John Henry Foley
1818-1874; b. Montgomery St, Dublin; son of Jesse Foley and Eliza Schrowder Byrne, the step-daughter of Benjamin Schrowder, a sculptor who worked on Gandons Custom House; taught carving by Schrowder and later trained under John Smith at the RDS Arts School from aetat. 13; received awards
for drawing and modelling; moved to London and studied at RA, where he joined his brother
Edward in 1834 and won large Silver Medal; tutored by Westmacott (RA Prof.); influenced by works of Canova and Flaxman; exhibited Death of Abel at Royal Academy from 1839;
made statues of Hampden and Seldon for Westminster Hall, 1847; estab. studio and home at Osnaburgh St., London, and joined by two sisters after death of his mother; executed statues
of Goldsmith  and Burke for TCD ; other works incl. equestrian figures of Sir
James Outram in Calcutta and Viscount Hugh Gough in Phoenix Park, Dublin ; and figures of Prince Consort and of Egeria
for Albert Memorial, London; statue of Hampden for St Stephens Hall,
Westminster; statue of Grattan, now in College Green; also Prince Albert,
supported by artisans, National Museum, Dublin; many portrait busts and
church monuments incl. those of Lord Canning, Lord Clyde, John Stuart
Mill and Charles Barry, and Stonewall Jackson; also several statues for
Royal College of Physicians, Dublin, 1867; commissioned to make OConnell
Monument in Dublin, finished figures on the plinth [c.1870]; other figures
completed by his assistant Brock; died following attack of pleuritic effusion, 6 Aug., at his new home, The Priory, Hampstead,
on 27 Aug.; bur. St. Pauls Cathedral, London. BREF DIB DIH
W. C. Monkhouse, The Work of John Henry Foley (London 1975); J.
Turpin, John Henry Foley 1818-1874, in Irish Times ( 2 April 1974). See also Anne Crookshank, Irish Sculpture, in Apollo 84 (1966) and H[oman] Potterton, The OConnell Monument (Ballycotton 1973).
Sarah Atkinson, John Henry Foley (Dublin 1882); William C[osmo] Monkhouse, The Works of John Henry Foley ... Sculptor
with critical and illustrative notes by W.C.M. (London:
Virtue, Spalding, & Co. 1875),
vii, , 67, p., 15 pls. [engravings], fol., and Do. [mocrofiche vers.] (Chadwyck-Healey Ltd. ); Ronan Sheehan, Foleys Asia (1999) [infra].
Ronan Sheehan, Foleys Asia (1999), gives account of the imperial background of his most celebrated portraits including centrally the figure of Asia on the base of the Albert Memorial (Hyde Park, London). Also gives biographical details (Chap. 12): step-grandfather Benjamin Schrowder of Winchelsea worked on Gandons Custom House and remained on living at 6 Montgomery St., now Foley St.; wife and children bur. in St. Georges, Temple St. [Hardwicke Place]; credits Schrowder with river-gods on Liffey bridges [?usually ascribed to Edward Smyth]; m. Mrs Byrne whose dg. m. Jesse Foley, a glassblower from Winchester and later grocer in Mecklenberg St. [Sean MacDermott St.]; Edward, a son, learned carving from Benjamin before being apprenticed to John Smith of RDS School; gives account of his childhood wanderings in Dublin; first saw repro. of Leochares Apollo Belvedere in RDS in St. Stephens Day 1830 and decided to commit himself seriously to sculpture; read The Vicar of Wakefield, Youngs Night Thoughts and Herveys meditations; suffered destruction of a competition model by an envious companion and produced a superior one the following day, having laboured by candle-light in the Art School overnight; moved to London, March 1834, and sculpted The Death of Abel winning a ten-year studentship at Academy in London; suffered attack of jaundice that impaired his complexion for life; exhibited Death of Abel and Innocence at RA, 1839; exhibited Ino and Bacchus, 1840; The Death of Lear, 1841; The Homeless Wanderer, 1842; figures of John Hampden and Seldon, 1847; settled at Osnaburgh St., London; death of his mother Eliza in Dublin; carved The Mother; The Elder Brother from Comus; Viscount Hardinge, displayed outside Burlington Hse. before departure for India; received two visits from Queen Victoria in his studio; taught himself to play the flute; designed memorial for Wellington but was beaten to the commission by Baron Marochetti, 1854; contracted pleurisy astride the clay figure of Asia, modelling the bust; apprentices Tenniswood and Brock; last statue was DAniel OConnell.
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Brian de Breffny, Ireland: A Cultural Encyclopaedia (London:
Thames & Hudson): lived in London from date of removal there; won
Westminster Palace competitions, 1844, and many govt. commissions; known
for commemorative statues of heroic dead; examples in England,
Ireland, and India, showing ability to conjure up spirited conception
of each subject in a characteristic pose; Prince Albert and the Asia group on the Albert Memorial. Bibl., B. Read, John Henry Foley, The
Connoisseur, clxxxvi (1974), pp.262-71; J. Turpin, The Career
and Achievements of J. H. Foley, Dublin Historical Record,
xxxii, nos. 2 & 3 (1979), includes catalogue.
W. B. Stanford, Ireland and
the Classical Tradition (IAP 1976; this ed. 1984), J. H. Foley, b.
Dublin 1818, ed. Art School of RDS, and RA London, his tutor being Westmacott,
RA Prof. of Sculpture; influenced by Canova and Flaxman; the OConnell
monument one of his most elaborate designs; his early work resembles late
classical art. 
Anne Cruikshank & the Knight of Glin [Desmond Fitzgerald], Irish Portraits 1600-1860 [Catalogue] (1969), p.89, cites W. C. Monkhouse, The Works of John Henry Foley (London 1875).
Portraits: There is a portrait of J. H. Foley by Thomas Mogford (see Anne Crookshank, Ulster