John Cunningham
Life 1729-1773; b. Dublin; successful play, Love in a Mist at 17; son of a Dublin wine-cooper, wrote farce, Love in a Mist (1747), successful in Dublin; went to England with a group of travelling players, little acting talent; wrote pastoral verse imitative of Gray and Shenstone (Poems Chiefly Pastoral, 1766). d. Newcastle upon Tyne. CAB PI DIW OCEL OCIL
[ top ]
Works
- Love in a Mist (Dublin 1747) [see details].
|
Bibliographical details Love in a Mist, now acting at City Theatre, Dublin, with Great Applause (Dublin MDDCCXLVII [1747]). Wells Microfiche copies a London reprint with the [Dublin] Prologue: The Muse cries out, such sad examples taught her, / No bard can thrive-unless he cross the water. / Severe decree-no homeborn muse delights / Nothing shall please-but what a Stranger writes. The play however involves a dramatis personae and plot concerning philandering young Lords come from Oxford to London, and a lesson learnt: .. / And thy uncertain Sex allow thy Merit / Did each, like thee, with so much Ease inherit / A wondrous stock of beauty, wit, and spirit; / No more should fickle man be fond of raging / But every youth be fixed, beyond power of Changing.
[ top ]
References D. J. ODonoghue,T he Poets of Ireland: A Biographical Dictionary (Dublin: Hodges Figgis & Co 1912); Day, and Other Pastorals (Edin 1761), An Elegy on A Pile of Ruins (Lon 1761), Love in A Mist, a farce (1747), The Poetical Works of J.C. with life (Lon 1795) b. Dublin 1729, actor, d. Newcastle 1773; highly regarded pastoral poet, works in several eds.
Charles A. Read, The Cabinet of Irish Literature, [1876-78]; wrote songs at 12, published in Dublin papers, and still occasionally sung by the lower classes in Dublin and neighbourhood; makes comparison with Shenstone and says that he died after protracted suffering, 18 Sept; his poems better known than the name of the author; quotes Johnson, his poems have peculiar sweetness and elegance; his sentiments are generally natural, and his language simple and appropriate to his subject; selections Morning [In the barn the tenant cock, / Close to Parlet perched on hgh/Briskly corws (the shepherds clock/Jocund that the mornings nigh]; Noon [fervid on the glittring flood, / Now the noontide radiance glows]; Evening Oer the heath the heifer strays, / Free; -the furrowd task is done / Now the village windows blaze, / Burnished by the setting sun]; the ant and the Caterpillar; the Holiday Gown [female, In holiday gown and new-fangled hat / Last Monday I tript to the fair / I held up my head, and Ill tell you for what, / Brisk Roger I guessd would be there]; A Pastoral; Newcastle beer [Theres freedom and health in our Newcastle Beer]; and an Epigram [in which a lord passes a tinker (sic), But Sawney shall receive the praise/His lordship would parade for;/Ones debtor for his dapple grays/And tothers shoes are paid for.]
Peter Kavanagh, Irish Theatre (1946), John Cunningham (1729-73); a farce at Capel St. entitled Love in a Mist, written at 18, provided some elements for Garricks Lying Valet. See Life of Cunningham, prefixed to Bells ed. of Poets of Great Britain, Cunninghams Poetical Works (1781). Ftn. Genest says it appeared at Crow St., which only opened however on Oct. 22 1758 (p.275)
Belfast Public Library holds Poetical Works (n.d.)
[ top ]
|