James Joyce Criticism - File 5: Tables of Contents

Suheil Badi Bushrui & Bernard Benstock, eds., James Joyce: An International Perspective: Centenary Essays in Honour of the late Sir Desmond Cochrane (Gerrards Cross: Colin Smythe [16 June] 1982), 301pp. CONTENTS: ‘A Message from Samuel Beckett [vii]; ‘In Memoriam Sir Desmond Cochrane 1918-1979’ [ix]; Foreword: Richard Ellmann, ‘Joyce After a Hundred Years’ [xi]; Acknowledgements [xiii]; Suheil Badi Bushrui & Bernard Benstock, ‘Introduction’ [1]; Geróid Ó Clérigh, ‘James Joyce: Nó Séamas Seoighe’ [9], poem; Terence Brown, ‘Dublin of Dubliners’ [11]; Charles Rossman, ‘The Reader’s Role in A Portrait of the Artist as a Young Man’ [19]; Dominic Daniel, ‘Exiles: A Moral Statement’ [38]; Bernard Benstock, ‘On the Nature of Evidence in Ulysses’ [46]; Vivian Mercier, ‘John Eglinton as Socrates: A Study of “Scylla and Charybdis”’ [65]; John Paul Riquelme, ‘Twists of the Teller’s Tale: Finnegans Wake’ [82]; Francis Warner, ‘The Poetry of James Joyce’ [115]; John Montague, ‘James Joyce’ [128], poem; David Norris, ‘A Turnip for the Books: James Joyce, a Centenary Tribute’ [129]; Augustine Martin, ‘Sin and Secrecy in Joyce’s Fiction’ [143]; Declan Kiberd, ‘The Vulgarity of Heroics: Joyce’s Ulysses’ [156]; Suzanne Brown, ‘Night Fox: For James Joyce’ [169]; Phillip Herring, ‘Joyce and Rimbaud: An Introductory Essay’ [170]; Ann Saddlemyer, ‘James Joyce and the Irish Dramatic Movement’ [190]; Suheil Bushrui, ‘The Wanderer: For James Joyce’ [213]; Paul van Caspel, ‘Joyce Studies in the Netherlands’ [215]; Paul & Sylvia Botheroyd, ‘Joyce in Germany and Switzerland’ [222]; Suheil Bushrui, ‘Joyce in the Arab World’ [232]; Thomas F. Staley, ‘Following Ariadne’s String: Tracing Joyce Scholarship into the Eighties’ [250]; Suheil Bushrui, ‘Chronology’ [278]; Contributors [287]; Index [293-301].

Suzette Henke & Elaine Unkeless, eds., Women in Joyce (Brighton: Harvester 1982), 216pp. CONTENTS: Robert Boyle, ‘ The Woman Hidden in James Joyce’s Chamber Music’; Florence L. Walzl, ‘Dubliners’; Bonnie Kime Scott, ‘Emma Clery in Stephen Hero’; Suzette Henke, ‘Stephen Dedalus and Women’; Ruth Bauerle, ‘Bertha’s role in Exiles’; Suzette Henke, ‘Gerty MacDowell’; Elaine Unkeless, ‘The Conventional Molly Bloom’; Shari Benstock, ‘The Genuine Christine’; Margot Norris, ‘Anna Livia Plurabelle’.

E. L. Epstein, ed., A Starchamber Quiry: A James Joyce Centennial Volume 1882-1982, with an afterword by Clive Hart (London: Methuen 1982; rep. 1983), 164pp. James Joyce and His Civilisation [ix]; Hugh Kenner, ‘Notes towards an Anatomy of “Modernism”’ [3]; James Joyce and His Orders [43]; Fritz Senn, ‘Weaving, unweaving’ [45]; James Joyce and the body [71]; E. L. Epstein, ‘James Joyce and the body’ [73]; James Joyce and the Soul [107]; Robert Boyle, SJ, ‘Worshipper of the Word: James Joyce and the Trinity’ [109]; James Joyce and his Readers [153]; Clive Hart: ‘Afterword: Reading Finnegans Wake’ [155]. Epigraph: ‘These four claymen clomb together to hold their sworn starchamber quiry on him. For he was ever their quarrel, the way they would see themselves.’ (FW475.18-20.)

W. J. McCormack & Alaistair Stead, James Joyce and Modernism [Joyce conference, Leeds 1982] (London: Routledge 1982), 222pp. [ded. “To Lucia Joyce”]. Contents: William A. Johnsen, ‘James Joyce’s Dubliners and the Futility of Modernism’ [1]; William Trevor, ‘Two More Gallants’ [22]; Timothy Webb, “Planetary Music”: James Joyce and the Romantic Example’ [30]; Christopher Butler, ‘Joyce and the Displaced Author’ [56]; Seamus Heaney, “Leaving the Island”’ [74]; W. J. McCormack, ‘Nightmare of History: James Joyce and the Phenomenon of Anglo-Irish Literature’ [77]; Tom Paulin, ‘Martello’ [108]; Jeremy Hawthorn, ‘Ulysses, Modernism and Marxist Criticism’ [112]; Frederic Jameson, ‘Ulysses in History’ [126]; Alistair Stead, ‘Reflections on “Eumaeus”: Ways of error and Glory in Ulysses’ [142]; Philip Brockbank, ‘Joyce and Literary Tradition: Language Living, Dead, and Resurrected, from Genesis to Guinnesses’ [166]; Pieter Bekker, ‘Reading Finnegans Wake’ [185]; Edwin Morgan, ‘James Joyce and Hugh MacDiarmid’ [202]; Index’ [218].

Derek Attridge & Daniel Ferrer, eds., Post-structuralist Joyce: Essays from the French (Cambridge UP 1984), 162pp. CONTENTS: Attridge & Ferrer, Introduction: ‘Highly continental evenements’ [1]; Helene Cixous, ‘Joyce: The (r)use of writing’ [15; extract]; Stephen Heath, ‘Ambiviolences: Notes for reading Joyce’ [31]; Jacques Aubert, ‘riverun’ [69]; Jean-Michel Rabaté, ‘Lapsus ex machine’ [79]; André Topia, ‘The Matrix and the echo: Intertextuality in Ulysses’ [103]; Daniel Ferrer, ‘“Circe”: regret and regression’ [127], Jacques Derrida, ‘Two words for Joyce’ [145-59]. Contributors [161]. Bibl. - origins of the texts: Hélène Cixous, ‘Joyce, la ruse de l’écriture’, in Poétique, 4 (1970), pp.419-32; rep. in Prénoms de personne (Paris: Editions du Seuil 1974); Stephen Heath, ‘Ambiviolences: Notes pour la lecture de Joyce’, in Tel Quel, 50 (1972), pp.22-43, and Do., 51 (1972), pp.64-76; Jacques Aubert, ‘Riverrun’, in Change, 11 (1972), pp.120-30; Jean-Michel Rabaté, ‘Lapsus ex machina’, in Poétique, 26 (1976), pp.152-72; André Topia, ‘Contrepoints joyciens’, in Poétique, 27 (1976), pp.351-71; Daniel Ferrer, ‘Circé, ou les regrès éternels’ [1975], to be published in Les Cahiers de l’Herne [c.1984]; Jacques Derrida, ‘Deux mots pour Joyce’ [paper given at the Centre Georges Pompidou, 1982].

Richard Brown, James Joyce and Sexuality (Cambridge UP 1985; reps. 1989, 1990), vii, 224pp. CONTENTS: Introduction; 1. Love and marriage; 2. Emissio inter vas naturale; 3. Women; 4. Sexual reality; Notes; Bibliography; Index. [based on “The Sexual Pretext: An Examination of Sexual Themes in Joyce’s Reading and the Engagement of his Writings in Contemporary Discussions of Sexuality”, PhD London Univ. 1981.]

Heyward Ehrlich, ed., Light Rays: James Joyce and Modernism (NY: New Horizon 1984), 224pp. CONTENTS: [Prologue]; Richard Ellmann, ‘Two perspectives on Joyce’; [Introduction]; Heyward Ehrlich, ‘James Joyce’s Light Rays’; Part 1: Popular Culture]; Leslie Fieldler, ‘To Whom does Joyce Belong?’; Ruby, ‘Ulysses as Parody, Pop and Porn’; Zack Bowen, ‘Joyce and the Modern Coalescence’; [Part 2: Experimental Literature]; Hugh Kenner, ‘Who’s he when he’s at home?’; Fritz Senn, ‘Remodeling Homer’; Ihab Hassan, ‘Finnegan’s Wake and Postmodern Imagination’; [Part 3: The New Sexuality]; Morris Beja, ‘The Joyce of Sex: Sexual Relations in Ulysses’; Robert Boyle, ‘Joyce’s Consubstantiality: Woman as Creator’; [Part 4: Contemporary philosophy]; Morton P. Levitt, ‘The Modernist Age: The Age of James Joyce’; Margot Norris, ‘From The Decentered Universe of Finnegan’s Wake’; [Part 5: Neoteric Psychology]; Norman O. Brown, ‘Closing Time: An Interlude of Farce’; [Part 6; Avant Garde Music]; John Cage, ‘Writing for the Second Time through Finnegan’s Wake’; John Cage, ‘From The Wonderful Widow of Eighteen Springs’; Pierre Boulez, ‘From Third sonata and Structures II’; [Part 7: Abstract Art]; Shari Benstock, ‘The Double Image of Modernism: Matisse’s Etchings for Ulysses’; Evan Firestone, ‘James Joyce and the First Generation New York School’; Ad Reinhardt, ‘A Portend of the Artist as a Jhung Mandala.’

Zack Bowen & James F. Carens, eds., A Companion to Joyce Studies (Westport, Conn: Greenwood 1984), 818pp. CONTENTS: Abbreviations [ix]; Introduction [xi]; Edmund L. Epstein, ‘James Augustine Aloysius Joyce’ [3]; Mary T. Reynolds, ‘Joyce as a Letter Writer’ [39]; Michael Groden, ‘A Textual and Publishing History’ [71]; Chester G. Anderson, ‘Joyce’s Verses’ [129]; Florence L. Walzl, ‘Dubliners’ [157]; Thomas E. Connolly, ‘Stephen Hero’ [229]; Bernard Benstock, ‘Exiles’ [361]; Vicki Mahaffey, ‘Giacomo Joyce’ [387]; Zack Bowen, ‘Ulysses’ [421]; Patrick A. McCarthy, ‘The Structures and Meanings of Finnegans Wake’ [559]; Michael H. Bengal, ‘The Language of Finnegans Wake’ [633]; Barbara DiBernard, ‘Technique in Finnegans Wake’ [647]; Robert Scholes & Marlena G. Corcoran, ‘The Aesthetic Theory and the Critical Writings’ [689]; Morris Beja, ‘Epiphany and the Epiphanies’ [707]; Sidney Feshbach & William Herman, ‘The History of Joyce Criticism and Scholarship’ [727]; Appendix 1; Edmund L. Epstein, ‘Joyce’s Names’ [781]; Appendix 2: Michael Groden, ‘Library Collections of Joyce Manuscripts’ [783]; Contributors [787]; Index [791-818].

Bernard Benstock, ed., Critical Essays on James Joyce (Boston: G. K. Hall 1985), 236pp. CONTENTS: Ezra Pound, ‘Dubliners and Mr. James Joyce’; H. G. Wells, ‘James Joyce’; T. S. Eliot, ‘Ulysses, Order, and Myth’ [1923]; Edmund Wilson, ‘The Dream of H.C. Earwicker’; Samuel Beckett, ‘Dante…Bruno, Vico…Joyce’; Stuart Gilbert, ‘The Rhythm of Ulysses’; Frank Budgen, ‘Joyce’s Chapters of Going Forth by Day’; Richard M. Kain, ‘Talking about Injustice: James Joyce in the Modern World’; Richard Ellmann, ‘The Backgrounds of “The Dead”’; Hugh Kenner, ‘The Cubist Portrait’; Clive Hart, ‘The Elephant in the Belly: Exegesis of Finnegans Wake’; Fritz Senn, ‘Book of Many Turns’; Robert Boyle, S.J., ‘Miracle in Black Ink: A Glance of Joyce’s Use of his Eucharistic Image’; Bernard Benstock, ‘“The Dead”: A Cold Coming’; David Hayman, ‘Nodality and the Infra-structure of Finnegans Wake’; Thomas F. Staley, ‘A Beginning: Signification, Story, and Discourse in Joyce’s “The Sisters”’; Wolfgang Iser, ‘Doing Things in Style: An Interpretation of “The Oxen of the Sun” in James Joyce’s Ulysses’; Margot C. Norris, ‘The Consequences of Deconstruction: A Technical Perspective of Joyce’s Finnegans Wake’; Shari Benstock, ‘Nightletters: Woman’s Writing in the Wake’.

George C. Sandelescu, ed., Assessing the 1984 Ulysses (Gerrards Cross: Colin Smythe 1986), 300pp. CONTENTS: Bernard Benstock, ‘Ulysses: How Many Texts are There In It?’; Rosa Maria Bollettieri Bosinelli, ‘Joyce the Scribe and the Right Hand Reader’; Giovanni Cianci, ‘Typography Underrated: A Note on Aeolus’; Carla de Petris, ‘On Mondadori’s Telemachia’; Richard Ellmann, ‘Crux in the new edition of Ulysses’; Wilhelm Fuger, ‘Unanswered Questions about a Questionable Answer’; Michael Patrick Gillespie, ‘Why Does one Re-read Ulysses?’; Clive Hart, ‘Art Thou Real, My Ideal?’; David Hayman, ‘Balancing the Book, or Pro and Contra the Gabler Ulysses’; Suzette Henke, ‘Reconstructing Ulysses in a Deconstructive Mode’; Richard M. Kain, ‘Dublin 1904’; Carla Marengo Vaglio, ‘Italics in Ulysses’; Ira B. Nadel, ‘Textual Criticism, Literary Theory and the New Ulysses’; Patrick Parrinder, ‘From Telemachus to Penelope: Episodes Anonymous?’; Charles Peake, ‘Some Critical Comments on the Telemachia in the 1984 Ulysses’; C. George Sandulescu, ‘Curios of Signs I am Here to Rede!’; Fitz Senn, ‘Ulysses between Corruption and Correction’; Francisco Garcia Tortosa, ‘Ulysses in Spanish’; Donald Phillip Verne, ‘The 1922 and 1984 Editions: Some Philosophical Considerations’.

David Lloyd, Nationalism and Minor Literature: James Clarence Mangan and the Emergence of Irish Cultural Nationalism (Berkeley: Cal. UP 1987). INDEX: Joyce, James: pp.xii, 209; A Portrait of the Artist as a Young Man: pp.162, 209, 237-38; Stephen Dedalus, 209, 237-38; Stephen Hero: p.44.

Christine van Beerhamen, ed., Joyce, Modernity and Mediation [European Studies 1]; (Amstersdam: Rodopi 1989), 228pp. CONTENTS: Ulrich Schneider, ‘Mediatization in “Aeolus” and “Oxen of the Sun”’; Jean-Michel Rabaté, ‘The Modernity of Exiles’; Fritz Senn,‘Anagnostic probes’; Christine van Boheemen, “The Language of Flow”: Joyce’s Dispossession of the Feminine in Ulysses’; Marilyn L. Brownstein, ‘Against Mediation: The Role of the Postmodern in The Phaedrus and Finnegans Wake’; Richard Brown, ‘“Perhaps she had not told him all the story”: Observations on the Topic of Adultery in some Modern Literature’; Mary Power, ‘Molly Bloom and Mary Anderson: The Inside Story’; Peter J. de Voogd, ‘James Joyce, Wyndham Lewis, and the Mediatization of Word and Image’; Marius Buning, ‘History and Modernity in Joyce’s Ulysses’.

Bernard Benstock, ed., Critical Essays on James Joyce’s Ulysses (Boston: G.K. Hall 1989), 331pp.; CONTENTS: Introduction: Bernard Benstock, ‘In the Track of the Odyssean’ [1]; Part 1: “What’s This Here, Guvnor?”’ [3]; Carl Jung, ‘Ulysses: A Monologue’ [9]; A. Walton Litz, ‘The Design of Ulysses’ [27]; Anthony Cronin, ‘The Advent of Bloom’ [57]; John Z. Bennett, ‘Unposted Letter: Joyce’s Leopold Bloom’ [89]; Louis Hyman, ‘Some Aspects of the Jewish Backgrounds of Ulysses’ [99]; Roy K. Guttfried, ‘Joycean Syntax as Appropriate Order’ [129]. Part 2: Anatomies of “Nausicaa”’ [145]; Stuart Gilbert, ‘“Nausicaa”’ [149]; Frank Budgen, ‘[“Nausikaa”]’ [159]; Stanley Sultan, ‘The Strand (Bloom)’ [167]; Harry Blamires, ‘“Nausicaa”’ [177]; Fritz Senn, ‘“Nausicaa”’ [186]; Marilyn French, ‘The World: “Nausikaa”’ [214]; C. H. Peake, ‘Ulysses: Techniques and Styles: “Nausicaa”’ [224]; Paul van Caspel, ‘“Nausicaa”’ [231]. Part 3: Future Indicative’ [239]; Robert Scholes, ‘Ulysses: The Structuralist Perspective’ [243]; Dorrit Cohn, ‘The Autonomous Monologue’ [252]; Jeremy Hawthorn, ‘Ulysses, Modernism, and Marxist Criticism’ [264; also in W. J. McCormack & Alistair Stead, eds., James Joyce and Modernism,1984]; Brook Thomas, ‘Formal Re-creation: Re-reading and Re-joycing the Re-rightings of Ulysses’ [277]; Karen Lawrence, ‘The Narrative Norm’ [292]; Patrick McGee, ‘Gesture: The Letter of the Word’ [304]; Index [327-31].

Augustine Martin, ed., James Joyce: The Artist in the Labyrinth (London: Ryan Publ. 1990), 354pp. CONTENTS: Augustine Martin, ‘The Artist and the Labyrinth’ [11]; T. P. Dolan, ‘The Language of Dubliners’ [25]; Benedict Kiely, ‘Joyce’s Legacy’ [41]; John McGahern, ‘Dubliners’ [63]; John Banville , ‘Survivors of Joyce’ [73]; Deirdre Bair, ‘A Portrait of the Artist as a Young Man’ [83]; Colbert Kearney, ‘Stephen’s Green: The Image of Ireland in Joyce’ [101]; Eamon Grennan, ‘The Poet Joyce’ [121; Vincent Dowling, ‘Directing “Exiles”’ [147]; Clive Hart, ‘The Rhythm of Ulysses’ [153]; Barbara Hardy, ‘Joyce and Homer: Seeing Double’ [169]; Maud Ellmann, The Ghosts of Ulysses’ [193]; Petr Skrabanek, ‘Finnegans Wake: Night Joyce of a Thousand Tiers’ [229]; Maureen Murphy, ‘Joyce and the Folk Imagination’ [241] ; A. N. Jeffares, ‘Joyce’s Precursors’ [261]; Denis Donoghue, ‘Pound’s Joyce, Eliot’s Joyce’ [293]; Brendan Kennelly, ‘Joyce’s Humanism’ [313]; Ulick O’Connor, ‘Joyce and Gogarty: Royal and Ancient, Two Hangers-on’ [333].

Derek Attridge, ed., The Cambridge Companion to James Joyce (Cambridge UP 1990), 305pp. CONTENTS: Chronology of Joyce’s life [xi-xiii]; Derek Attridge, ‘ Reading Joyce [1]; Seamus Deane, ‘Joyce the Irishman [31]; Klaus Reichert, ‘The European Background of Joyce’s Writing [55]; Jean-Michel Rabaté, ‘Joyce the Parisian [83]; John Paul Riquelme, ‘Stephen Hero, Dubliners, and A Portrait of the Artist as a Young Man: Styles of Realism and Fantasy [103]; Jennifer Levine, ‘Ulysses [131]; Margot Norris, ‘Finnegans Wake [161]; Vicki Mahaffey, ‘Joyce’s Shorter Works [185]; Hans Walter Gabler, ‘Joyce’s Text in Progress [213]; Karen Lawrence, ‘Joyce and Feminism [237]; Christopher Butler, ‘Joyce, Modernism, and Post-modernism’ [259]; Further Reading [283]; Index [295-305].

Janet E. Dunleavy, Melvin J. Friedman & Michael Patrick Gillespie, eds., Joycean Occasions: Essays from the Milwaukee James Joyce Conference (Delaware UP 1991), 246pp.; CONTENTS: Patrick A. McCarthy, ‘Reading in Ulysses’ [15]; Daniel P. Gunn, ‘The name of Bloom’ [33]; Suzette Henke, ‘Joyce’s New Womanly Man: Sexual Signatures of Androgynous Transformation in Ulysses’ [46]; Zack Bowen, ‘Comic Narration’ [59]; Susan Brienza, ‘Murphy, Shem, Morpheus, and Murphies: Eumaeus Meets the Wake’ [80]; Shari Benstock, ‘Apostrophes: Framing Finnegans Wake’ [95]; ‘“The bawl of bats” in Joyce’s Belfry: The Flitter-mouse in the Feminine’ [125]; Bernard Benstock, ‘James Joyce: The Olefactory Factor’ [138]; Richard Corballis, ‘Wilde … Joyce … O’Brien … Stoppard: Modernism and Postmodernism in Travesties’ [157]; Fritz Senn, ‘Joycean Provections’ [171]; Sidney Feshbach, ‘“The Veripatetic Imago”’ [195]; Mary Reynolds, ‘Davin’s Boots: Joyce, Yeats, and Irish History’ [218]; Notes on Contributors [235]; Index [239].

Vincent Cheng & Timothy Martin, eds, Joyce in Context [James Joyce Conference, Philadelphia 1989] (Cambridge UP 1992), xvii, 292pp. CONTENTS: List of illustrations’ [ix]; Notes on contributors’ [xi]; Acknowledgments’ [xv]; Abbreviations’ [xvi]. Editors’ introduction’ [1]; 1. Timothy Martin, ‘The 1989 conference: a retrospect’ [9]. PART I - THE MODERNIST CONTEXT: 2. Denis Donoghue, ‘Is there a case against Ulysses ?’ [19]; 3. Johanna X. K. Garvey, ‘Woolf and Joyce: Reading and Re/vision’ [40]; 4. Vincent J. Cheng, ‘Joyce and Ford Madox Ford’ [55]; 5. Brian W. Shaffer, ‘Joyce and Freud: Discontent and Its Civilizations’ [73]. PART II - THE CONTEXT OF THE OTHER: JOYCE ON THE MARGINS: 6. Colleen R. Lamos, ‘Cheating on the Father: Joyce and Gender Justice in Ulysses’ [91]; 7. Theresa O’Connor, ‘Demythologizing Nationalism: Joyce’s Dialogized Grail myth’ [100]; 8. Bonnie Kime Scott, ‘Joyce and Michelet: Why Watch Molly Menstruate?’ [122]; 9. Suzette Henke, ‘Re-visioning Joyce’s masculine signature’ [138]. PART III - CONTEXTS FOR JOYCE: 10. Roy Gotffried, ‘“Scrupulous Meanness” Reconsidered: Dubliners as Stylistic Parody’ [153]; 11. Garry M. Leonard, ‘Joyce and Lacan: the Twin Narratives of History and His[S]tory in the “Nestor” Chapter of Ulysses’ [170]; 12. Constance V. Tagopoulos, ‘Joyce and Homer: Return, Disguise, and Recognition in “Ithaca” [184]; 13. Dan Schiff, ‘James Joyce and Cartoons’ [201]. PART IV - RE-READING JOYCE: JOYCE IN HIS OWN CONTEXT: 14 Ian Crump, ‘Refining himself out of existence: the evolution of Joyce’s aesthetic theory and the drafts of A Portrait’ [223]; 15. Fritz Senn, ‘Entering the Lists: Sampling Early Catalogues’ [241]; 16. Bernard Benstock, ‘Cataloguing in Finnegans Wake: Counting Counties’ [259]; 17. Di Jin, ‘Translating Ulysses, East and West’ [270]. Index [185].

Patrick A. McCarthy, Critical Essays on James Joyce’s “Finnegans Wake” (NY: G. K. Hall; Toronto: Maxwell Macmillan 1992), xi, 274pp. CONTENTS: Clive Hart, ‘Finnegans Wake in adjusted perspective’; Louis O. Mink, ‘Reading Finnegans Wake’; Fritz Senn, ‘A reading exercise in Finnegans Wake ‘; Robert Boyle, ‘Finnegans Wake, page 185: an explication’; Derek Attridge, ‘[The peculiar language of Finnegans Wake]’; Michael Patrick Gillespie, ‘Raiding fur Buginners: FW 611.04-613.04’; Patrick A. McCarthy, ‘The last epistle of Finnegans Wake’; Bernard Benstock, ‘L. Boom as dreamer in Finnegans Wake’; Michael H. Begnal, ‘Finnegans Wake and the nature of narrative’; David Hayman, ‘Nodality and the infra-structure of Finnegans Wake’; John Bishop, ‘The identity of the dreamer’; Adaline Glasheen, ‘Finnegans Wake and the girls from Boston, “Mass”’; Morris Beja, ‘Dividual chaoses: case histories of multiple personality and Finnegans Wake’; Shari Benstock, ‘Sexuality and survival in Finnegans Wake’; Kimberly J. Devlin, ‘”See ourselves as others see us”: Joyce’s look at the eye of the other’; Margot Norris, ‘The last chapter of Finnegans Wake: Stephen finds his mother’; John B. Vickery, ‘Finnegans Wake and the rituals of mortality’; David Pierce, ‘The politics of Finnegans Wake’; Vincent J. Cheng, ‘The general and the sepoy: imperialism and power in the Museyroom’.

Richard Brown, James Joyce: A Post-Culturalist Perspective [Macmillan Modern Novelists] (London: Macmillan 1992), and Do. [in USA], James Joyce (NY: St Martin’s Press 1992), xx, 131pp. CONTENTS: Part 1 “Dubliners”: City of Failure; The Silence of “The Sisters”; Beyond the Pleasure Principle; Counterparts; the Dark Gaunt House; Lover Letters. Part 2: “A Portrait of the Artist as a Young Man”: A Portrait of the Reader as Critic; Once upon a Time; Vice Versa; To Say It In Words; Heavenly God; Literary Theory. Part 3: “Ulysses”: Beginnings; Art in the Age of Mechanical Reproduction; The Palimpsest of Identity; Diverging Perspectives; The God of Signposts; The Man Killer. Part 4: “Finnegans Wake”: The book of the Night; The Composition of Everybody; The Years of the Underground; Post-differential Epistemology; Anamorphic Hypotheses. Appendices: Chronology; “Ulysses” Episode by Episode; Shakespeare and Company - The Palimpsest of Identity; Wandering Rocks.

David Lloyd, Anomalous States: Irish Writing and the Post-colonial Moment (Dublin: Lilliput Press 1993). INDEX: Joyce, James: pp. 2, 8, 11n, 57n, 12-21n; Irish Literary Revival: pp.100-09; MacCabe on Ulysses: pp. 107, 109, 120n.

Mary T. Reynolds, ed., James Joyce: A Collection of Critical Essays (NJ: Prentice Hall 1993), 238pp. CONTENTS: Richard Ellmann, ‘James Joyce: In and Out of Art’; Denis Donoghue, ‘The Fiction of James Joyce’; David Hayman, ‘Language of/as Gesture in Joyce’; Fritz Senn, ‘Joyce’s Misconducting Universe’; Seamus Heaney, “Station Island”; Bonnie Kime Scott, ‘Gender, Discourse, and Culture: Exiles’; Phillip F. Herring, ‘Dubliners: The Trials of Adolescence’; Cheryl Herr, ‘The Sermon as Mass Product: “Grace” and A Portrait’; Hugh Kenner, ‘“O, an impossible person!”’; A. Walton Litz, ‘The Genre of Ulysses’ [cp.117]; Karen Lawrence, ‘Ulysses: The Narrative Norm’; James H. Maddox, ‘Mockery in Ulysses’; Frederic R. Jameson, ‘Ulysses in History’; Maud Ellmann, ‘To Sing or to Sign’; Margot Norris, ‘Finnegans Wake: The Critical Method’; Bernard Benstock, ‘Comic Seriousness and Poetic Prose’; Jean-Michel Rabaté, ‘Vico’s “Night of Darkness”: The New Science and Finnegans Wake’; Jacques Derrida, ‘Two Words for Joyce’.

Frederick K. Lang, Ulysses and the Irish God (Bucknell UP 1993), [8], 317pp. CONTENTS: Preface [11]; Introduction [15]; Rite and Dogma [27]; Fathers and Sons [67]; The Irish Christ [92]; The Bread of Experience [105]; The Living and the Dead [133]; The Hand of God [169]; Christ in Nighttown [184]; Nocturnal Emissions [199]; An Irish Breakfast [244]; The Good Friday [257]; Notes [280]; Works Cited 297]; Index [303].

Susan Stanford Friedman, ed., Joyce: The Return of the Repressed (Cornell UP 1993), 314pp. CONTENTS: Susan Stanford Friedman, ‘(Self)censorship and the making of Joyce’s modernism’; Alberto Moreiras, ‘Pharmaconomy’; Robert Spoo, ‘Uncanny returns in “The Dead”’; Jay Clayton, ‘A Portrait of the Romantic Poet as a Young Modernist’; Richard Pearce, ‘Simon’s Irish Rose’; Laura Doyle, ‘Races and Chains’; Joseph A. Boone, ‘Staging Sexuality’; Marilyn L. Brownstein, ‘The Preservation of Tenderness’; Ellen Carol Jones, ‘Textual mater’; Christine Froula, ‘Mothers of Invention/Doaters of Inversion’.

Richard Pearce, ed., Molly Blooms: A Polylogue on “Penelope” and Cultural Studies (Wisconsin UP 1994), 291pp. CONTENTS: Contributors [vii]; Richard Pearce, Introduction: ‘Molly Blooms - A Polylogue on “Penelope”’ [3]. Part 1 - Molly and the Male Gaze: 1. Kathleen McCormick, ‘Reproducing Molly Bloom: A Revisionist History of the Reception of “Penelope,” 1922-1970’ [17; see extract]; 2. Pearce, ‘How Does Molly Bloom Look Through the Male Gaze?’ [40]. Part 2 - Molly in Performance: 3. Cheryl Herr, ‘“Penelope” as Period Piece’ [63]; 4. Kimberly J. Devlin, ‘Pretending in “Penelope”: Masquerade, Mimicry, and Molly Bloom’ [80]. Part 3 - Negotiating Colonialism: 5. Carol Shloss, ‘Molly’s Resistance to the Union: Marriage and Colonialism in Dublin, 1904’ [105 see extract]; 6. Susan Bazargan, ‘Mapping Gibraltar: Colonialism, Time, and Narrative in “Penelope”’ [119; see extract]; 7. Brian W. Shaffer, ‘Negotiating Self and Culture: Narcissism, Competing Discourses, and Ideological Becoming in “Penelope”’ [139; see extract]. Part 4 - Molly as Consumer: 8. Joseph Heininger, ‘Molly Bloom’s Ad Language and Goods Behavior: Advertising as Social Communication in Ulysses’ [155; see extract]; 9. Jennifer Wicke, ‘“Who’s She When She’s at Home?”: Molly Bloom and the Work of Consumption’ [174]; 10. Garry Leonard, ‘Molly Bloom’s “Lifestyle”: The Performative as Normative’ [196; see extract]. Part 5 - Molly as Body and Embodied: 11. Margaret Mills Harper, ‘“Taken in Drapery”: Dressing the Narrative in the Odyssey and “Penelope”’ [237] ; 12. Ewa Ziarek, ‘The Female Body, Technology, and Memory in “Penelope”‘ [264]. Index 287.

Andrew Gibson, ed., Reading Joyce’s “Circe” (Amsterdam & Atlanta: Rodopi 1994), 280pp. CONTENTS: Bibl. Note [1]; Andrew Gibson, Introduction [3]; L. H. Platt, ‘Ulysses’ [15]; [q. auth.] and the Irish Literary Theatre’ [33]; Fritz Senn, “Circe” as Harking Back in Provective Arrangement’ [63]; Steven Connor, “Jigajiga…Yummyyum…Pfuiiiiiii!…Bbbbbllllblblblblobschb!”: ‘Circe’s Ventriloquy’ [93]; R. G. Hampson, “Toft’s Cumbersome Whiligig”: Hallucinations, Thatricality and Mnemotechnic in V.A.19 and the First Edition Text of “Circe”’ [143]; Andrew Gibson, ‘“Strangers in my House, Bad Manners to Them!”: England in “Circe”’ [179]; Richard Brown, ‘“Everything” in “Circe”’ [222]; Katie Wales, ‘“Bloom Passes Through Several Walls”: The Stage Directions in “Circe”’ [241]; L. H. Platt, Appendix: ‘The Deliverer and Ulysses 15’ [277-80]. Publisher’s notice: claims the book is the outcome of 5 years work on the part of the London University Joyce Group.

David Hayman & Sam Slote, eds., Genetic Studies in Joyce (Amsterdam & Atlanta: Rodopi 1995), 279pp. CONTENTS: David Hayman, ‘Genetic Criticism and Joyce: An Introduction’; Geert Lernout, ‘Finnegans Wake Notebooks and Radical Philology’; Daniel Ferrer, ‘Reflections on a Discarded Set of Proofs’; Jean-Michel Rabaté, ‘Back to Beria! Genetic Joyce and Eco’s “Ideal Readers”’; Christopher Bjork, ‘“Sinted sageness”: Some Sources for Kevin in Finnegans Wake’; Sam Slote, ‘Wilde Thing: Concerning the Eccentricities of a Figure of Decadence in Finnegans Wake’; David J. Califf, ‘Clones and Mutations: A Genetic Look at “Dave the dancekerl”’; Beryl Schlossman, ‘Tristan and Isolde or the Triangles of Desire: Jealousy, Eroticism and Poetics’; Jed Deppman, ‘Hallow’d Chronickles and Exploytes of King Rodericke O’Conor from Joyce’s Earliest Draftes to the End of Causal Historie’; Bill Cadbury, ‘Development of the “eye, ear, nose and throat witness” Testimony in I.4’; David Hayman, ‘To Make a List: Two Preparatory Puzzles on the Threshold of Book III’.

R. B. Kershner, ed., Joyce and Popular Culture [Florida James Joyce Ser.] (Florida UP 1996), 223pp., ill. CONTENTS: Part 1 - Derek Attridge, ‘Theoretical Approaches: Theoretical Approaches to Popular Culture’; David Glover, ‘A Tale of “Unwashed Joyceans” - James Joyce, Popular Culture and Popular Theory’; Michael Walsh, ‘A(dorna) to Z(izek) - From the Culture Industry to the Joyce Industry, and Beyond. Part 2 - Chester G. Anderson, ‘Popular Sources and Paradigms: Should Boys Have Sweethearts?’; Michael H. Begnal, ‘Molly Bloom and Lady Hester Stanhope’; Stephen Watt, ‘“Nothing for a Woman in That” - James Lowebirch and Masochistic Fantasy in Ulysses’; David Hayman, ‘Dr. J. Collins Looks at J.J. - The Invention of a Shaun. Part 3 - Zack Bowen, ‘The Context of Culture: Wilde About Joyce’; Thomas Jackson Rice, ‘The (Tom) Swiftean Comedy of “Scylla and Charybdis”’; Garry M. Leonard, ‘Advertising and Religion in James Joyce’s Fiction - The New (Improved) Testament’; Donald Theall, ‘Joyce’s Techno-Poetics of Artifice - Machines, Media, Memory and Modes of Communication in Ulysses and Finnegans Wake. Part 4 - Helene Meyers, ‘Joyce in Popular Culture: Appropriating the Master Appropriator - “The James Joyce Murder” as Feminist Critique’; Adrian Peever’; ‘James Joyce as Woman - Fionnula Flanagan, Joyce and Film, Richard Brown, ‘Marilyn Monroe Reading Ulysses - Goddess or Postcultural Cyborg?, Vincent J. Cheng, ‘The Joycean Unconscious, or Getting Respect in the Real World.

Mark A. Wollaeger, Victor Luftig & Robert Spoo, eds., Joyce and the Subject of History (Michigan UP 1996), 248pp. CONTENTS: Garry Leonard, ‘The History of Now: Commodity Culture and Everyday Life in Joyce’; R. Brandon Kershner, ‘History as Nightmare: Joyce’s Portrait to Christy Brown’; Fritz Senn, ‘History as Text in Reverse’; Joseph Valente, ‘James Joyce and the Cosmopolitan Sublime’; Mark A. Wollaeger, ‘Reading Ulysses: Agency, Ideology, and the Novel’; Robert Spoo, ‘“Nestor” and the Nightmare: The Presence of the Great War in Ulysses’; Daniel Moshenberg, ‘What Shouts in the Street: 1904, 1922, 1990-93’; Victor Luftig, ‘Literary tourism and Dublin’s Joyce’; Vicki Mahaffey, ‘“Fantastic histories”: Nomadology and Female Piracy in Finnegans Wake’; Margot Norris, The Critical History of Finnegans Wake and the Finnegans Wake of historical criticism’; Cheryl Herr, Ireland from the Outside’; Robert Spoo, ‘Bibliography of Criticism on Joyce and History’.

Matthew J. C. Hodgart & Ruth Bauerle, Joyce’s Grand Operoar: Opera in Finnegans Wake (Illinois UP 1997), 341pp. CONTENTS: ‘Rich inheritance from a bankrupt; ‘Opera geography’; ‘Which brilliant career?’; ‘Two Shems and two Shauns’; ‘Chapelizod’s opera house’; ‘Page/line list of opera allusions in Finnegans Wake’; ‘Alphabetical list of composers, and their operatic works, librettists, designers, critics and conductors in Finnegans Wake’; ‘Finding list of opera and aria titles and opera characters in Finnegans Wake’; ‘Opera singers in Finnegans Wake’.

Vincent J. Cheng, Kimberly J. Devlin & Margot Norris, eds., Joycean Cultures/Culturing Joyces [transactions of conference at Univ. of California] (Delaware UP; AUP 1998), 294pp. CONTENTS: Abbreviations [7]; Acknowledgments [9]; Introduction [11]; Christine Van Boheemen ‘Joyce’s Sublime Body: Trauma, Textuality, and Subjectivity’ [23; infra]; Clara D. McLean, ‘Wasted Words: The Body Language of Joyce’s “Nausicaa”’ [44; infra]; Harly Ramsey, ‘Mourning, Melancholia, and the Maternal Body: Cultural Constructions of Bereavement in Ulysses’ [59]; Bonnie Kime Scott, ‘“The Young Girl,” Jane Heap, and Trials of Gender in Ulysses’ [78]; Carol Loeb Shloss, ‘Finnegans Wake and the Daughter’s Fate’ [95]; Susan Stanford Friedman, ‘Reading Joyce: Icon of Modernity? Champion of Alterity? Ventriloquist of Otherness?’ [113]; John Whittier-Ferguson, ‘Embattled Indifference: Politics on the Galleys of Herbert Gorman’s James Joyce’ [134]; R. B. Kershner, ‘The Culture of Ulysses’ [149]; Catherine Whitley, ‘The Politics of Representation in Finnegans Wake’s “Ballad”’ [163]; Erika Anne Flesher, ‘“I am getting on nicely in the dark”: Picturing the Blind Spot in Illustrations for Ulysses’ [177]; Irene A. Martyniuk, ‘Illustrating Ulysses, Illustrating Joyce’ [203]; Cheryl Temple Herr, ‘The Silence of the Hares: Peripherality in Ireland and in Joyce’ [216]; Benjamin Harder, ‘Stephen’s Prop: Aspects of the Ashplant in Portrait and Ulysses’ [241]; Mark Osteen, ‘A High Grade Ha: The “Politicoecomedy” of Headwear in Ulysses’ [253]; Contributors [284]; Index [287]. (See also general notes, infra.)

Joseph Valente, ed., Quare Joyce (Michigan UP 1998; pbk. 2000), x, 297pp. CONTENTS: Joseph Valente, ‘Joyce’s (sexual) choices: a historical overview’ [1]; Margot Norris, ‘Walk on the Wild(e) side: the doubled reading of “An encounter”’ [19]; Jean-Michel Rabaté, ‘On Joycean and Wildean Sodomy’ [35]; RETHINKING THE CLOSET: Joseph Valente, ‘Thrilled by his Touch: the Aestheticizing of Homosexual Panic in A Portrait of the Artist as a Young Man’ [47]; Garry Leonard, ‘“The Nothing Place”: Secrets and Sexual Orientation in Joyce’ [7]; Jennifer Levine, ‘James Joyce, Tattoo Artist: Tracing the Outlines of Homosocial Desire’ [101]; Vicki Mahaffey, ‘Père-version and Im-mère-sion: Idealized Corruption in A Portrait of the Artist as a Young Man and The Picture of Dorian Gray’ [121]; Robert L. Caserio, ‘Casement, Joyce, and Pound: Some New Meanings of Treason’ [139]; Gregory Castle, ‘Confessing Oneself: Homoeros and Colonial Bildung in A Portrait of the Artist as a Young Man’ [157]; Colleen Lamos, ‘“A Faint Glimmer of Lesbianism” in Joyce’ [185]; Christy Burns, ‘In the Original Sinse: The Gay Cliché and Verbal Transgression in Finnegans Wake’ [201]; Marian Eide, ‘Beyond “Syphilisation”: Finnegans Wake, AIDS, and the Discourse of Contagion’ [225]; Tim Dean ‘“Paring His Fingernails”: Homosexuality and Joyce’s Impersonalist Aesthetic’, [241].; Christopher Lane, ‘The Vehicle of Vague Speech’ [273]; Contributors [291]; Name Index [293].

Len Platt, Joyce and the Anglo-Irish: A Study of Joyce and the Literary Revival [Costerus n.s., Vol. 119] (Amsterdam: Rodopi 1998), 249pp. CONTENTS: 1. Opening Encounters (A Historical Perspective); The Triestine Lectures; Naming the State in Dubliners; Portrait of the Artist. 2 - Usurper: The Buckeen and the Dogsbody: Aspects of History and Culture in “Telemachus”; Pisgah Sights: the National Culture and the Catholic Middle Class in “Aeolus”; ‘Normans, but bastard Normans’; Culture and Nationalism in “Scylla and Charybdis”; ‘Moving in Times of Yore’: Historiographies in “Wandering Rocks”. Corresponding with the Greeks (An Overview of Ulysses as an Irish Epic; Mr. Bloom. Pt. 4: Revivalism in Popular Culture: “Sirens and “Cyclops”; Pt. 5. “Circe” and the Irish Literary Theatre. 6: ‘Our Modern Babylon’; Modernity and the National Culture in “Eumaeus” and “Ithaca”. 7: Engendering Nation: Nationalism and Sexuality in “Nausicaa”, “Oxen of the Sun”, and “Penelope”.

Michael Patrick Gillespie, ed., Joyce Through the Ages: A Nonlinear View (Florida UP 1999), 215pp. CONTENTS: Michael Patrick Gillespie, ‘James Joyce and the Consumption of History’; Jean Kimball, ‘Growing up Together: Joyce and Psychoanalysis, 1900-1922’; Peter Francis Mackey, ‘Chaos Theory and the Heroism of Leopold Bloom’; Roy Gottfried, ‘Adolescence, Humor, and Adolescent Humor: One Way of Carving a Turkey’; Pericles Lewis, ‘Conscience of the Race: The Nation as Church of the Modern Age’; Michael H. Begnal, ‘Stephen, Simon, and Eileen Vance: Autoeroticism in A Portrait of the Artist as a Young Man’; Tara Williams, ‘Polysymbolic Character: Irish and Jewish Folklore in the Apparition of Rudy’; Heyward Ehrlich, ‘Inventing Patrimony: Joyce, Mangan, and the Self-inventing Self’; Vivian Valvano Lynch, ‘Joyce Redux: Success and Failure as Three American Writers Evoke Joyce’; Sandra Manoogian Pearce, ‘Snow Through the Ages: Echoes of “The Dead” in O’Brien, Lavin, and O’Faolain’; John Gordon, ‘Joyce’s Hitler’.

Derek Attridge & Marjorie Howes, eds., Semi-Colonial Joyce (Cambridge UP 2000), 269pp. CONTENTS: Seamus Deane, ‘Dead Ends: Joyce’s Finest Moments’; Enda Duffy, ‘Disappearing Dublin: Ulysses, Postcoloniality, and the Politics of Space’; Marjorie Howes, ‘“Goodbye Ireland I’m going to Gort”: Geography, Scale, and Narrating the Nation’; Emer Nolan, ‘State of the Art: Joyce and Postcolonialism’; Joseph Valente, ‘“Neither fish nor flesh”: Or How “Cyclops” Stages the Double-bind of Irish Manhood’; David Lloyd, ‘Counterparts: Dubliners, Masculinity, and Temperance Nationalism’; Luke Gibbons, ‘“Have you no homes to go to?”: Joyce and the Politics of Paralysis’; Katherine Mullin, ‘Don’t cry for me, Argentina: “Eveline” and the Seductions of Emigration Propaganda’; Willy Maley, ‘“Kilt by kelt shell kithagain with kinagain”: Joyce and Scotland’; Elizabeth Butler Cullingford, ‘Phoenician Genealogies and oriental Geographies: Joyce, Language, and Race’; Vincent J. Cheng, ‘Authenticity and Identity: Catching the Irish Spirit’.

Derek Attridge, Joyce’s Effect on Language, Theory and History (Cambridge UP 2000), 208pp., CONTENTS: Acknowledgments; References and Abbreviations; Preface; Introduction: On Being a Joycean [1]; Chap. 1 - Deconstructive Criticism of Joyce [22]; Chap. 2: Popular Joyce? [30]; Chap. 3 - Touching ‘Clay’: Reference and Reality in Dubliners [35]; Chap. 4 - Joyce and the Ideology of Character [52]; Chap. 5 - ‘suck Was a Queer Word’: Language, Sex, and the Remainder in A Portrait of the Artist as a Young Man [59]; Chap. 6 - Joyce, Jameson, and the Text of History [78]; Chap. 7 - Wakean History: Not Yet [86]; Chap. 8 - Molly’s Flow: the Writing of ‘Penelope’ and the Question of Women’s Language [93]; Chap. 9- The Postmodernity of Joyce: Chance, Coincidence, and the Reader [117]; Chap. 10 - Countlessness of Livestories: Narrativity in Finnegans Wake [126]; Chap. 11 - Finnegans Awake, or the Dream of Interpretation [133]; Chap. 12: The Wake’s Confounded Language [156]; Chap. 13 - Envoi: Judging Joyce [163]; Works Cited ; Index. Note: references to Attridge [as auth.] in “Works Cited” incl.: ‘Countlessness of Livestories: Narrativity in Finnegans Wake’, in Beja and Norris, eds., Joyce in the Hibernian Metropolis, 290-6; ‘Criticism’s Wake’, in Benstock, ed., James Joyce: The Augmented Ninth, 80-7; ‘Finnegans Awake, or the Dream of Interpretation’, in James Joyce Quarterly, 27 (1989): 11-29; ‘Innovation, Literature, Ethics: Relating to the Other’, in PMLA, 114 (1999), 20-31; ‘Joyce and the Ideology of Character’, in Benstock, ed., James Joyce: The Augmented Ninth , 152-7; ‘Joyce, Jameson, and the Text of History’, in Scribble 1: genèse des textes [La Revue des Lettres Modernes, Série James Joyce, 1], ed. Claude Jacquet (Paris: Minard, 1988), 185-93; ‘Joyce’s “Other.”’, in James Joyce Literary Supplement , 2.2 (fall 1988): 7-8; ‘Molly’s Flow: The Writing of “Penelope” and the Question of Women’s Language’, in Feminist Readings of Joyce , ed. Ellen Carol Jones [Special issue of Modern Fiction Studies , 35] (1989): 543-65; ‘Oppressive Silence: J. M. Coetzee’s Foe and the Politics of the Canon’, in Decolonizing Tradition: New Views of 20th-Century ‘British’ Literature , ed. Karen Lawrence (Illinois UP 1991), 212-38; Peculiar Language: Literature as Difference from the Renaissance to James Joyce (Cornell UP 1988); ‘The Postmodernity of Joyce: Chance, Coincidence, and the Reader’, in Joyce Studies Annual (1995): 10-18; ‘Remembering Berni Benstock’, in Hypermedia Joyce Studies , 1.1 (summer 1995); The Rhythms of English Poetry (Harlow: Longman 1982); ‘Singularities, Responsibilities: Derrida, Deconstruction, and Literary Criticism’, in Critical Encounters: Reference and Responsibility in Deconstructive Writing , ed. Cathy Caruth & Deborah Esch (Rutgers UP 1994), 106-26; ‘Theories of Popular Culture’, in Brandon Kershner, ed., Joyce and Popular Culture , 23-6 [. &c.].

Ursula Zeller, Ruth Frehner & Hannes Vogel, eds., James Joyce: “Gedacht durch meine Augen” / Thought through my eyes (Basel: Schwabe Verlag 2000), 237pp. [Parallel text in German and English]; CONTENTS: Fritz Senn, ‘Do you hear what I’m seeing?’; Fritz Senn, ‘Finnegans Wake’; Ursula Zeller, ‘A Portrait of HCE as All-round Man’; Christa-Maria Lerm Hayes, ‘Finnegans School of Seeing’; Ruth Frehner, ‘Of Curious Signs and Red Obel: The Book of Kells in Finnegans Wake’; Christa-Maria Lerm Hayes, ‘Thunderwords’; Christa-Maria Lerm Hayes, ‘Finnegans alphabet’; Fritz Senn, ‘Ulysses’; Fritz Senn, ‘From the Textual “Nacheinander” to the Visual(ized) “Nebeneinander”’; Ruth Frehner, ‘“A painting is mute poetry, and poetry is a speaking picture”: On the Limits of Painting and Poetry’; Ursula Zeller, ‘From Mirror Image to Kaleidoscope: Ulysses in the Light of Cubism’; Ursula Zeller, ‘“Parallax stalks behind”: The Walk-in Book, or the Text as Space in Ulysses’; Ruth Frehner, ‘Why a Thin Socked Clergyman Walks through other People’s Kitchen: Simultaneity in “Wandering Rocks”’; Ursula Zeller, ‘“Plasto’s high grade ha”: Joyce’s Ironic Language’; Christa-Maria Lerm Hayes, ‘Hannes Vogel’s The beauty of broken pieces is not that of pots and the Ulysses extension by Joseph Beuys’; Ursula Zeller, ‘James Joyce: Biography (with extracts)’.

Christine van Boheemen-Saaf & Colleen Lamos, eds., Masculinities in Joyce: Postcolonial Constructions [European Joyce Studies, 10] (Amsterdam: Rodopi 2001), 262pp. CONTENTS. van Boheemen & Lamos, ‘Joycean Masculinities: An Introduction’ [7]; Margot Norris, ‘Masculinity Games in “After the Race”’ [13]; Paul Lin, ‘Standing the Empire: Drinking, Masculinity, and Modernity in “Counterparts” [33]; Lamos, ‘Duffy’s Subjectivation: The Psychic Life of “A Painful Case” [59]; Richard Brown, ‘”As If a Man Were Author of Himself”: Literature, Mourning and Masculinity in “The Dead” [73]; Elizabeth Brunazzi, ‘Narrative Authority in Joyce’s Portrait and Flaubert’s Novembre’ [893]; Tracey Teets Schwartze, ‘”Do You Call That a Man”: The Culture of Anxious Masculinity in Ulysses’ [113]; Vicki Mahaffey, ‘Ulysses and the End of Gender’ [137]; Karen Lawrence, ‘”Twenty Pockets Aren’t Enough for Their Lies”’: Pocketed Objects as Propers of Bloom’s Masculinity in Ulysses’ [163]; Sheldon Brivic, ‘Dealing in Shame: Gender in Joyce’s “Circe”’ [177]; ‘Michael Heumann, ‘The Haunted Inkbottle: Shem’s Shit-Script and Anal Eroticism in Finnegans Wake’ [195]; van Boheemen-Saaf, ‘Postcolonial Masculinity and Gender Trauma’ [219]. Contribs. [261].

Michael Seidel, James Joyce: A Short Introduction [Blackwell Introductions to Literature] (Oxford: Blackwell 2002), ix, 162pp. CHAPTERS: 1. Introducing Joyce; 2. Master Plots; 3. Dubliners; 4. Portrait of The Artist as a Young Man; 5. Exiles; 6. Levels of Narration; 7. Homer in Ulysses; 8. Three Dubliners; 9. Reflexive Fiction; 10. Strategic Planning; Notes. Index.

Michael Begnal, ed., Joyce and the City: The Significance of Place [Irish Studies] (Syracuse UP 2002), xx, 212pp. CONTENTS: Heyward Ehrlich, ‘James Joyce’s four-gated city of modernisms’; Martha Fodaski Black, ‘Joyce on location: place names in Joyce’s fiction’; Catherine Whitley, ‘Gender and interiority’; Deirdre Flynn, ‘An uncomfortable fit: Joyce’s women in Dublin and Trieste’; Christopher Malone, ‘The sense of place in Joyce and Heaney’; Stanley Sultan, ‘Dublin boy and man in “The Sisters”’; Vivian Valvano Lynch, ‘A pedagogical note on ‘The Dead” of Dubliners’; Michael Murphy, ‘Political memorials in the city of “The Dead”’; Desmond Harding, ‘“The Dead”: Joyce’s epitaph for Dublin’; Ignacio López-Vicuña, ‘But on the other hand : the language of exile and the exile of language in Ulysses’; Michael Begnal, ‘Hosty’s ballad in Finnegans Wake : the Galway connection’; Mark Morrisson, ‘Tambour, the “revolution of the word”, and the parisian reception of Finnegans Wake’; Jean-Michel Rabat, ‘Eternest cittas, heil! : a genetic approach’.

Marian Eide, Ethical Joyce (Cambridge UP 2002), x, 199pp. CHAPTERS: ‘Ethical Interpretation and the Elliptical Subject’; ‘Ethical Knowledge and Errant Pedagogy’; ‘Ethical Opposition and Fluid Sensibility’; ‘Ethical Representation through Lucia’s Looking Glass’.]

Laurent Milesi, ed., James Joyce and the Difference of Language [Papers orig. as panel at JJIS, Dublin 1992] (Cambridge UP 2003), xiii, 232pp. CONTENTS: List of contribs. [viii]; Acknowledgements [xi]; List of abbreviations [xiii]; Milesi, Introduction: Language(s) with a difference [1]; Fritz Senn, ‘Syntactic glides’ [28]; Benoit Tadié, ‘“Cypherjugglers going the highroads” : Joyce and contemporary linguistic theories’ [43]: Beryl Schlossman, ‘Madonnas of Modernism’ [58]; Diane Elam, ‘Theoretical modelling: Joyce’s women on display’ [79]; Marie-Dominique Garnier, ‘The lapse and the lap: Joyce with Deleuze’ [97]; Thomas Docherty, ‘“sound sense”; or “tralala”/’“moocow’”: Joyce and the anathema of writing’ [112]; Derek Attridge, ‘Language, sexuality and the remainder in A Portrait of the Artist as a Young Man’ [128]; Ellen Carol Jones, ‘Border disputes’ [142]; Patrick McGee, ‘Errors and expectations: the ethics of desire in Finnegans Wake’ [161]; Lucia Boldrini, ‘Ex sterco Dantis: Dante’s post-Babelian linguistics in the Wake’ [180]; Sam Slote, ‘No symbols where none intended: Derrida’s war at Finnegans Wake’ [195]; Works cited [208]; Index [225]. Milesi has prev. written “The ‘sub-stance’ of Joyce’s ‘Gramma(r)’ and Language(s) at the Wake” (Oxon PhD. 1992).]

Mark A. Wollaeger, ed., James Joyce’s A Portrait of the Artist as a Young Man: A Casebook (Oxford UP 2003), 372pp. Contribs.: Wayne Booth [‘The Problem of Distance in A Portrait of the Artist’, 1961], Hélène Cixous, Maud Ellmann [‘Polytropic Man’ prev. in MacCabe, ed., New Perspectives, 1982; rev.], Marjorie Howes, Hugh Kenner [‘Portrait in Perspective’ prev. in Dublin’s Joyce, 1955]; Joseph Valente, ‘Thrilled by His Touch: The Aesthetizing of Homosexual Panic in A Portrait of the Artist as a Young Man’, pp.245-80; also essays by Michael Levenson, Vicki Mahaffey, Patrick Parrinder, and Fritz Senn.

Julie Sloan Brannon, Who Reads Ulysses? The Rhetoric of the Joyce Wars and the Common Reader (London: Routledge 2003), xxii, 200pp. CONTENTS: 1. Joyce’s Canonisation in which the Professors are Kept Busy; 2. Joyce.com in which Image is Everything; 3. Editions in Progress or Preventing Accidentals in the Tome; 4. Tales From the Front in which the American Shoots the Prussian General; 5. Selected Papers of the Joyce Wars in which a Midden Heap Becomes a Pile of Letters; 6. Whose Book Is It, Anyway? or, Pruning the Bloom.

Jean-Michel Rabaté, James Joyce Studies [Palgrave Advances Ser.] (London: Palgrave/Macmillan 2004), 293pp. CONTENTS: Chronology [ix]; list of abbreviations’ [xvii]; Jean-Michel Rabaté, Introduction: The Whole of Joyce’ [1]; 1: Ronald Bush, ‘Joyce’s Modernisms’ [10]; 2: Garry Leonard, ‘James Joyce and Popular Culture’ [39]; 3: Eric Bulson, ‘Topics And Geographies’ [52]; 4: Joseph Valente, ‘Joyce’s Politics: Race, Nation, and Transnationalism’ [73]; 5: Marian Eide, ‘Joyce, Genre, and the Authority of Form’ [97]; 6: Vicki Mahaffey, ‘Joyce and Gender’ [121]; 7: Laurent Milesi, ‘Joyce, Language, and Languages’ [144]; 8: Sam Slote, ‘Joyce and Science’ [162]; 9: R. Brandon Kershner, ‘Dialogical and Intertextual Joyce’ [183]; 10: Margot Norris, ‘Joyce, History, and the Philosophy of History’ [203]; 11: Michael Groden, ‘Genetic Joyce: Textual Studies and the Reader’ [227]; 12: Jean-Michel Rabaté, ‘Classics of Joyce Criticism’ [251]; Selected Bibliography’ [275]; Index 287.

Lucca Crispi [gen. ed.], National Library of Ireland Pamphlet Series (2004-2005):

Anne Fogarty & Timothy Martin, eds., James Joyce on the Threshold [17th International James Joyce Symposium] (Florida UP [2005]), 299pp., ill. CONTENTS: Karen R. Lawrence, ‘Bloom in circulation: who’s he when he’s not at home?’; Reed Way Dasenbrock, ‘Infinity, the “terribly burned” Bruno, and Ulysses’; Mary Lowe-Evans, ‘Freddy Malins: a fool for Chrisssake! ; Heyward Ehrlich, ‘Joyce, Yeats and Kabbalah’; Andrew Gibson, ‘“An Irish bull in an English Chinashop”: “Oxen” and the cultural politics of the anthology’; John Nash, ‘Reading Joyce in English’; Brian G. Caraher, ‘Trieste, Dublin, Galway: Joyce, journalism, 1912’; P. J. Mathews, ‘“AEIOU”: Joyce and the Irish Homestead’; Catherine Driscoll, ‘Felix culpa: sex, sin and the discourse in Joyce’s fiction’; Katharina Hagena, ‘Towers of babble and of silence’; Ruth Frehner, ‘Text as architecture: putting simulated simultaneity in “Wandering Rock” into space’; Paul K. Saint-Amour, ‘Ride’em cowpoyride: literary property metadiscourse in Ulysses’; Patrick O’Neill, ‘Extending the text: textuality and transtextuality’; William S. Brockman, ‘Collecting Joyces’.

Colleen Jaurretche, ed., Beckett, Joyce and the Art of the Negative [European Joyce Studies, ‘16] (Amsterdam: Rodopi 2005), 246pp. CONTENTS: Jaurretche, ‘Introduction’; Keri Elizabeth Ames, ‘Joyce’s Aesthetic of the Double Negative and his Encounters with Homer’s Odyssey’; Dirk Van Hulle, ‘“Nichtsnichtsundnichts”: Beckett’s and Joyce’s Transtextual Undoing’; Russell Kilbourn, ‘The Unnamable: Degenerative Dialogue’; Ulrika Maude, ‘Mingled Flesh’; John L. Murphy, ‘Beckett’s Purgatories’; Lois Oppenheim, ‘The Uncanny in Beckett’; Nels Pearson, ‘Death Sentences: Silence, ‘Colonial Memory and the Voice of the Dead in Dubliners’; John Pilling, ‘Something for Nothing: Beckett’s Dream of Fair to Middling Women’; Jean-Michel Rabaté, ‘Joyce’s Negative Esthetics’; Fritz Senn, ‘The Joyce of Impossibilities’; Asja Szafraniec, ‘“Wanting in Inanity”: Negativity, ‘Language and “God” in Beckett’; Yuan Yuan, ‘From Ideology of Loss to Aesthetics of Absence: The Endgame in Beckett’s The Lost Ones.

Andrew Gibson & Len Platt, eds., Joyce, Ireland, Britain, with a foreword by Sebastian D. G. Knowles [Florida James Joyce Ser.] (Florida UP [2006]), viii, 243pp. CONTENTS: Richard Brown, ‘Joyce’s Englishman: “That het’rogeneous thing” from Stephen’s Blake and Dowland to Defoe’s “True-born Englishman”’; Steven Morrison, ‘“My native land, goodnight” : Joyce and Byron’; Katherine Mullin, ‘English Vice and Irish Vigilance: The Nationality of Obscenity in Ulysses’; Andrew Gibson, ‘“That Stubborn Irish Thing”: A Portrait of the Artist in History: Chapter 1’; Anne Fogarty, ‘Parnellism and the Politics of Memory: Revisiting “Ivy day in the committee room”’; Clare Hutton, ‘Joyce, the Library Episode, and the Institutions of Revivalism’; John Nash, ‘Irish Audiences and English Readers: The Cultural Politics of Shane Leslie’s Ulysses reviews’; Len Platt, ‘“No such race” : The Wake and Aryanism’; Wim Van Mierlo, ‘The Greater Ireland Beyond the Sea: James Joyce, Exile, and Irish Emigration’; Finn Fordham, ‘The Universalization of Finnegans Wake and the Real HCE’; Vincent J. Cheng, ‘Nation without Borders: Joyce, Cosmopolitanism, and the Inauthentic Irishman’.

Finn Fordham, Lots of Fun at Finnegans Wake (Oxford: OUP 2007), 270pp. CONTENTS: Introduction; pT. I - A. Shem’s ‘Cyclewheeling History’ (185.27-186.10); B: Anna Livia’s ‘very first time’ (203.16-204.04); Pt. II - ‘BUTT: I Shuttm!’ (351.36-355.9); Pt. III - ‘Nircississies’ (526.20-528.24); Pt. IV - Revising character: the Maggies and the Murphys; Bibliography.

Andrew Thacker, ed., Dubliners [Palgrave Casebook Ser.] (London: Palgrave/Macmillan 2006), 226pp. CONTENTS: Andrew Thacker, Introduction; Tom F. Staley, ‘ A Beginning: Signification, Story and Discourse in Joyce’s “The Sisters”’; Jean-Michel Rabaté, ‘Silences in Dubliners’; Suzette A. Henke, ‘Through a Cracked Looking-Glass: Desire and Frustration in Dubliners’; Margot Norris, ‘Narration Under a Blindfold: Reading Joyce’s “Clay”; T. L. Williams, ‘No Cheer for the Gratefully Oppressed’: Ideology in Joyce’s Dubliners’; R. B. Kershner, ‘An Encounter’: Boys’ Magazines and the Pseudo-Literary’; R. Spoo, ‘Uncanny Returns in “The Dead”’; V. J. Cheng, ‘“Araby”: The Exoticised and Orientalized Other’; K. J. H. Dettmar, ‘The Dubliners Epiphony: (Mis)Reading the Book of Ourselves’; Luke Gibbons, ‘“Have you no homes to go to?”: James Joyce and the Politics of Paralysis’.

Luca Crispi & Sam Slote, eds., How Joyce Wrote “Finnegans Wake”: A Chapter by Chapter Genetic Guide (Wisconsin UP 2007), xix, 522pp. Michael Groden, Preface; Luca Crispi, Sam Slote, & Dirk Van Hulle, Introduction; Geert Lernout, ‘Beginning: Chapter I.1’; Bill Cadbury, ‘“March of a maker”: Chapters I.2-4; Mikio Fuse, ‘Letter and the groaning: Chapter I.5’; R. J. Schork, ‘Genetic primer: Chapter I.6’; Ingeborg Landuyt, ‘Cain - Ham - (Shem) - Esau - Jim the Penman: Chapter I.7’; Patrick A. McCarthy, ‘Making herself tidal: Chapter I.8’; Sam Slote, ‘Blanks for when words gone: Chapter II.1’; Luca Crispi, ‘Storiella as she were wryt: Chapter II.2’; David Hayman, ‘Male maturity or the public rise & private decline of HC Earwicker: Chapter II.3’; Jed Deppman, ‘Chapter in composition: Chapter II.4’; Wim Van Mierlo, ‘Shaun the post: chapters III.1-2’; Jean-Michel Rabaté, ‘Fourfold root of Yawn’s unreason: chapter III.3’; Daniel Ferrer, ‘Wondrous devices in the dark: Chapter III.4’; Dirk Van Hulle, ‘Lost word: Book IV’; Finn Fordham, ‘“End”; “Zee End”: Chapter I.1’; Appendix 1: Draft sections and subsections; Appendix 2: Chronology of drafts and notebooks; Appendix 3: Publication history of work in progress/Finnegans Wake.

Len Platt, Joyce, Race and Finnegans Wake (Cambridge UP 2007), ix, 211pp. CONTENTS: Joyce, Race and Racism: Introduction [1]; ‘No such race’: Finnegans Wake and the Aryan myth [14]; Celt, Teuton and Aryan; ‘Our darling breed’ [42]; The Wake, Social Darwinism and Eugenics [69]; Atlanta-Arya: Theosophy, Race and the Wake [95]; ‘Hung Chung Egglyfella’: Staged Race in Ulysses and the Wake [121]; ‘And the prankquean pulled a rosy one’: Filth, Fascism and the Family [146]; Race and Reading: Conclusion [164]. Notes [181]; Index. [205].

Richard Brown, ed., A Companion to James Joyce (Oxford: Blackwell 2008), xviii, 440pp. CONTENTS. Introduction: Brown, ‘Re-readings, relocations, and receptions’’; Vicki Mahaffey, Dubliners: surprised by chance’; John Paul Riquelme, ‘Desire, freedom, and confessional culture in A Portrait of the Artist as a Young Man’; Maud Ellmann, ‘Ulysses: The Epic of the Human Body’; Finn Fordham, ‘Finnegans Wake: Novel and Anti-novel’; Geert Lernout, ‘European Joyce’; John Nash, “In the Heart of the Hibernian Metropolis”? Joyce’s Reception in Ireland, 1990-1940’; John McCourt, ‘His città immediata: Joyce’s Triestine Home from Home’; Robert K. Weninger, ‘James Joyce and German Literature, or Reflections on the Vagaries and Vacancies of Reception Studies’; Richard Brown, ‘Molly’s Gibraltar: the Other Location in Joyce’s Ulysses’; Mark Wollaeger, ‘Joyce and Postcolonial Theory: Analytic and Tropical Modes’; Eishiro Ito, ‘“United States of Asia”: James Joyce and Japan’; Krishna Sen, ‘Where Agni Araflammed and Shiva Slew: Joyce’s Interface with India’; David G. Wright, ‘Joyce and New Zealand’; Biography, Censorship, and Influence’; Declan Kiberd, ‘Joyce’s Homer, Homer’s Joyce’; Jean-Michel Rabaté, ‘The Joyce of French Theory’; R. Brandon Kershner, ‘Joyce, Music, and Popular Culture’; Daniel Ferrer, ‘The Joyce of Manuscripts’; Mark Taylor-Batty, ‘Joyce’s Bridge to Late Twentieth-century British Theater: Harold Pinter’s Dialogue with Exiles’; Christa-Maria Lerm Hayes, ‘The Joyce Effect: Joyce in Visual Art’; Derval Tubridy, ‘“In His Secondmouth Language”: Joyce and Irish Poetry’; Luke Gibbons, ‘“Ghostly Light”: Spectres of Modernity in James Joyce’s and John Huston’s “The Dead”’; Katherine Mullin, ‘Joyce through the Little Magazines’; Jane Lewty, ‘Joyce and Radio’; Luke Thurston, ‘Scorographia: Joyce and Psychoanalysis.’

John McCourt, ed., James Joyce in Context (Cambridge UP 2009), xx, 414pp. CONTENTS [chaps.]: Stacey Herbert, ‘Composition and publishing history of the major works : an overview’; Finn Fordham, ‘Biography’; William S. Brockman,‘Letters’; John Nash, ‘Genre, place, and value: Joyce’s reception, 1904-1941’; Joseph Brooker, ‘Postwar Joyce’; Sam Slote, ‘Structuralism, deconstruction, post-structuralism’; Marian Eide, ‘Gender and sexuality’; Luke Thurston, ‘Psychoanalysis’; Gregory Castle, ‘Postcolonialism’; Dirk Van Hulle, ‘Genetic Joyce criticism’; Jolanta Wawrzycka, ‘Translation studies’; Eric Bulson, ‘Joyce and world literature’; Sean Latham, ‘21st century critical contexts’; Cheryl Temple Herr, ‘Being in Joyce’s world’; L. M. Cullen, ‘Dublin’; Matthew Campbell, ‘Nineteenth-century lyric nationalism’; Clare Hutton, ‘The Irish Revival’; Patrick Parrinder, ‘The English literary tradition’; Jean-Michel Rabate, ‘Paris’; John McCourt, ‘Trieste’; Brian Arkins, ‘Greek and Roman themes’; Vike Martina Plock, ‘Medicine’; Michael Levenson, ‘Modernisms’; Timothy Martin, ‘Music’; Brian Caraher, ‘Irish and European politics, nationalism, socialism, empire’; R. Brandon Kershner, ‘Newspapers and popular culture’; Tim Conley, ‘Language and languages’; Fran O’Rourke, ‘Philosophy’; Geert Lernout, ‘Religion’; Mark Morrisson , ‘Science’; Maria di Battista, ‘Cinema’; Christine Froula, ‘Cinema’.

Sean Latham, ed., James Joyce [Visions & Revisions Ser.] (Dublin & Portland: IAP 2010). CONTENTS: List of Contributors [ix]; List of Abbreviations [xi]; 1. Sean Latham, Introduction: Joyce’s Modernities [1]; Bruce Stewart, ‘A Short Literary Life of James Joyce [19]; 3. David G. Wright, ‘The Curious Language of Dubliners’ [45]; 4. Kevin J. H. Dettmar, ‘The Materiality and Historicity of Language in A Portrait of the Artist as a Young Man’ [67]; 5. Miranda Hickman, ‘“Not . love verses at all, I perceive”: Joyce’s Minor Works’ [83]; 6. Michael Groden, ‘The Complex Simplicity of Ulysses’ [105]; 7. Tim Conley, ‘Finnegans Wake: Some Assembly Required’ [132]; 8. Christine van Boheemen-Saaf, ‘Joyce in Theory/Theory in Joyce’ [153]; 9. Katherine Mullin, ‘Joyce’s Bodies’ [170] ; 10. Aaron Jaffe, ‘Joyce’s Afterlives: Why Didn’t He Win the Nobel Prize?’ [189]; Select Bibliography [215]; Index [220]. (For extracts from some articles, see RICORSO Library, Criticism > On Major Writers > Joyce, via index or direct.)

Finn Fordham, I Do, I Undo, I Redo: The Textual Ggenesis of Modernist Selves in Hopkins, Yeats, Conrad, Forster, Joyce, and Woolf (Oxford: OUP 2010), viii, 281pp. CONTENTS: Texts and selves in process: writing between self and selflessness; Modernism and the self: inside-out; The self in Descartes and Heidegger: overlooking drafts, erasing process; Hopkins and compression; The young Yeats and selection; Conrad’s “Heart of darkness”: doubling and doubling back; Forster’s A Passage to India: blurring and hollowing out; Joyce’s Ulysses and multiplying personalities; Woolf’s The Waves and writing classes.

John McCourt, ed., Roll Away the Reel World: James Joyce and Cinema (Cork UP 2010), 262pp. CONTENTS - McCourt, ‘Introduction: From the real to the reel and back: explorations into Joyce and cinema’; Luke McKernan, ‘James Joyce and the Volta Programme’; Erik Schneider, ‘Dedalus Among the Film Folk: Joyce and the Cinema Volta’; Katherine Mullin, ‘Joyce, Early Cinema and the Erotics of Everyday Life’; Maria DiBattista, ‘The Ghost Walks: Joyce and the Spectres of Silent Cinema’; Philip Sicker, ‘Mirages in the Lampglow: Joyce’s “Circe” and Melies’ Dream Cinema’; Carla Marengo Vaglio, ‘Futurist Music Hall and Cinema’; Marco Camerani, ‘Circe’s Costume Changes: Bloom, Fregoli and Early Cinema’; Cleo Hanaway, ‘“See Ourselves as Others See Us”: Cinematic Seeing and Being in Ulysses’; Louis Armand, ‘JJ/JLG’; Kevin Barry, ‘Tracing Joyce: “The Dead” in Huston and Rossellini’; Keith Williams, ‘Odysseys of Sound and Image: “Cinematicity” and the Ulysses Adaptations’; Jesse Meyers, ‘James Joyce, Subliminal Screenwriter?’; Luke McKernan, ‘Appendix: Volta Filmography’.