p.23; Stephen Hero, pp.519ff of the Manuscript, p.27; Additional Manuscript Pages, 477ff., pp.208-220];*
  • Ludmilla Savitsky, trans., Stephen le Héros - Fragment de la Première Partie de Dedalus (Paris: Gallimard 1948), 238pp. [shares cover design by Paul Bonet with Gallimard edn. of Ulysse].
  • [...]
  • Stephen Hero - A Part of the First Draft of a Portrait of the Artist as a Young Man ([London:] Read Books Ltd. 2014), 243pp. [being a rep. of 1944 US edition with a prefix 1 -page unsigned biographical note; bears BL copyright notice dated 2103 - available in part at Google Books online.]

*Note: The Triad Grafton/Collins 1977 edition of Stephen Hero is a repaginated reprint of the Jonathan Cape Edn. [1944]; 2nd imp. 1946; 3rd imp. 1948; 4th imp. 1950; rev. edn. type re-set, 1956; rep. 1960, 1969. The pagination of this edition varies from that of the Jonathan Cape re-set edition of 1956 with which it is otherwise identical. Thus on p.7 of the Grafton edition there are almost four lines more type, hence condensing the whole into a lesser number of pages. Again, the MS in Grafton edition runs from p.27 to p.220 while that in the Cape edition runs from p.29 to p.253, with corresponding alterations in the pagination of the interim pages - ;e.g., the Eccles St. epiphany falls on p.188 in the Grafton edn. but on p.216 in the Cape. [Extensive extracts from Stephen Hero are available - as attached.]

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Dubliners (1914)
  • Dubliners [1st edn.] (London: Grant Richards Ltd. Publishers 1914), 288pp. [5]; printed in Riverside Press, Ltd., Edinburgh, Scotland 1914 [copy in Univ. of California Library available at Internet Archive - online];
  • Dubliners (NY: B. W. Huebsch 1916), 288pp.; Do. [2nd printing] (1917), 288pp. [available at Internet Archive - online];
  • Dubliners [2nd Edn.] ([London:] The Egoist Press, 2 Robert Street, Adelphi 1917) [‘printed in the U.S.A’.]
  • - i.e., Huebsch’s sheets], and Do. [another edn.] (1922) - available at Internet Archive - online];
  • Dubliners (NY: Modern Library 1926);
  • Robert Scholes, ed., Dubliners: The Corrected Text, with an Explanatory Note by Robert Scholes, and fifteen drawings by Robin Jacques (London: Jonathan Cape 1967), 262pp. [A Note on the Text - i.e., corrected words in columns, 261f.];
  • Robert Scholes & A. Walton Litz, eds., Dubliners: Text, Criticism and Notes (NY: Viking Press 1967, 1969), and Do. (Harmondsworth: Penguin 1976), vi, 504pp.;
  • Gens de Dublin, traduit de l’Anglais par Eva Fernandez [et al.] (Club Francais du Livre 1952), 228pp.;
  • Dubliners, ill. by Allan Mardon [Coll. Stories of the World’s Greatest Writers] (Franklin Library 1979), 256pp. & pamphl.;
  • Dubliners, with lithographs by Louis le Brocquy ([Mountrath, Laois]: Dolmen Press 1986), 261pp., ill.;
  • Dubliners, intro. by Thomas Flanagan, illustrated by Robert Ballagh (NY: Limited Editions Club 1986), xviii, 289pp., [6]pp pls. [ltd. edn. of 100 copies];
  • Dubliners [rev.; ed. Robert Scholes], with new intro., chronology and bibliography by John Kelly [Everyman’s Library, n.s., No. 49] (London: Random Century 1991), lv, 287pp.;
  • Joseph McMinn, intro., Dubliners [by] James Joyce (Sutton: Stroud 1992), xiv, 194pp., ill. [contemp. photos], 26cm.
  • Terence Brown, intro. & annot., Dubliners [Penguin 20th-Century Classics] (London: Penguin 1992), xlviii, 316pp.;
  • John Wyse Jackson & Bernard McGinley, James Joyce’s “Dubliners”: An Annotated Edition (London: Sinclair-Stevenson 1993), xvi, 200pp.;
  • Dubliners, ed. Hans Walter Gabler & Walter Hettche ([1st Vintage international edn.] NY: Vintage Books 1993), viii, 285pp.;
  • Dubliners, introduced by Anthony Burgess (London: Secker & Warburg 1994), xiv, 203pp.;
  • Dubliners [Penguin Popular Classics] (London: Penguin 1996), 255pp.
  • Andrew Thacker, ed., Dubliners [New casebooks] (Basingstoke : Palgrave Macmillan 2006), ix, 229pp.
Audiotapes: Dubliners, read by T. P. McKenna (Tell Tapes [q.d.]), 6 hrs.
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A Portrait of the Artist as a Young Man (1916)
  • A Portrait of the Artist as a Young Man [1st edn.] (NY: B. W. Huebsch, Inc. MCMXVI [1916]), 299pp. [available at Internet Archive - online); Do. [other editions] (1917, 1918, 1923, MCMXXII [1922]), 299pp. [copies in Edinburgh, Cambridge, UCLondon, BL; Cornell UL [1922] available at Internet Archive - online; another at Stanford Libraries - online; another copy at unknown library - online];
  • A Portrait of the Artist As a Young Man (London: Egoist Press 1916) [using Huebsch’s sheets], and Do. [rep.] (Egoist 1917, 1921, &c.);
  • A Portrait of the Artist As a Young Man [new edn.] (London: Jonathan Cape 1924; rep. 1926, 1928 &c.); another edn. [reset) (London; Minerva 1992);
  • A Portrait of the Artist As a Young Man, introduction by Herbert Gorman [Modern Library] (NY: Random House 1928), v-xii, 1-199pp.;
  • A Portrait of the Artist as a Young Man [Traveller’s Library; first imp.; 3rd Edn.] (London: Jonathan Cape 1930; rep. 1932, 1934, 1936, 1939, 1941), 288pp. [lists 1st edn. 1916; 2nd imp. 1917; 3rd imp. 1924; new 3rd. 1924; 2nd imp. 1926; 3rd imp. 1928];
  • A Portrait of the Artist as a Young Man [new edn.] (London: Jonathan Cape 1942; 2nd imp. 1943, & reps. 1944, 1945, 1947, 1948) [small crown 8vo.];
  • A Portrait of the Artist as a Young Man [New Travellers’ Library, reiss.] (London: Jonathan Cape 1950, rep. 1951, 1952);
  • A Portrait of the Artist as a Young Man (Harmondsworth: Penguin 1960 [in assoc. with J. Cape], 1964), 252pp.
  • A Portrait of the Artist as a Young Man, intro. & notes by J[ames] S. Atherton [Modern Novel Ser.] (London: Heinemann Books 1964; rep. 1965, 1966, 1977), vii-xxii, 235pp., with Biog. Note [vii-viii], Notes [pp.239-57] & bibl. [pp.261-62];
  • A Portrait of the Artist as a Young Man: The Definitive Edition, corrected from the Dublin Holograph by Chester Anderson & ed. by Richard Ellmann (NY: Viking Compass Edns. 1964; London: Jonathan Cape 1968), 257pp., ill. [six drawings by Robin Jacques; copyright Joyce Estate];
  • Do., ed. Chester G. Anderson [Viking Critical Library] (NY: Viking Press; 1991), vi, 570pp. [incls. “1904 Portrait”; Bibl., p563ff.]
  • A Portrait of the Artist as a Young Man [corr. edn.] (NY: Penguin Books 1976), 253pp.,; Do. (Penguin 1982) [Centennial edn.]), 255pp.; and Do. [rep. edns.] (Penguin 1975, 1978, 1985, 1991 &c.), and Do. (London: Grafton Books 1977; Paladin Books 1966; NY: Guild 1978), 257pp.;
  • R. B. Kershner, ed., A Portrait of the Artist as a Young Man (Boston: Bedford Books 1993) [incls. Chester G. Anderson, ‘About this Text’, pp.ix-x [being an account of his preparation of the definitive edition of 1964, and Richard Ellmann’s ‘veto’ on some of the corrections he suggested].
  • A Portrait of the Artist as a Young Man [Dover Thrift Editions] (NY: Dover; London: Constable [1994)]), iii, 185pp.
  • Jeri Johnson, ed., A Portrait of the Artist as a Young Man [Oxford World’s Classics] (Oxford: OUP 2000, 2008), lv, 289pp.
  • Seamus Deane, ed. & intro., A Portrait of the Artist as a Young Man [Penguin twentieth-century classics] ((Harmondsworth: Penguin Books 2000), xlii, 329pp.
  • Hans Walter Gabler, ed. [with Walter Hettche] & intro., A Portrait of the Artist as a Young Man, (NY & London: Garland Publ. 1993), 359pp. [Intro., pp.1-18], and Do. (NY: Vintage Books, 1993), vii, 277pp.; Do., with introductions by Joseph O’Connor and Dieter Fuchs (Vintage Classics 2012), xxiv, 249pp.

See also edition incl. in The Portable James Joyce, ed. & intro. Harry Levin (NY: Viking 1948), and Do., in The Essential James Joyce (Jonathan Cape 1948; Penguin 1963, 1965, 1967, &c.), pp.52-252.

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Exiles (1918)
  • Exiles: A Play in Three Acts [1st edn.] (London: Grant Richards 1918);
  • Exiles: A Play in Three Acts [2nd Edn.] (London: The Egoist Press, 2 Robert Street, Adelphi 1921) [printed by Whitefriars Press Ltd. London and Tonbridge], [9; t.p.5.] 154, [2]pp. [available at Internet Archive - online.]
  • Exiles: A Play in Three Acts [1st edn.] (NY: B. W. Huebsch [May] 1918), 154pp., and Do. [2nd edn.] (London: Egoist Press 1921, 1936), 154pp;
  • Exiles: A Play by James Joyce, with an Essay on the Play by Francis Fergusson [New Classics Ser.] (Conn.: New Directions [1945]), xviii, 154pp.;
  • Exiles, [rep.] in The Essential James Joyce, ed. Harry Levin (London: Jonathan Cape 1946, 1948, 1977, 1991, &c.), and Do. (NY: Viking 1948 & edns.).
  • Exiles: A Play in Three Acts by James Joyce, with the author’s own notes and an introduction by Padraic Colum (London: Jonathan Cape 1952), 175pp.; Do. [New English Library] (London: Four Square Books 1962), 160pp.; Do. [Penguin Plays] (Harmondsworth: Penguin 1973), 160pp., and Do. (London: Paladin 1991), 175pp.
  • Exiles: A Play in Three Acts, The Author’s Own Notes and an Introduction by Padraic Colum (NY: Viking Press 1951), and Do. (London: Jonathan Cape 1952), 175pp. [contains 4,000 words of Joyce’s notes, pp.163-75]; and Do., with Author’s Notes (St. Albans: Granada Publ. 1979);
  • Exiles [by] James Joyce: a facsimile of notes, manuscripts & galley proofs; prefaced & galley proofs; prefaced & arranged by A. Walton Litz [James Joyce Archive, 11] NY: Garland Publ. 1978), xxvii, 389pp.
  • Poems and “Exiles”, ed., intro. & annot. by J. C. C. Mays [Penguin Twentieth-century lassics] (London: Penguin Books 1992), xiv, 384pp.
  • Exiles [by] James Joyce, with notes by the author and a new introduction by Conor McPherson (London: Nick Hern 2006), xvi, 112pp.

See also Hauptmann, Before Sunrise: James Joyce’s Translation (California: PSP Graphics 1978) [from Joyce’s juvenile MS].

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Ulysses (1922)
[ See digital edition at Internet Archive - online.]
  • Ulysses by James Joyce (Paris: Shakespeare & Co. 1922) [1st edn.; 2 Feb. 1922; 1,000 ltd. edn.]; Do. (London; Published for the Egoist Press by John Rodker, Paris 1922) [ltd. edn. 2,000, publ. 12 October 1922]; Do. (London: Egoist Press 1923) [500 printed, on an equal sum being confiscated at NY]; Do. (Paris: Shakespeare & Co. 1924) [Jan. 1924; unlim. edn.], and Do. [reset] (Paris: Shakespeare & Co. 1926) [eighth printing 1926]; ... Do. [11th printing 1930; see note, infra]; Do. introduced by Jeri Johnson, with app. and explanatory notes [World Classics] (OUP 1993, 1998) [rep. of copy no. 785 of Ulysses 1922 held in Bodleian Library, Oxford].
  • Ulysses [another edn.] 2 vols. (Paris, Hamburg, Bologna: Odyssey Press 1932) [1932 Dec.; unlim. edn.; specially revised by Stuart Gilbert], 791pp., 8o.;
  • Ulysses (NY: Random House 1934) [Jan. 1934; 1st. US unlim. edn.; based on the 1932 Odyssey Press Edn.], and Do. (NY: Random House 1940) [reset & corr. 1961];
  • Ulysses, with an introduction by Stuart Gilbert; and illustrations by Henri Matisse (NY: The Limited Editions Club 1935), xv, 363pp., ill. [26 lvs. of pls.], 31 cm. [pub. Oct. 1935; 1,500 ltd. edn., signed Henri Matisse, with ‘corrections suggested to Mr Gilbert by James Joyce himself’];
  • Ulysses (London: Bodley Head 1936) [Oct. 1936; 1,000 ltd. edn.; 1st 100 copies signed by Joyce], bound in green cloth, with Homeric bow on front designed by Eric Gill; Do. (London; Bodley Head 1937) [Sept. 1937; 1st unlim. edn.]; Do. [7th imp.] (London: Bodley Head 1955, rep. edns. 1941, 1947, 1949);
  • Ulysses [re-set edn.] (London: Bodley Head 1960; 2nd. imp. 1962, 1963 &c.) [based on 1st unlimited edn., errata & appendices;
  • Ulysses [revised edition] (London: Bodley Head 1969), 939pp. [i.e., the reset edition of 1960];
  • Ulysses [1st pbk. edn.] (Harmondsworth: Penguin 1968, 1969, &c.), and Do., intro. & annot. by Declan Kiberd (Harmondsworth: Penguin 1992) [being the Bodley Head 1960 Edn., reset with line nos. [‘Introduction’, pp.ix-lxxix; ‘A Short History of the Text’, pp.lxxxi-lxxxviii; Notes, pp.943-1194.]
  • Ulysses (NY: Franklin Library 1976-1979; 1983), ill. Kenneth Francis Dewey, 750pp.
  • Hans Walter Gabler, with Wolfhard Steppe & Claus Mechior, Ulysses: A Critical and Synoptic Edition (NY: Garland 1984), 3 vols. 1,919pp., and Do., reiss. as Hans Walter Gabler, ed., Ulysses: The Corrected Text (London: Bodley Head 1986), 650pp., with new preface by Richard Ellmann [xi-xiv];
  • Ulysses, ed. John Kidd (NY: Norton 1994);
  • Ulysses: A Reader’s Edition with an intro. by Denis Donoghue [styled the Dublin Edition, being a facs. of 1926 Edn.] (Dublin: Lilliput Press 1995, 1997, 1998);
  • Ulysses, intro. by Jacques Aubert and a preface by Stephen James Joyce (London: Folio Edn.; Dublin: Lillliput Press 1998; 3rd imp. 1999) [facs. of 1926 edition, the second by Shakespeare & Co., mistakenly called the eight printing; with badly broken characters corrected and blemishes deleted and published by arrangement with the Estate of James Joyce], ill. [etchings by Mimmo Paladino].
  • Ulysses, annot. by Sam Slote (Alma Classics 16 Oct. 2012).

See Sam Slote, Catalogue Notes, Buffalo Univ. Library “Bloomsday” Centennial Exhibit, 2004: ‘The eleventh printing was to be the last [printing of Ulysses] published by Shakespeare and Company. The statement that 28,000 copies had been produced is a slight exaggeration. There were 1,000 copies of the first printing, 2,000 of the second, 500 of the third, 2,000 for each of the fourth through seventh printings, and 4,000 for each of the eighth through eleventh printings, making for a total of 27,500 copies (there were additional copies of each printing, which would raise the total slightly).’ [online; 31.12.2008]

See also—
  • Ulysses: Facsimile of the Rosenbach Manuscript and the 1922 Edition, 3 vols. (London: Faber & Faber [for Philip H. & A. S. W. Rosenbach Foundation] 1975), and Do., with a critical introd. by Harry Levin and a bibliographical pref. by Clive Driver, 2 vols. (NY: Octagon Books [assoc. with Philip H. & A. S. W. Rosenbach Foundation 1975);
  • Danis Rose & John O’Hanlon, eds., The Lost Notebook - New Evidence on the Genesis of Ulysses [with a] foreword by Hans Walter Gabler (Edinburgh: Split Pea Press 1989), xli, 49pp. [Gabler Foreword, xii-xviii; Preface, ix-x; Commentary, xi-xli; Notebook, pp.1-49; the whole concerns MS VI.D.7 - a missing notebook, so-identified by Peter Spielberg, corresponding to the extant transcription of unused materials made by Mme Raphael, catalogued as MS VI.C.16 in the Buffalo Library Collection. [See extract from Preface, under Commentary, infra.]
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Ulysses [in translation]
  • Ulysses, deutsche Ausgabe von George Goyert, 2 vols. (Zurich: Rhein Verlag 1927), and Do. (Zurich: Rhein Verlag 1930) [1st unlim. edn. in German];
  • Ulisses, przetozt Maciej Stomczynski (Warsaw: Panstwowy Instytut Wydawnniczy 1969), 831pp. [1st Polish edn.];
  • Ulysse / James Joyce; Traduit de l’anglais par M. Auguste Morel assiste par M. Stuart Gilbert. Traduction entièrement revue par M. Valery Larbaud avec la collaboration de l’auteur ( Paris: Maison des amis des livres, A. Monnier, 1929), 870pp. [25cm.; Slocum D17]; Do. [Nouvelle Edn.] ([Paris]: Adrienne Monnier [La maison des Amis des Livres] J.-O. Fourcade [...] Paris VIe; Chartres: L’Imprimerie Durand 1930), [6], 870, [4]pp., 21.2cm., and Do. [another edn.] (Paris: Gallimard 1929), and Do. [Livres du poche] (Paris: Gallimard 1948, 1957, 1968, 1972, 1976, &c.), 704pp. [var. 710pp.], 17cm.;
  • Ulises, ed. [i.e., trans.] Francisco Garcia Tortosa (Madrid 1999).

Also, La nuit d’ Ulysse / transposition scénique d’Ulysse par Marjorie Barkentin; sous la direction de Padraic Colum [texte français par George Auclair] [Le manteau d arlequin ser.] (Paris: Gallimard 1959), 178pp. [first publ. NY: Random House 1958], and Ulysses, audio-tapes, with Jim Norton and Marcella Riordan, et al.(Naxos), [25 hrs., unabridged].

 
The James Joyce Archive, Vols. 12-27 [Ulysses, MSS, Typescripts [TSS], &c. page proofs, &c.].

Vol. 12: MSS and TSS for episodes 1-9, together with with notes, schemas and errat lists; Vol. 13: MSS and TSS for episodes 10-13; Vol. 14: MSS and TSS 14-15 [pt 1]; Vol. 15: MSS and TSS for episodes 15 [pt. 2]-16 ; Vol. 16: MSS and TSS for episodes 17-18; Vol. 17: placards for episodes 1-6; Vol. 18: placards for episodes 7-10; Vol. 19: placards for episodes 11-14; Vol. 20: placards for episodes 15-16; Vol. 21: placards 17-18; Vol. 22: page proofs for episodes 1-6; Vol. 23: for episodes page proofs 7-9; Vol. 24: page proofs 10-11; Vol. 25: page proofs for episodes 12-14; Vol. 26: page proofs for episodes 15 ; Vol. 27: page proofs for episodes 16-18. [Source - “Synopsis of JJA 12-27”, in Philip Gaskell & Clive Hart, Ulysses: A Review of Three Texts [Princess Grace Irish Library] (Gerrards Cross: Colin Smythe 1988), p.xvii.]

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Finnegans Wake (1939)
  • Finnegans Wake (London: Faber & Faber 1939; rep. 1946, 1948, 1949), and Do. [2nd edn.] (London: Faber & Faber 1950, rep. 1957, 1960, 1964 [3rd Edn.], 1966, 1968, 1971, 1975 [pb], &c.), [3]-628pp. [incorporating author’s corrections, prev. printed as list at end];
  • Finnegans Wake (NY: the Viking Press 1939) [May 1939; Sept. 1943; Oct. 1944; Oct. 1945; March 1947; Dec. 1955; March 1957 [7th printing]; ... &c.) [3]-628pp. [containing ‘Corrections of Misprints in FINNEGANS WAKE / as Prepared by the Author after Publication of the First Edition’, pp.629-43.]
  • A First-Draft Version of Finnegans Wake, ed. & annot. David Hayman (London: Faber & Faber 1963), 330pp. [Facsimile]
  • Danis Rose & John O’Hanlon, eds., Finnegans Wake (Dublin: Houyhnhnm Press 2011), 493pp., boxed, with pb. booklet containing Note by Seamus Deane; Foreword by Hans Walter Gabler; Introduction by David Greetham; Preface and Afterword by the Editors, 36pp. [i.e., 40pp.] with hypertext editorial Rationale supplied at Houyhnhnm Press- online; accessed 30.05.2014]
  • Robbert-Jan Henkes, Erik Bindervoet & Finn Fordham, ed., Finnegans Wake [Oxford World Classics] (OUP 2012), 720pp.
Translations
  • Harold de Campos, trans., Finn's Hotel; O Livro Perdido de James Joyce, trans. by Caetano W. Galindo from of Finn's Hotel [Itys 2013], ed. Danis Rose with an introduction by Seamus Deane (São Paolo: Companhia Das Letras 2014), 153pp. [incls. Nota do Traductor, 7; ‘.i..' .o..l,’ by Danis Rose, 17; ‘James Joyce e sua História de Irlanda’, by Seamus Deane, 33; Finn’s Hotel [10 pts.], 57; Anexo: Giacomo Joyce, 126.

Note: Sections of Finnegans Wake appeared as “Work in Progress” in transatlantic review (April 1924), Criterion (July 1925), Navire d’argent (October 1925), and transition (April 1927-April/May 1938); episodes and combinations of episodes were published as Anna Livia Plurabelle (New York, October 1928; London, June 1930; lim. edn. of 850 signed by the author); Tales Told by Shem and Shaun (Paris, August 1929) [see details - infra], and Two Tales of Shem and Shaun (London, December 1932); and Haveth Childers Everywhere (Paris & New York, June 1930; London, June 1931).[For Chronology of Composition, &c., see Appendices, supra.]

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Bibliographical details
Tales Told of Shem and Shaun: Three Fragments from Work in Progress (Paris, Black Sun Press 1929), [12], XV, [1], 55, [5] p. : ill. ; 22 cm. Portrait by Constantin Brancusi; Preface by C. K. Ogden. Contents: “The Mookse and the Gripes”; “The Muddest Thick that was Ever Heard Dump”; “The Ondt and the Gracehoper”.
Tales_1
Tales_4
Tales 3 Tales_3
 
A signed copy held in the Crosby Archive at South Illinois University (USA).

Cover: Tales told of / Shem and Shaun [red] / Three Fragments from Work in Progress / by / James Joyce [red] / The Black Sun Press / Rue Cardinale / Paris / MCMXXIX.

Verso: This first edition of Tales Told of Shem and Shaun by James Joyce, with a preface by C. J. Ogden and a portrait of the author by Brancusi, printed in hand-set Caslon in June 1929 for and under the direction of Harry and Caresse Crosby at their Black Sun Press (Maitre-Imprimeur Lescaret) Rue Cardinale, Paris, is limited to 100 copies on Japanese Vellum signed by the author, 500 copies on Holland Van Gelder Zonen and 50 copies Hors Commerce. // The entire edition is for sale at the Bookshop of Harry F. Marks 31 West 47 Street New York. // This copy is for / Harry and Caresse Crosby. [Available at "The End of Being: Esoteric Guide to Difficult and Unusual Art [... &c.] - online; accessed 04.07.2014.]

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The James Joyce Archive, Vols. 28-60 [Finnegans Wake, facs. & notebooks]

Notebooks

  • JJA, Vols. 28-43; Finnegans Wake: Buffalo Notebooks, eds. David Hayman & Danis Rose: Notebooks VI.A, VI.B25/28-VI.C.12,13,14,17,11,18 prefaced & arranged by Danis Rose [Vols. 28 & 35-43]; VI.B.1/4-VI/B.21/24 prefaced and arranged by David Hayman [Vols. 29-34 arranged by David Hayman] - viz., [1]: Notebook VI.A. [2]: Notebook VI.B.1-4. [3]: Notebook VI.B.5-8. [4]: Notebook VI.B.9-13. [5]: Notebook VI.B.13-16. [6]: Notebook VI.B.17-20. [7]: Notebook VI.B.21-24. [8]: Notebook VI.B.25-28. [9]: Notebook VI.B.29-32. [10]: Notebook VI.B.33-36. [11]: Notebook VI.B.37-40. [12]: Notebook VI.41-44. [13]: Notebook VI.B.45-50. [14]: Notebook VI.C.1,2,3,4,5,7. [15]: Notebooks VI.C.6,8,9,10,16,15. [16]: Notebook 12,13,14,17,11,18.
  • JJA, Vols. 44-66: Finnegans Wake: Drafts, Typescripts & Proofs, 5 vols. (Garland 1978), ed., David Hayman & Danis Rose: Notebooks VI.A, VI.B25/28-VI.C.12,13,14,17,11,18 prefaced & arranged by Danis Rose; VI.B.1/4-VI/B.21/24 prefaced and arranged by David Hayman. CONTENTS: 1]: Notebook VI.A. 2]: Notebook VI.B.1-4. 3]: Notebook VI.B.5-8. 4]: Notebook VI.B.9-13. 5]: Notebook VI.B.13-16. 6]: Notebook VI.B.17-20. 7]: Notebook VI.B.21-24. 8]: Notebook VI.B.25-28. 9]: Notebook VI.B.29-32. 10]: Notebook VI.B.33-36. 11]: Notebook VI.B.37-40. 12]: Notebook VI.41-44. 13]: Notebook VI.B.45-50. 14]: Notebook VI.C.1,2,3,4,5,7. 15]: Notebooks VI.C.6,8,9,10,16,15. 16]: Notebooks 12,13,14,17,11,18.] Query listing.

Drafts, &c.

  • James Joyce Archive (NY: Garland Press 1978), Vols. 49-50 [2 vols.]: Finnegans Wake [Book I]: a facsimile of the galley proofs; prefaced by David Hayman; arranged by Danis Rose; with the assistance of John O’Hanlon.
  • James Joyce Archive (NY: Garland Press 1978), 51-56 [6 vols.]: Finnegans Wake [Book II]: a facsimile of drafts, typescripts, & proofs; prefaced by David Hayman; arranged by Danis Rose, with the assistance of John O’Hanlon.
  • James Joyce Archive (NY: Garland Press 1978), 57-60 [4 vols.]: Finnegans Wake [Book III]: a facsimile of drafts, typescripts, & proofs; prefaced by David Hayman; arranged by Danis Rose, with the assistance of John O’Hanlon.
  • James Joyce Archive (NY: Garland Press 1979), xv, 381pp. [1 vol.]: Finnegans Wake [Book IV]: a facsimile of drafts, typescripts, and proofs; pref. by David Hayman; arranged by Danis Rose; with the assistance of John O’Hanlon.
See full listing of James Joyce Archive - infra.
Giacomo Joyce (1968)
  • Giacomo Joyce, intro. & annot. by Richard Ellmann (NY: Viking Press; London: Faber & Faber 1968), xi-xxvi, 16pp. & 4 lvs. of facs. [pp.1, 11, 15, 16 of the MS, reduced by about 50%]; Notes, pp.xxxi-xxxvii.
  • “Giacomo Joyce”, in Poems and Shorter Writings, ed. Richard Ellmann, A. Walton Litz, and John Whittier Ferguson (London: Faber & Faber 1991), pp.219-41.
Occasinal writings 1907-12
  • James Joyce, Scritti Italiani, ed. Giorgio Melchiori, et al. (Milan: Mondadori 1979) [Italian version of Trieste articles & lectures].
  • “Daniel Defoe”, ed. Joseph Prescott [University of Buffalo Studies] (Buffalo UP 1964) [companion of “William Blake”, Trieste 1912]
  • James Joyce in Padua, ed. Louis Berrone (NY Random House 1977) [his exam answer-book]
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Poetry
  • Gas from a Burner (1912) [broadsheet];
  • Chamber Music [1st Edn.] (London: Elkin Mathews 1907); Chamber Music / by James Joyce / authorized edition published by B. W. Huebsch New York MXMXVIII [1918]), I-XXXVI, 4pp.[with publisher’s note: ‘this is the only American edition that is authorised by Mr. Joyce’ - copy in Library of Congress available - online], Do. (Boston: Cornhill Company [n.d.]), n.p. [2, half-title [1]; t.p. [3]; [I-XXXVI], 2pp.; available on Internet Archive - online]; Do., as Chamber Music, ed. W. Y. Tindall (NY: Columbia UP 1954); Do. (London: Jonathan Cape 1971), 40pp. [36 poems];
  • “I hear an army charging upon the land” poem in Des Imagistes, ed. Ezra Pound (1914);
  • Pomes Penyeach (London: Faber & Faber 1927), 22pp. (iss. 7 July 1927) [see contents]; Do. [new edn.] (London: Faber 1933, 1966); trans. as Poèmes: édition bilingue Poèmes traduits de l’anglas par Jacques Borel (Paris: Gallimard NRF 1967), 149pp.
  • Poems, in Der Querschnitt (Frankfurt a.M.), III, 3/4 (1923), pp.157-59 [viz., XII, XV, XXVI, XXIX, & XXXVI from Chamber Music].
  • Collected Poems of James Joyce (NY: The Black Sun Press 1936), 4pp., l., vii-lxv, [1]p [sepia front port. by Augustus John; contains poems of Chamber Music, Pomes Penyeach, and “Ecce Puer” (1936); 17 cm; 1st ltd. edn. of 50 copies on Japanese vellum, titled “James Joyce” and signed by Augustus John on frontispiece [2nd edn.]; 750 copies [total edn. of 800]; hand-printed in blue throughout under supervision of Caresse Crosby, designer; gilt decorated boards; glassine dust-wrapper]; Do. [another edn.; also with August John front. and dust-cover] (NY: Viking Press 1937, 1944, 1946 [4th printing], 1957, 1958; Viking Compass 1960 1962, 1965, 1966, 1968 1969, 1973, 1974 &c.), 63pp., port.; Do. [another edn.] (NY: Penguin Books 1976, 1977, 1978), 63pp. [20cm]; Do. [facs. 1957 Edn.] (Gloucester [US]: Martino Fine Books 2012), pb.; trans. edn. as Am Strand von Fontana: Gedichte (Wiesbaden: Limes [1957]), 31pp.
  • Poems and “Exiles”, ed., intro. & annot. by J. C. C. Mays [Penguin Twentieth-century Classics] (London: Penguin Books 1992), xiv, 384pp.
  • A. N. Jeffares, & Brendan Kennelly, eds., Joycechoyce: The Poems in Verse and Prose of James Joyce (London: Kyle Cathie 1992).
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Shorter Prose
  • Stanislaus Joyce & Ellsworth Mason, ed & intro., The Early Joyce: The Book Reviews, 1902-03 (Colorado Springs: Mamalujo Press 1955), 46pp.;
  • O. A. Silverman, Epiphanies [Wickser Collection in the Lockwood Memorial Library of the University of Buffalo] (University of Buffalo 1956), xvi, 32pp. [550 copies];
  • Ellsworth Mason & Richard Ellmann, eds., The Critical Writings of James Joyce (NY Viking Press 1959; reps. 1964, 1966; Cornell UP 1989) [see contents];
  • Richard Ellmann, A. Walton Litz & John Whittier Ferguson, eds., Poems and Shorter Writings (London: Faber & Faber 1991), xiv, 300pp. [incls. Epiphanies, “Giacomo Joyce”, “A Portrait of the Artist” (1904), et al., including Paris and Pola Notebooks - now known to be 1 notebook].
  • Louis Berrone, ed., trans. & intro., James Joyce in Padua (London: Random House 1977), [incl. 2 lecture/essays by Joyce of 1912; see contents];
  • Kevin Barry, ed. & intro., Occasional, Critical, and Political Writings [of] James Joyce, trans. from Italian by Conor Deane (OUP 2000), 360pp., ill. [facs., map] [incls. “Verismo ed idealismo nella letteratura inglese (Daniele De Foe - William Blake)”, ... &c.]
  • Louis Berrone, James Joyce in Padua (NY: Random House 1977), xxviii+146pp. [2 early essays of 1912 written for an examination at Padua Univ.; viz., “L’influenza letteraria universale del rinascimento” and “The centenary of Charles Dickens”; English Translation of the former & facs. of orig. MSS].
  • Thomas E. Connolly, ed., intro. & annot., James Joyce’s Scribbledehobble: The Ur-Workbook for “Finnegans Wake” (Northwestern UP 1961), xxii, 187pp. [being Buffalo Notebook VI.A];
  • Michael Groden et al., ed., The James Joyce Archive, 66 vols. (Garland 1977-79) [notebooks, manuscripts, typescripts and corrected galleys, as infra];
  • Phillip F. Herring, ed., Joyce’s Notesheets in the British Museum (Virginia UP 1972), viii, 545pp. [British Library / Manuscript. Add. 49975];
  • Phillip F. Herring, ed., Joyce’s Notes and Early Drafts for “Ulysses”: Selections from the Buffalo Collection [Bibliographical Society of the University of Virginia] (Virginia UP 1977), xii, 275pp. [Lockwood Memorial Library, Buffalo NY];
  • Michael Groden, James Joyce’s Manuscripts: An Index [Garland Reference Library, 186] (NY: Garland Publ. 1980), xv, 173pp. [checklist of all extant MSS, typescripts, and proofs; index to the 63 vols. of “James Joyce Archive” [photo-reprints];
  • Louis Berrone, ed., trans., & intro., James Joyce in Padua (NY: Random House 1977), xxvi, 146pp., 8 plates [2 essays of 1912];
  • The Cat and the Devil, illustrated by Richard Erdoes [Daisy Books for Print Disabled Series] (NY: Dodd, Mead & Co. 1964); also as Do., ill. Gerald Rose (London: Faber & Faber 1965), and later as Do. [another edn.], ill. by Roger Blachon (London: Moonlight 1980; NY: Schocken Books 1981); Do. another edn., ill. Blachon (London: Moonlight 1990; Newfoundland, Can.: Breakwater 1990), 29pp., [28]pp. [afterword by Stephen Joyce]; Translated into French by Jacques Borel as Le chat et le diable [1st French edn.] (Paris; Gallimard 1966), ill. Jean-Jacques Corres, and Do., dessiné par Roger Blachon, intro. by Stephen J. Joyce [Collection folio Benjamin, 77] (Paris: Gallimard 1978 [rep. 1984]) [30]pp., 18cm.
  • “The Cat and the Devil” [Orig. without title in letter to Stephen Joyce of 10 August 1936, in Letters of James Joyce, ed. Stuart Gilbert (Viking Press 1957), pp.386-87 [rep. Viking Press, as Vol. 1 of 3, 1966], and Selected Letters of James Joyce, ed. Richard Ellmann (Faber 1979), p.382f. See copy - as attached.]

  • The Cats of Copenhagen (Dublin: Ithys Press 2012), 40pp. [printed by Michael Caine in letterpress; in early 20th cn. Italian and French handcut fonts; with pen-and-ink drawing by Casey Sorrow; edn. of 200 copies consisting of 26 lettered copies, 170 numbered copies and 4 copies hors commerce; distrib. by Schuster & Schuster in America.] A copy has been made at Brain Pickings - online; accessed 20.04.2013.]
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Reviews of 1902-03

The following list of reviews by Joyce in 1902-03 is taken from Critical Writings [1959] (NY: Viking Press 1964; 3rd imp. 1966), being copied in turn from The Early Joyce: the Book Reviews, 1902-1903 (Colorado Springs, The Mamalujo Press 1955) - with notes by Stanislaus Joyce.

  • “An Irish Poet”, in Daily Express [Dublin] (11 Dec. 1902), review of William Rooney’s Poems and Ballads;
  • “George Meredith”, in Daily Express [Dublin] (11 Dec. 1902), review of Walter Jerrold’s George Meredith;
  • “Today and Tomorrow in Ireland”, in Daily Express [Dublin] (29 Jan. 1903), review of Stephen Gwynn’s Today and To-morrow in Ireland;
  • “A Suave Philosophy”, in Daily Express [Dublin] (6 Feb. 1903), review of H. Fielding Hall’s The Soul of a People;
  • “An Effort at Precision of Thinking”, in Daily Express [Dublin] (6 Feb 1903), review of James Anstic’s Colloquies of the Common People;
  • “Colonial Verses”, in Daily Express [Dublin] (6 Feb. 1903), review of Clive Phillips-Wolley’s Songs of an English Esau;
  • Catalina”, in Speaker [London] (21 March 1903), p.615, review of Ibsen’s Catalina;
  • “The Soul of Ireland”, in Daily Express [Dublin] (26 March 1903), review of Lady Gregory’s Poets and Dreamers [over JJ’s initials];
  • “The Motor Derby”, in The Irish Times (7 April 1903), article subtitled “interview with the French Champion (from a correspondent)”;
  • [no title], in Daily Express [Dublin] (3 Sept. 1903), review of John Burnet’s Aristotle on Education;
  • [no title], in Daily Express [Dublin] (3 Sept. 1903), review of [pseud.] Valentine Caryl’s, A Ne’er-Do-Well;
  • “New Fiction”, in Daily Express [Dublin] (26 March 1903), review of Aquila Kempster’s The Adventures of Prince Aga Mirza;
  • “The Mettle of the Pasture”, in Daily Express [Dublin] (17 Sept. 1903), review of James Lane Allen’s The Mettle of the Pasture;
  • “A Peep Into History”, in Daily Express [Dublin] (17 Sept. 1903), review of John Pollock’s The Popish Plot;
  • “The French Religious Novel”, in Daily Express [Dublin] (1 Oct. 1903), review of Marcelle Tinayre’s The House of Sin;
  • “Unequal Verse”, in Daily Express [Dublin] (1 Oct. 1903), review of Frederick Langbridge’s Ballads and Legends;
  • “Mr. Arnold Graves’ New Work”, in Daily Express [Dublin] (1 Oct. 1903), review of Arnold F. Graves’s Clytaemnestra: A Tragedy;
  • “A Neglected Poet”, in Daily Express [Dublin] (15 Oct. 1903), review of Alfred Ainger’s George Crabbe;
  • “Mr. Mason’s New Novels”, in Daily Express [Dublin] (15 Oct. 1903), review of A. E. W. Mason, The Courtship of Morrice Buckler, The Philanderers, and Miranda of the Balcony;
  • “The Bruno Philosophy”, in Daily Express [Dublin] (30 Oct. 1903), review of Lewis McIntyre’s Giordano Bruno;
  • “Humanism”, in Daily Express [Dublin] (12 Nov. 1903), review of F. C. S. Schiller’s Humanism: Philosophical Essays;
  • “Shakespeare Explained”, in Daily Express [Dublin] (12 Nov. 1903), review of A. S. Canning’s Shakespeare Studied in Eight Plays;
  • [no title], in Daily Express [Dublin] (19 Nov. 1903), review of T. Baron Russell’s, Borlase and Son.
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Correspondence
  • Letters of James Joyce, ed. Stuart Gilbert, Vol. I (NY: Viking Press 1957; corr. edn. 1966); Do., ed. Richard Ellmann, Vols. II & III (London: Faber & Faber 1966) [incls. list of Joyce’s addresses in Vol. II];
  • Selected Letters of James Joyce, ed. Richard Ellmann (NY: Viking Press; London: Faber & Faber 1975), xxxi, 440pp. [incl. some newly published correspondence - i.e, the so-called “black letters” to Nora in 1909];
  • Forrest Reid, Pound/Joyce: The Letters of Ezra Pound to James Joyce, with Pound’s Essays on Joyce (London: Faber & Faber 1968; NY: New Directions 1970), 3143pp. [with index];
  • Melissa Banta & O. A. Silverman, eds., James Joyce’s Letters to Sylvia Beach 1921-1940 (Indiana UP 1987), 221pp., and Do. [rep. edn.] (Deddington: Plantin [1990]), xvi, 221pp., ill.;
  • Marie Tadié, trans., Lettres de James Joyce: Réunies et présentées par Stuart Gilbert [...] (Paris 1961), 548pp. [trans. pf 1957 edn.]
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Selected & Omnibus Editions
  • James Joyce, Dubliners / A Portrait of the Artist as a Young Man / Ulysses ([London:] Chancellor Press 1993), 1, 121, 261-[761]pp., pref. by David Norris.
  • T. S. Eliot, Introducing James Joyce: A Selection of Joyce’s Prose [1st edn.] (London: Faber & Faber 1942).
  • Harry Levin, ed. & intro., The Portable James Joyce (NY: Viking Press 1947, 1948); [Do. as] The Essential James Joyce (London: Jonathan Cape 1948), 534pp.; Do. [another edn.] (Harmondsworth: Penguin 1963; London: Granada 1981; London: HarperCollins 1991; Triad Paladin), 623pp.
  • Jacques Aubert, ed., Œuvres de James Joyce [Pléiades Edn.] (Paris: Gallimard 1982- ).
  • David Norris, intro., Dubliners / A Portrait of the Artist as a Young Man / Ulysses ([London:] Chancellor Press 1993), [xi], 721pp.
  • [comprising Dubliners, A Portrait of the Artist as a Young Man, Exiles, Collected Poems, and selections from Ulysses and Finnegans Wake - viz., Dubliners, p.1ff; Portrait, p.121ff; Ulysses, pp.261ff.]

Note: Chinese translations by Jin Di, Xiao Quian & Wen Jieruo, the first-named being the most highly regarded, having been written under consultation with Joycean scholar[s].

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Notebooks and sources
  • David Hayman, ed. & annot., A First-Draft Version of “Finnegans Wake” (Texas UP; London: Faber & Faber 1963), 330pp [see full text at Genetic Joyce Studies / Wisconsin Univ. - online].
  • Robert Scholes & Richard Kain, eds., The Workshop of Daedalus: James Joyce and the Raw Materials for “A Portrait of the Artist as a Young Man” (Evanston Ill.: Northwestern UP 1965), xiv, 287pp. [prop. materials for Stephen Hero & A Portrait - incl. “Epiphanies’, the “Portrait” Essay of 1904 [Intro. Note, pp.56-59; text pp.60-74], the Paris Notebook [pp.52-55], and the Pola Notebook [80-91; see extracts]; the Trieste Notebook [92-105; all three now known to be united]; see full-text version at Genetic Joyce Studies online - index.]
  • Phillip F. Herring, ed., Joyce’s Ulysses Notesheets in the British Museum Bibliographical Society of the University of Virginia] (Virginia UP [1972]), viii, 545pp.,. ill., 27 cm. [British Library Manuscript Add. 49975].
  • Philip Herring, ed., Joyce’s Notes and Early Drafts for Ulysses: Selections from the Buffalo Collection [Bibliographical Society of the University of Virginia] (Virginia UP 1977), xii, 275pp. [transcription of VIII.A.5, V.A.2, and early MSS of “Cyclops” and “Circe”].
  • Danis Rose, James Joyce’s The Index Manuscript “Finnegans Wake” Holograph Workbook VI.B.46 (Colchester 1978).
  • Danis Rose, The Textual Diaries of James Joyce (Dublin: Lilliput Press 1995), p.x.
See also
  • James Joyce Archive, gen. ed. Michael Groden (NY Garland Press 1977-79) - as infra.
  • The Finnegans Wake Notebooks at Buffalo, ed. V. Deane, D. Ferrer & G. Lernout (Turnhout, Belgium: Brepols Publ. 2002- ) - as infra.
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Archives
James Joyce Archive., gen. ed. Michael Groden (NY: Garland 1977-79)
  • Vol. 1: Chamber Music & Poems Penyeach, ed., A. Walton Litz;
  • Vols. 2-3: Notes, Criticism, Translations & Miscellaneous, ed., Hans Walter Gabler & Michael Groden;
  • Vol. 4: Dubliners, Drafts & MSS, ed., Hans Walter Gabler;
  • Vol. 5: Dubliners, facsimile proofs of 1910 Edition, Michael Groden;
  • Vol. 6: Dubliners, 1914 Edn.; Vol. 7: A Portrait: Epiphanies, Notes, MS & Typescripts, ed., H. W. Gabler;
  • Vol. 8: A Portrait: Facsimile Fragments of Stephen Hero, ed., H. W. Gabler;
  • Vols. 9-10: A Portrait: Final Holograph MS, ed. Hans Walter Gabler;
  • Vol. 11; Exiles: Notes, MS & Galley, ed., A. Walton Litz;
  • Vols. 12-27: Ulysses: Notes, MS, Drafts and Typescript, ed., Michael Groden;
  • Vols. 28-43; Finnegans Wake: Buffalo Notebooks, eds. David Hayman & Danis Rose;
  • Vols. 44-66: Finnegans Wake: Drafts, Typescripts & Proofs, 5 vols. (Garland 1978), ed., David Hayman & Danis Rose.

[ See separate listing - as attached; also expanded details of each of the above under Ulysses, as supra, and Finnegans Wake, as supra.

See also Michael Groden, James Joyce’s Manuscripts: An Index [Garland Reference Library, 186] (NY: Garland Publ. 1980), xv, 173pp. [checklist of all extant MSS, typescripts, and proofs; index to the 63 vols. of “James Joyce Archive” [photo-reprints];

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The Finnegans Wake Notebooks at Buffalo, ed. Vincent Deane, Daniel Ferrer, Geert Lernout (Turnhout, Belgium: Brepols Publ. 2001- ) [project halted by obstructions from the James Joyce Estate].
  • VI.A [a large, atypical notebook in Joyce’s hand, later known as Scribbledehobble];
  • VI.B.1-40, 42-48 [the primary series, consisting of 47 small notebooks in various formats, in Joyce’s hand]; VI.B.48 [compiled after the completion of Finnegans Wake];
  • VI.B.41 [written by Joyce at the end of VI.C.18, as infra];
  • VI.C.1-18 [18 notebooks containing transcriptions of unused material from the B series made by Mme Raphael and used by Joyce in the same manner as the B series];
  • VI.D.1-7 [Virtual notebooks representing parts of VI.C.1-18 whose originals in the B series are no longer extant]

Note: Details of analysis and catalogue enumeration applied by Peter Spielberg in 1962; cited in publisher’s notice from the Brepols edition of the Notebooks. [See Poetry/Rare Books Collection of State University of New York at Buffalo. Also noticed as The Finnegans Wake Notebook Edition (Brepols Publ. 2002-2005) - 55 fascicles in all being a fully integrated and cross-referenced edition of all the extant work-books compiled by Joyce after the completion of Ulysses to be published as a series of fasciles, one per authorial notebook, three per scribal notebook [Times Literary Supplement, 21 Jan. 2005.].

Additional MS material
  • Danis Rose, ed., James Joyce’s The Index Manuscript: Finnegans Wake Holograph Workbook VI.B.46 (Colchester: A Wake Newsletter Press 1978);
  • Danis Rose & John O’Hanlon, eds., The Lost Notebook - New Evidence on the Genesis of Ulysses [with a] foreword by Hans Walter Gabler (Edinburgh: Split Pea Press 1989), xli, 49pp. [See details - supra.]
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Paul Léon JJ Archive: Purchased by Irish Govt. from Alexis Léon, consisting of six notebooks and sixteen drafts of James Joyce’s Ulysses, with typescripts and proofs for Finnegans Wake; other collections at Cornell, Yale, Harvard, Princeton and British Library; Rosenbach (Phil.), Buffalo, Texas and Tulsa Univs.; draft of Circe came to light 2000; Buffalo holds pencil-numbered copies of Oxen drafts 1,2, 4, 6, 7, and 8; NLI now adds copybooks no. 3, 5, and 9; four stray pages of the Wake fits into the Buffalo notebook from which they were separated; the aesthetic quotations now available in the hand-written MS pages that Joyce allowed Herbert Gorman to copy; earliest draft of Proteus; early draft of Sirens (‘Joyce decided, for the first time, to make his fictional form correspond to the subject matter in a radical way’); second draft of Circe; drafts of “Scylla and Charybdis”, “Ithaca” and “Penelope”, supplementing the Rosenbach fair copy of all three (last words of Penelope, ‘and I said I would yes’, with would crossed out for will.) Notebooks, marked by coloured crayons cross-outs. See Michael Groden, ‘Letter from Dublin’, in Times Literary Supplement (14 June 2002), p.15. Bibliography, The James Joyce-Paul Léon Papers in the National Library of Ireland, compiled by Catherine Fahy (Dublin: National Library of Ireland 1992).

 

National Libary of Ireland - Collection List No. 68: The Joyce Papers 2002. MS 36,396; Accession No. 6163: Early materials; drafts, &c., of parts of Ulysses; proofs, &c. for Finnegans Wake. / Compiled by Peter Kenny, Asst. Lib. Note: Finnegans Wake [item], MS 36,639/19: 1 sheet of 4 unnumbered pages in MS torn from notebook with words. Short phrases and bibliographical references, some of which are crossed out with red or blue crayon, 21 x 25 cm. Incls references from From Darkness to Light in Polynesia (London: Religious Tract Society 1894), and Myths and Songs from the South Pacific (London: H. S. King & Co. 1896), both by the Rev. William Wyatt Gill (1826-1896). Bibliography: Michael Groden, “The National Library of Ireland’s New Joyce Manuscripts: A Statement and Document Descriptions”, in James Joyce Quarterly, 39, 1 (Fall 2001) p.29-51.

 
Film- Discography
  • Ulysses (1967; B&W, 132 mins.) directed & produced by Joseph Strick, with Milo O’Shea as Leopold Bloom, Maurice Roëves as Stephen Dedalus and Barbara Jefford as Molly Bloom. Other roles were played by Martin Dempsey (Simon Dedalus), Fionnula Flanagan (Gerty MacDowell), Maire Hastings (Mary Driscoll), Graham Lines (Haines), Joe Lynch (Blazes Boylan), Anna Manahan (Bella Cohen), Peter Mayock (Jack Power), T. P. McKenna (Buck Mulligan), Sheila O’Sullivan (May Golding Dedalus), Maureen Potter (Josie Breen), and Maureen Toal (Zoe Higgins). The film was set in Dublin of the 1960s to avoid expensive stage-sets. The screenplay was jointly written by Fred Haines and Strick; the cinematography by Wolfgang Suschitzky, and the music by Stanley Myers. Strick (b.1923), also directed A Portrait Of The Artist As A Young Man (1979), co-scripted with Judith Rascoe, with Bosco Hogan, T. P. McKenna and John Gielgud. Strick previously directed a film-version of Jean Genet’s The Balcony (1963) and afterwards a version of Henry Miller’s Tropic of Cancer (1970) and the film Criminals (1995), using texts by C. K. Williams. Strick was blacklisted in the MacCarthy era. The Irish Censorship Board’s ban on his film remained in place until October 2000.
  • Ulysses, dir. Sean Walsh. with Angeline Ball [The Commitments] as Molly, Stephen Rea as Bloom and Hugh O’Conor as Stephen Dedalus (première at the Taormina Film Festival, Sicily 2003).
  • James Joyce: The Trials of Ulysses [documentary], traces the birth and eventual success of the novel (RTE, Network 2, 16th June 2001).
  • Passages from Finnegans Wake (1965; B&W), directed by Mary Ellen Bute with screenplay by Mary Manning, cinematography by Ted Nemeth and music by Elliot Kaplan. Cast incl. Ray Flanagan [Shem 1], Peter Haskell [Shem 2], Page Johnson [Shaun], Martin J. Kelley [HCE/Tim Finnegan], Jane Reilly [Anna Livia].
  • James Joyce’s Women (1985; colour), directed by Michael Pearce with cinemotography by John Metcalfe and music by Arthur Keating, Vincent Kilduff & Garrett O’Conner. Cast incl. Fionnula Flanagan [var. as Nora Joyce, Gertie MacDowell, Harriet Shaw Weaver, Main Washerwoman, & Molly Bloom], Chris O’Neill [as James Joyce], James E. O’Grady [as Interviewer], Tony Lyons [as Leopold Bloom], Paddy Dawson [as Stannie Joyce], Martin Dempsey [as John Stanislaus Joyce], Gerald Fitzmahony [as Dublin Gossips], Joseph Taylor [as a Dubliner], Rebecca Wilkinson and Gladys Sheehan [as Washerwomen], Gabrielle Keenan [as Cissy Caffrey], Michele O’Connor [as Edy Boardman].
  • Ulysses (RTÉ 1991), sound version, with Conor Farrington, Aidan Grennell, and Thomas Studley as narrators, and Ronnie Walsh (Bloom), Pegg Monahan (Molly), Patrick Dawson (Stephen), and RTE players; text consultant, Roland McHugh, exec. producer, Mícheál Ó hAodha, dir. William Styles; Finnegan’s Wake: A Reading by Patrick Healy (Dublin: Lilliput 1995) [1 874675 627; boxed cassettes].
  • Performance versions of “Penelope” by Siobhán MacKenna (q.d.), and Fionnula Flanigan (NY & Irvine, 1993);
  • Nora (2000), a film, with Susan Lynch in title role and Ewan McGregor as the young Joyce;, Note also Fionnula Flanagan as Molly Bloom in James Joyce’s Women (1985).
  • BBC production of Ulysses on BBC4 radio (16 June 2012) [with Sinead Cusack, et al.].
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Bibliographical details

Pomes Penyeach (London: Faber & Faber 1927), 22pp. (iss. 7 July 1927) - CONTENTS: “Tilly”; “Watching the needleboats at San Sabba”; “A flower given to my daughter”; “She weeps over Rahoon”; Tutto è Sciolto”; “On the beach at Fontana”; “Simples”; “Flood”; “Nightpiece”; “Alone”; “A memory of the players in a mirror at mid-night”; “Bahnhofstrasse”; “A prayer”.

 

Ellsworth Mason & Richard Ellmann, eds., The Critical Writings of James Joyce (NY Viking Press 1959; rep. 1966). Contents: Introduction, [7]; 1. Trust Not Appearances (1896?) [15]; 2. Force (1898) [17]; 3. The Study of Languages (1898/99?) [25]; ]; 4. Royal Hibernian Academy “Ecce Homo” (1899) [31]; 5. Drama and Life (1900) [38]; 6. Ibsen’s New Drama (1900) [47]; 7. The Day of the Rabblement (1901) [68]; 8. James Clarence Mangan (1902) [73]; 9. An Irish Poet (1902) [84]; 10. George Meredith (1902) [88]; 11. Today and Tomorrow in Ireland (1903) [90]; 12. A Suave Philosophy (1903) [93]; 13. An Effort at Precision in Thinking (1903) [96]; 14. Colonial Verses (1903) [97]; 15. Catilina (1903) [98]; 16. The Soul of Ireland (1903) [102]; 17. The Motor Derby (1903) [106]; 18. Aristotle on Education (1903) [109]; 19. A Ne’er-do-well (1903) [111]; 20. Empire-Building (1903) [113]; 21. New Fiction (1903) [116]; 22. The Mettle of the Pasture (1903) [117]; 23. A Peep into History (1903) [119]; 24. A French Religious Novel (1903) [121]; 25. Unequal Verse (1903) [124]; 26. Mr. Arnold Graves’ New Work (1903) [126]; 27. A Neglected Poet (1903) [128]; 28. Mr. Mason’s Novels (1903) [130]; 29. The Bruno Philosophy (1903) [132]; 30. Humanism (1903) [135]; 31. Shakespeare Explained (1903) [137]; 32. Borlase and Son (1903) [139]; 33. Aesthetics (1903/04) [141]; 1: The Paris Notebook]; II: The Pola Notebook; 34. “The Holy Office” (1904) [149]; 35. Ireland, Island of Saints and Sages (1907) [153]; 36. James Clarence Mangan [2] (1907) [175]; 37. Fenianism (1907) [187]; 38. Home Rule Comes of Age (1907) [193]; 39. Ireland at the Bar (1907) [197]; 40. Oscar Wilde: the Poet of Salomé 201]; 41. Bernard Shaw’s Battle with the Censor (1909) [206]; 42. The Home Rule Comet (1910) [209]; 43. William Blake (1912) [214]; 44. The Shade of Parnell (1912) [223]; 45. The City of the Tribes (1912) [229]; 46. The Mirage of the Fisherman of Aran (1912) [234]; 47. Politics and Cattle Disease (1912) [238]; 48. “Gas from a Burner” (1912) [242]; 49. Dooleysprudence (1916) [246]; 50. Programme Notes for the English Players]; (1918/19) [249]: Barrie, the Twelve Pound Look; Synge, Riders to the Sea; Shaw, The Dark Lady of the Sonnets; Martyn, The Heather Field; 51. Letter on Pound (1925) [253]; 52. Letter on Hardy (1928) [255]; 53. Letter on Svevo (1929) [256]; 54. From a Banned Writer to a Banned Singer; (1932) [258]; 55. Ad-writer (1932) [269]; 56. Epilogue to Ibsen’s Ghosts (1934) [271]; 57. Communication de m. James Joyce sur le droit Moral des Ecrivains [address to 15th Internat. PEN] (1937) [274]; Index 277]. Note that the lecture on Defoe - contemporaneous with that on Blake as part of “Verismo ed idealismo” and in the possession of Sylvia Beach (having been presented to her by John Slocum who bought it from Stanislaus Joyce) - is omitted from Critical Writings (1959) ‘because of a prior arrangement with the Joyce Estate’.

Louis Berrone, ed., trans, and intro., James Joyce in Padua (London: Random House 1977), xxvi+146pp., 8 plates. CONTENTS: Introduction [xiii]; Joyce’s Letter to the Rector of the University of Padua [4] “L’influenza Letterearia Universale del Rinascimento/The Universal Literary Influence of the Renaissance” [19]; “The Centenary of Charles Dickens” [33]; The University of Padua Official Reports [41]; Afterword 1 - “The Universal Literary Influence of the Renaissance” [43]; Afterword 2 - “The Centenary of Charles Dickens” [73]; Notes on the Thesis-Reader’s Corrections [103]; Distinctive or Obscure Words and Phrases in Joyce’s Paduan Essays [111]; Selected Bibl. [141-46].

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Archives listed in Bruce Stewart, “James Joyce”, NDNB 2004
  • British Library, papers relating to Finnegans Wake, Add. MSS 47471-47489;
  • British Library, papers incl. draft of autobiography, Add. MS 49975;
  • Cornell University, Ithaca, New York, Olin Library, corresp., literary MSS, and papers;
  • Harvard University, Houghton Library, corresp., literary MSS, and papers, incl. letters to Grant Richards;
  • Huntington Library, letters;
  • New York State University, Buffalo, Lockwood Memorial Library, MSS;
  • National Library of Ireland, letters
  • Ransom Humanities Research Centre, papers;
  • Southern Illinois University, Carbondale, Morris Library, corresp., literary MSS, and papers;
  • Yale University, Beinecke Library, corresp., literary MSS, and papers;
  • British Library, letters to Harriet Shaw Weaver, Add. MSS 57345-57352;
  • Trinity College, Dublin, corresp. with Thomas MacGreevy;
  • University College, Dublin, letters to D. J. O’Donoghue. 
  • Museum of Modern Art, New York, a film taken by Robert Kastor showing James, Nora, and Stephen Joyce in a Paris garden [?1937];
  • University of Tulsa, Oklahoma, McFarlin Library, James Joyce collection, ‘Ulysses’ (Shakespeare & Co., Paris, 1924), ‘Anna Livia Plurabelle’ (Orthological Institute, Cambridge), ‘Bid adieu’ (Radiodiffusion et Television Françaises, Paris), ‘Bid adieu, Anna Livia Plurabelle, Ulysses’ (Microsillon, Paris)
Go online [Athens password required].

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Joyce Texts On-line
Online-Literature
[incls. Ulysses with search engine - online at 18.11.2009 ]
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Buffalo Library Bloomsday Exhibition
(8 June - 22 Sept. 2004)
[password copy - attached. ]
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Finnegans Wake Concordex
[ Searches with ‘or’ and ‘not’ functions ]
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RICORSO Library of Irish Classics
[ Access by password only ]
 
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